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S E A R C H D V D B e a v e r |
Directed by Chris Hegedus, D.A. Pennebaker
USA 1979
On April 30, 1971, a standing-room-only crowd of New York’s intellectual elite packed the city’s Town Hall theater to see Norman Mailer—fresh from the controversy over his essay “The Prisoner of Sex” and the backlash it received from leaders of the women’s movement—tangle with a panel of four prominent female thinkers and activists: Jacqueline Ceballos, Germaine Greer, Jill Johnston, and Diana Trilling. Part intellectual death match, part three-ring circus, the proceedings were captured with crackling, fly-on-the-wall immediacy by the documentary great D. A. Pennebaker and a small crew, with Chris Hegedus later condensing the three-and-a-half-hour affair into this briskly entertaining snapshot of a singular cultural moment. Heady, heated, and hilarious, Town Bloody Hall is a dazzling display of feminist firepower courtesy of some of the most influential figures of the era, with Mailer plainly relishing his role as the pugnacious rabble-rouser and literary lion at the center of it all. *** When was the last time you saw Norman Mailer in the ring with his gloves on? Mr. Mailer, the moderator, meets and takes on with good humor the panel members (Germaine Greer, Diana Trilling, Jacqueline Ceballos and Jill Johnston) and members of the audience, some prominent in their fields, such as Elizabeth Hardwicke, Susan Sontag and Betty Friedan (all of whom keep their heads), and others who don't keep their heads and look extremely foolish. Much of what is said at the symposium, one of a series of events produced for the Theater of Ideas, is still relevant, which also says something about the march of women's liberation (it's slow) and a lot of it is just fooling around, as when Jill Johnston starts fooling around on stage with a couple of her admirers. As a movie, "Town Bloody Hall" reflects some of the chaos the discussion keeps threatening to fall into, but Mr. Pennebaker, one of our best documentary film makers, and Chris Negedus, his associate and the editor of the film, succeed in capturing a great deal of the live presence of the occasion. Except from the NY Times located HERE |
Posters
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Theatrical Release: April 3rd, 1979
Reviews More Reviews DVD Reviews
Review: Criterion - Region 'A' - Blu-ray
Box Cover |
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Distribution | Criterion Spine #1039 - Region 'A' - Blu-ray | |
Runtime | 1:25:42.137 | |
Video |
1. 33:1 1080P Dual-layered Blu-rayDisc Size: 47,381,159,446 bytesFeature: 25,800,960,000 bytesVideo Bitrate: 35.71 MbpsCodec: MPEG-4 AVC Video |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate Blu-ray: |
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Audio |
LPCM Audio English
1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps |
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Subtitles | English, None | |
Features |
Release Information: Studio: Criterion
1. 33:1 1080P Dual-layered Blu-rayDisc Size: 47,381,159,446 bytesFeature: 25,800,960,000 bytesVideo Bitrate: 35.71 MbpsCodec: MPEG-4 AVC Video
Edition Details:
• New interview with Hegedus (25:03)
Transparent Blu-ray Case Chapters 13 |
Comments: |
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
On their
Blu-ray,
Criterion use a linear PCM mono track (24-bit) in the
original English language. It suffers from its original production roots
but is clean and clear enough for all dialogue to be discernable. Criterion offer optional English
subtitles on their Region 'A'
Blu-ray.
The Criterion
Blu-ray
I am very happy to have seen Town Bloody
Hall on Criterion Blu-ray.
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Menus / Extras
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