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S E A R C H D V D B e a v e r |
Directed by Jean-Luc Godard
France
1963
Before his convention-shattering debut, Breathless, had even premiered, Jean-Luc Godard leapt into the making of his second feature, a thriller that would tackle the most controversial subject in France: the use of torture in the Algerian War. Despite his lack of political convictions, photojournalist Bruno Forestier (Michel Subor) is roped into a paramilitary group waging a shadow war in Geneva against the Algerian independence movement. Anna Karina (in her first collaboration with Godard, whose camera is visibly besotted with her) is beguiling as the mysterious woman with whom Forestier becomes infatuated. Banned for two and a half years by French censors for its depiction of brutal tactics on the part of the French government and the Algerian fighters alike, Le petit soldat finds the young Godard already retooling cinema as a vehicle for existential inquiry, political argument, and ephemeral portraiture—in other words, as a medium for delivering “truth twenty-four times per second.” *** This controversial spy-romance tale by Jean-Luc Godard was banned from release in France for three years because it refers to the use of torture on both the French and Algerian sides during the Algerian struggle for independence. The story focuses on Bruno Forestier (Michel Subor), a young, disillusioned man who becomes involved in politics, yet in spite of the fact that he stands up to torture and commits murder because of this involvement, he does not have deep political beliefs. Also featured is his lover Veronica Dreyer (Anna Karina, then-wife of director Jean-Luc Godard appearing in her first film) as a motivating factor in Bruno's behavior. Excerpt from B+N located HERE |
Posters
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Theatrical Release: January 25th, 1963
Reviews More Reviews DVD Reviews
Review: Criterion - Region 'A' - Blu-ray
Box Cover |
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CLICK to order from: Also available on DVD from Criterion: |
Distribution | Criterion Spine #1010 - Region 'A' - Blu-ray | |
Runtime | 1:28:24.215 | |
Video |
1. 33:1 1080P Dual-layered Blu-rayDisc Size: 34,709,539,171 bytesFeature: 26,578,427,904 bytes Video Bitrate: 35.94 MbpsCodec: MPEG-4 AVC Video |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate Blu-ray: |
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Audio |
LPCM Audio French 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bits |
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Subtitles | English, None | |
Features |
Release Information: Studio: Criterion
1. 33:1 1080P Dual-layered Blu-rayDisc Size: 34,709,539,171 bytesFeature: 26,578,427,904 bytes Video Bitrate: 35.94 MbpsCodec: MPEG-4 AVC Video
Edition Details:
• Interview with director Jean-Luc Godard from 1965 (6:03)
Transparent Blu-ray Case Chapters 9 |
Comments: |
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
On their
Blu-ray,
Criterion use a linear PCM mono track (24-bit) in the original French
language. The film's audio is consistent and the score by
Maurice Leroux (Immoral
Tales,The
Red Balloon,
White Mane) sounds
predictably flat and audible without much depth. Criterion offer optional English
subtitles on their Region 'A'
Blu-ray.
The Criterion
Blu-ray has
video interviews (French language with optional English subtitles) with
Godard from 1965, at a cafe, and Subor from 1963 - in a Boxing gym - as well as a
1/2 audio interview with Godard from 1961. Various aspects of the film
are broached mostly engaging the political. There is a liner notes
booklet with an essay by critic Nicholas Elliott.
Le Petit Soldat
has 'torture' as a prevalent theme. Notably, as early as this, his
second feature, Godard is balancing entrainment for art with the
ambiguities of morality. It is a fascinating viewing - and has his
gorgeous black and white French-ness that support many of his
early features. I'm not always into Godard as I find his 'art for
art's sake' can get tiresome but this was right up there with
Vivre Sa Vie for myself. The Criterion Blu-ray
is an easy recommendation to Godard devotees and world-cinema fans
alike.
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Menus / Extras
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