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S E A R C H D V D B e a v e r |
(aka 'Campanadas a medianoche', Chimes at Midnight' or 'Falstaff)
The crowning achievement of Orson Welles’s extraordinary cinematic career, Chimes at Midnight was the culmination of the filmmaker’s lifelong obsession with Shakespeare’s ultimate rapscallion, Sir John Falstaff. Usually a comic supporting figure, Falstaff—the loyal, often soused friend of King Henry IV’s wayward son Prince Hal—here becomes the focus: a robustly funny and ultimately tragic screen antihero played by Welles with looming, lumbering grace. Integrating elements from both Henry IV plays as well as Richard II, Henry V, and The Merry Wives of Windsor, Welles created a gritty and unorthodox Shakespeare film as a lament, he said, “for the death of Merrie England.” Poetic, philosophical, and visceral—with a kinetic centerpiece battle sequence that rivals anything in the director’s body of work—Chimes at Midnight is as monumental as the figure at its heart. ***
"Also known as 'Falstaff'. Orson Welles's
version of the Falstaff story, assembled from Shakespearean bits and pieces, is
the one Welles film that deserves to be called lovely; there is also a rising
tide of opinion that proclaims it his masterpiece (1966, 115 min.). Restrained
and even serene (down to its memorably muddy battle scene), it shows Welles
working largely without his technical flourishes--and for those who have never
seen beyond his surface flash, it is ample proof of how sensitive and subtle an
artist he is. With Keith Baxter, John Gielgud, Margaret Rutherford, and Jeanne
Moreau." Capsule
by Dave Kehr |
Posters
Theatrical Release Date: December 22nd, 1965
Reviews More Reviews DVD Review
Associated Reading (CLICK COVERS or TITLES for more information)
This is Orson Welles by Orson Welles, Peter Bogdanovich, Jonathan Rosenbaum |
Orson Welles on Shakespeare: The W.P.A. and Mercury
Theatre Playscripts by Orson Welles, Simon Callow, Richard France |
Orson Welles: Interviews (Conversations with
Filmmakers (Paperbacks)) by Orson Welles, Mark W. Estrin |
The Trial by Franz Kafka |
Orson Welles : The Stories of His Life by Peter Conrad |
Rosebud : The Story of Orson Welles by David Thomson |
Encyclopedia of Orson Welles (Great Filmmakers) by Chuck Berg, Tom Erskine, John C. Tibbetts, James M. Welsh, Thomas L. Erskine |
Chimes at Midnight: Orson Welles, Director (Rutgers
Films in Print) by Bridget Gellert Lyons |
Comparison:
Suevia Films - Region 0 - PAL vs. Criterion - Region 'A' - Blu-ray
1) Suevia Films - Region 0 - PAL - LEFT2) Criterion - Region 'A' - Blu-ray - RIGHT |
Box Covers |
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Distribution | Suevia Films Region 2 - PAL | Criterion Collection - Spine #830 - Region 'A' Blu-ray |
Runtime | 1:51:00 (4% PAL Speedup) | 1:56:24.018 |
Video | 1.60:1.00
original aspect ratio Average Bitrate: 5.97 mb/s PAL 720x576 25.00 f/s |
1.66:1 Disc Size: 49,700,632,813 bytes Feature Size: 34,781,337,600 bytes Average Bitrate: 35.45 MbpsDual-layered Blu-ray MPEG-4 AVC Video: 1080P |
Bitrate: Suevia |
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Bitrate: Criterion Blu-ray |
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Audio | English (Dolby Digital 2.0), Spanish (Dolby Digital 2.0) |
LPCM Audio English 1152 kbps
1.0 / 48 kHz /
1152 kbps / 24-bit Dolby Digital Audio English 192 kbps 1.0 / 48 kHz / 192 kbps |
Subtitles | English, Spanish, None | English or none |
Features |
Intemacional Films Espanola
DVD Encoding: Region 2 - PAL ( actually Region 0 )
DVD Release Date:
October 10, 2000 |
Release Information: 1.66:1 Disc Size: 49,700,632,813 bytes Feature Size: 34,781,337,600 bytes Average Bitrate: 35.45 MbpsDual-layered Blu-ray MPEG-4 AVC Video: 1080P Edition Details:
• Audio commentary featuring film scholar James
Naremore, author of The Magic World of Orson Welles Chapters: 25 |
Comments: |
NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc. ADDITION: Criterion - Region 'A' - Blu-ray July 16': Firstly, we don't own the Mr. Bongo Blu-ray release HERE from the UK - we had heard unfavorable things about it. Criterion's 1080P image is superb - looking consistent, rich, and detailed. There is no damage (or chroma of the Spanish SD) and the dual-layered transfer (with max'ed out bitrate) certainly exceeds my expectations. It looks sweet in-motion. I'm very pleased. Criterion use their typical linear PCM - original mono track - at 1152 kbps (24-bit). The dialogue sync always seems slightly off to me, at times, but the film's music credited to Angelo Francesco Lavagnino (who wrote scores for plenty of films - just not many that I know!) is clean and clear. There are optional English subtitles on the region 'A'-locked Blu-ray disc.Criterion include an important audio commentary featuring film scholar James Naremore, author of The Magic World of Orson Welles and it is quit educational and informative. There are new interviews recorded by Criterion in 2016. The first is with actor Keith Baxter - for 1/2 an hour - who reminisces about playing Prince Hal on stage and screen and his close relationship with Orson Welles. We also hear, about 15-minutes, from director Orson Welles’s daughter Beatrice Welles, who appeared in the film at age nine and recalls the atmosphere on set and her reluctance to play Falstaff's young page. We also get 1/2 an hour with Welles biographer Simon Callow who played Falstaff to Keith Baxter's King Henry IV in a 1998 production of Orson Welles stage version of Chimes at Midnight. As an author, he has published three volumes of a Welles biography. In this interview, Callow discusses Welles's nimble adaptation of several Shakespeare plays into one coherent work of cinema. There is also a new, 27-minute, interview with film historian Joseph McBride, author of What Ever Happened to Orson Welles? discussing Welles late career and approach to adapting Shakespeare. Included is an 11-minute interview with Welles while at work editing the film, from a 1965 episode of The Merv Griffin Show and a trailer. The package contains a liner notes booklet with an essay by film scholar Michael Anderegg. One of the more desirable Blu-ray releases of the year for Welles fans, Shakespeare fans and all cinephiles. Our highest recommendation! *** ON THE DVD: Ahh... what can you say - Another great film with lackluster print transfer to DVD. Picture quality falls somewhere between mediocre to bad, often hazy, sound is up and down. Robert Harris has assured me that there is a fine print available (not in need of restoration) but it obviously wasn't used in making this DVD. Extras are pretty good though with filmographies (Welles and Gielgud), and interviews with Jesus Franco (second unit director - 3:55), Juan Cobos (assistant to Welles - 3:17), Tony Fuentes (both assistant directors - 6:22), Edmon Richard (director of photography - 5:02), and Emma Penella (assistant to the producer - 3:13). No English Subs!. 7 stills from the set, including the Spanish poster for the film (see above) and a letter from Welles regarding production. 2 static pages for the cast and crew. Sad, but certainly this is not on the horizon for any other DVD production company soon. |
Criterion - Region 'A' - Blu-ray
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
1) Suevia Films - Region 0 - PAL - TOP2) Criterion - Region 'A' - Blu-ray - BOTTOM |
1) Suevia Films - Region 0 - PAL 2)
1) Suevia Films - Region 0 - PAL 2)
1) Suevia Films - Region 0 - PAL 2)
1) Suevia Films - Region 0 - PAL - TOP2) Criterion - Region 'A' - Blu-ray - BOTTOM
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More Blu-ray Captures
Box Covers |
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Distribution | Suevia Films Region 2 - PAL | Criterion Collection - Spine #830 - Region 'A' Blu-ray |
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