NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Criterion Region 'A' - Blu-ray - November 2016: Not that much to say - Criterion's original DVD (2009) was picture-boxed (664X 503) and so the increased resolution of 1080P is even more prominent. It looks like the same Master - still darker than the 2006 Arrow PAL DVD but the winner here is grain support - the texture in HD is very pleasing - and the contrast adds layers to give a much more nuanced visual representation.

Peter tells us in email: "I'm surprised no one has mentioned this, but the Criterion reissue of EXTERMINATING ANGEL is a dual-pronged botch: it's 1.37, erroneously, and is absolutely a 1:1.66 film. There's way too much headroom throughout (and, of course, below as well), clearly borne out by the design of the credits, as well. A preposterous transfer choice for a 1962 production such as this, even more obvious by a quick glance at the framing at any given point during the film.

And it suffers from the same atrocious sound as the original release. It sounds like the source used has soundtrack damage from the beginning until about the 1 hour and 16 minute mark, at which time it finally disappears. My ears tell me it is a scratched optical track, resulting in distortion/white noise.

Someone along the line applied compression/noise reduction (not very well) for the first 40 minutes, leaving a lot of artifacts behind and making the dialogue occasionally hard to hear but basically acceptable. But at the 40 minute mark, the background noise in the master becomes overwhelming, and remains that way for 36-ish minutes. I cannot believe no one has pointed this out; it's almost as though perhaps whomever mastered it confused it for the sounds of the storm raging outside earlier in the film and forgot about it?"

Strangely the, region free, flawed (see below), Arrow DVD is out-of-print going for ridiculous, third-party, dollars. 

Chris (below) was unhappy with the lossy SD audio and while still imperfect the linear PCM, uncompressed, transfer improves upon the weaknesses - which may be production related. yes, it is far from stellar but I played both and it is much improved in clarity and consistency. The lossless doesn't carry much resonance but, again, this could be production-related. There are optional English subtitle and the disc is region 'A'-locked.

Seems to be the exact same extras as the older Criterion DVD - so, I repeat; The Last Script: Remembering Luis Buñuel, is a 1.5 hour 2008 Spanish documentary, by Gaizka Urresti and Javier Espada, featuring screenwriter Jean-Claude Carrière and Juan Luis Buñuel - the director's son. It is wonderfully filled with information and admiring recollections of the man with anecdotes and interesting stories. It is optionally subtitled in English. It is something I intend to watch a second, and possibly third, time. This is worth the price of the disc alone in my opinion. There are also two new interviews with actress Silvia Pinal (10:15) and filmmaker Arturo Ripstein (14:50) as adjunct to the documentary discussions. There is also a theatrical trailer. The package includes a liner notes booklet featuring photos, a new essay by film scholar Marsha Kinder and an interview with Buñuel from the 1970s. 

Another fascinating film from Buñuel. It's great to have it in improved a/v - one to revisit for years on Blu-ray. Recommended  to Buñuel fans! 

***

ON  THE DVD: NOTE: Chris tells us in email: "...But I'm just watching the Criterion edition of Exterminating Angel and I am shocked by the dismal quality of the soundtrack. I haven't seen the other available edition -- which apparently has its own little problem -- but the Criterion (especially at Criterion's price!) has a soundtrack that sounds as though digitally sampled at one rate and then re-recorded at an incompatible rate - or something! Anyway, there's a constant shifting on volume level (from inaudible to audible) at a very fast rate (about every half second) that can only be a technical error on the part of the DVD production company." (Thanks Chris!)

ADDITION: Criterion - January 09': Firstly, I can assure you that the Criterion disc properly includes the double entrance of the guests as described by both Ebert and David below.

Like the Criterion DVD transfer of Simon of the Desert this is pictureboxed (see our description of 'pictureboxing' in our Kind Hearts and Coronets review). Criterion have included a thick black border around the edge of the frame to supposedly counter 'overscan' on production-made television sets.

Aside from the Arrow cut scene, the big difference is contrast between the UK and North American release. Where the Arrow shows instances of being blown out - the Criterion is much darker with far superior shadow detail. This gives the Criterion an edge in sharpness and it occasionally shows a marginal increase in frame information.

Perhaps more important than the image are the Criterion supplements on a second dual-layered disc. The Last Script: Remembering Luis Buñuel, is a 1.5 hour 2008 Spanish documentary, by Gaizka Urresti and Javier Espada, featuring screenwriter Jean-Claude Carrière and Juan Luis Buñuel - the director's son. It is wonderfully filled with information and admiring recollections of the man with anecdotes and interesting stories. It is optionally subtitled in English. It is something I intend to watch a second, and possibly third, time. This is worth the price of the disc alone in my opinion. There are also two new interviews with actress Silvia Pinal (10:13) and filmmaker Arturo Ripstein (14:48) as adjunct to the documentary discussions. On disc one is a theatrical trailer. The package includes a 38-page liner notes booklet featuring photos, a new essay by film scholar Marsha Kinder and an interview with Buñuel from the 1970s. Magnificent.

Another essential release from Criterion. I applaud their efforts in bringing two of the Mexican Buñuels to superior transfer with improved subtitles and fascinating documentary. Every time I see The Exterminating Angel I mark it as one of my favorite Buñuel films. I am thrilled to have it in such a stellar and complete edition. Absolutely recommended!

***

ON THE ARROW PAL DISC:

NOTE: The Arrow disc has a major flaw in the opening scenes:

Buñuel shot two "versions" (if you like) of the servants preparing to leave the mansion at the start of the movie, both versions happening before the guests arrive.

I'll quote some comments I found:

1: Roger Ebert:
"The dinner guests arrive twice. They ascend the stairs and walk through the wide doorway, and then they arrive gain--the same guests, seen from a higher camera angle. This is a joke and soon we will understand the punch line: The guests, having so thoroughly arrived, are incapable of leaving."

2: from a Criterion poster "The correct order of shots is that the servants are leaving but see that the guests are entering the hall so they hide in another room. The guests then enter the hall, the host calls his butler and the guests go up the stairs. It then cuts to the servants in the other room who begin to leave thinking that the guests have gone upstairs but then the guests enter the hall again so they retreat back into the other room. We then see the guests entering for a second time, the host calls his butler and the guests go up the stairs."

The discs completely remove these shots/sequences, as though they were an embarrassing "mistake" on Buñuel's part. (Kind of like the two actresses in Cet Obscur Objet du Desir.) - Thanks David!

****

A fairly decent picture quality, similar to Buñuel's  Los Olvidados, The Criminal Life of Archibaldo de la Cruz and El, all available on DVD. The aspect ratio appears to be maintained, it is fairly clean and acceptably sharp but if you are expecting Criterion level contrast you will be disappointed... but the DVD is progressively transferred and certainly watchable, if far too blown out (brightness) for my personal taste. The audio showed a few inconsistencies and there are no supplements but , aside from a recent R4 Australian release, this is the only available DVD of this film WITH English subs - for that reason alone Buñuel fans may want to pick it up.

NOTE: This review replaced the Spanish version that had no English subs.  

Gary W. Tooze