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directed by Fabio Grassadonia, Antonio Piazza
Italy/France 2013
After an attempt on the life of a mafia boss (Mario Pupella, THE SICILIAN GIRL), his bodyguard Salvo (Saleh Bakri, SALT OF THE SEA) takes out the man behind the hit but spares his blind sister Rita (Sara Serraiocco) who he takes and imprisons in a derelict factory (the site of many a body dump by his boss). Salvo tells his boss - who is laying low after the hit - that he killed the girl as well, but solitary bodyguard's erratic behavior does not go unnoticed. Said behavior takes the form of a sudden craving for companionship from his beleaguered landlady (Giuditta Perriera) and her acquiescent son Enzo (Luigi Lo Cascio, GOOD MORNING, NIGHT) as well as their dog. He attempts this new found (and seemingly alien) affection to Rita who is dealing with the slow return of her vision following her brother's murder. She cannot comprehend why he has kept her alive (and perhaps neither can he) beyond seemingly base needs until he stands up to his boss who has found out she is alive and demands he finish the job (leaving behind his men to make sure they do not attempt to escape the factory). |
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Theatrical Release: 22 August 2014 (USA)
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DVD Review: Film Movement - Region 1 - NTSC
Big thanks to Eric Cotenas for the Review!
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Distribution |
Film Movement Region 1 - NTSC |
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Runtime | 1:49:44 | |
Video |
2.41:1 Original Aspect Ratio
16X9 enhanced |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate |
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Audio | Italian Dolby Digital 5.1; Italian Dolby Digital 2.0 stereo | |
Subtitles | English, none | |
Features |
Release Information: Studio: Film Movement Aspect Ratio:
Edition Details: Chapters 12 |
Comments |
Film Movement's
dual-layer, progressive, anamorphic widescreen transfer sports
crisp detail in close-up and somewhat less in longer shots (the
film was shot using the 35mm Aaton Penelope camera which is
capable of shooting 3-perf 16:9 or 2-perf scope with spherical
lenses in the style of the Techniscope non-anamorphic format)
with minor edge enhancement. The image is deliberately sun-baked
(given the summer Palermo setting) with harsh contrasts and
almost bleached highlights. The Dolby Digital 5.1 track is
restrained with almost no music (apart from a song heard
repeatedly on the radio), but the sound design is very subtle
and detailed (with live audio and additional sound elements
recorded by Michael Haneke's sound recordist of choice Guillaume
Sciama). Translation is provided courtesy of both optional
English subtitles and closed-captioning. |
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Distribution |
Film Movement Region 1 - NTSC |
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S E A R C H D V D B e a v e r |