Mirror (Zerkalo) Blu-ray - Margarita Terekhova

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S E A R C H D V D B e a v e r

(aka "Mirror" or "The Mirror" or "Sarke" or "White, White Day" or "Zerkalo")

U.S.S.R. 1975

Mirror (Russian title 'Zerkalo') from 1975, is Tarkovsky's fourth of seven feature films. It has relevancy being numerically "central" in his oeuvre also marking itself as, by the director's own account, 'My most openly autobiographical, daring, and self-revealing film'. Infused with dense, personal references from memory and an inaccessible use of time, space and performances, this is considered the director most artistically bold work being steeped in layered constructions. In examining his entire body of work this tends to be a catalyst of his vision of transcendency. About the film, Tarkovsky states "It is an autobiographical film. The things that happen are real things that happened to people close to me. That is true of all the episodes in the film. But why do people complain that they cannot understand it? The facts are so simple, they can be taken by everyone as similar to the experience of their own lives. But here we come up against something that is peculiar to cinema: the further a viewer is from the content of a film, the closer he is; what people are looking for in cinema is a continuation of their lives, not a repetition. There are no entertaining moments in the film. In fact I am categorically against entertainment in cinema: it is as degrading for the author as it is for the audience."

***

A subtly ravishing passage through the halls of time and memory, this sublime reflection on twentieth-century Russian history by Andrei Tarkovsky (Stalker) is as much a poem composed in images, or a hypnagogic hallucination, as it is a work of cinema. In a richly textured collage of varying film stocks and newsreel footage, the recollections of a dying poet flash before our eyes, his dreams mingling with scenes of childhood, wartime, and marriage, all imbued with the mystical power of a trance. Largely dismissed by Soviet critics on its release because of its elusive narrative structure, Mirror has since taken its place as one of the director’s most renowned and influential works, a stunning personal statement from an artist transmitting his innermost thoughts and feelings directly from psyche to screen.

Posters

Theatrical Release Date: April, 1975 - U.S.S.R.

Reviews More Reviews DVD Reviews

Comparison:

Lizard - Region 0 - PAL vs. MK2 (France) - Region 0 - PAL vs. Kino Video - Region 0 - NTSC vs. Artificial Eye- Region 0 - PAL vs. Spectrum (Korean) - Region 3 - NTSC vs. Artificial Eye (Andrei Tarkovsky Collection) - Region 2 - PAL vs. IVC - Region FREE - Blu-ray vs. Artificial Eye - Region 'B' - Blu-ray vs. Criterion - Region 'A' / 'B' - Blu-ray

On the TOP 100 List

Big thanks to Denis and Kevin Parent for the Lizard and Korean DVD Screen Captures

Box Covers

Distribution

Lizard (Russia)

Region 0 - PAL

MK2 (France)

Region 0 - PAL

Kino Video

Region 0 - NTSC

Artificial Eye

Region 0 - PAL

Coming to Blu-ray by Criterion in July 2021:

BONUS CAPTURES:

Spectrum
Region 3 - NTSC

Artificial Eye (Andrei Tarkovsky Collection)

Region 2 - PAL

IVC
Region FREE - Blu-ray

Artificial Eye (UK)

Region 'B' - Blu-ray

Criterion Collection - Spine # 1084

Region 'A' / 'B' - Blu-ray

	Lizard	MK2	Kino	Artificial Eye	Spectrum	AE Tarkovsky Collection	IVC Blu-ray	AE Blu-ray	Criterion Blu-ray
Runtime	1:41:51 (4% PAL Speedup)	1:41:48 (4% PAL Speedup)	1:46:20	1:41:48 (4% PAL Speedup)	1:41:42 (4% PAL Speedup)	1:42:32 (4% PAL Speedup)	1:47:26.898	1:47:00.997	1:46:55.492
Video	1.33:1/4:3 FullScreen Average Bitrate: 7.42 mb/s PAL 720x576 25.00 f/s	1.33:1/4:3 FullScreen Average Bitrate: 6.30 mb/s PAL 720x576 25.00 f/s	1.33:1/4:3 FullScreen Average Bitrate: 5.34 mb/s NTSC 720x480 29.97 f/s	1.33:1/4:3 FullScreen Average Bitrate: 6.30 mb/s PAL 720x576 25.00 f/s	1.33:1/4:3 FullScreen Average Bitrate: 6.28 mb/s NTSC 720x480 29.97 f/s	1.33:1/4:3 FullScreen Average Bitrate: 7.12 mb/s PAL 720x576 25.00 f/s	Aspect Ratio: 1.44:1 1080P Single-layered Blu-ray Disc Size: 22,502,874,817 bytes Feature: 22,399,383,552 bytes Video Bitrate: 24.77 Mbps Codec: MPEG-4 AVC Video	Aspect Ratio: 1.44:1 1080P Dual-layered Blu-ray Disc Size: 31,230,803,038 bytes Feature: 30,867,191,808 bytes Video Bitrate: 34.99 Mbps Codec: MPEG-4 AVC Video	Aspect Ratio: 1.37:1 1080P Dual-layered Blu-ray Disc Size: 48,433,698,842 bytes Feature: 31,901,540,352 bytes Video Bitrate: 35.66 Mbps Codec: MPEG-4 AVC Video
	NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.
Bitrate: Lizard
Bitrate: MK2
Bitrate: Kino
Bitrate: Artificial Eye
Bitrate: Spectrum
Bitrate: AE (Tarkovsky Collection)
Bitrate: IVC Blu-ray
Bitrate: Artificial Eye Blu-ray
Bitrate: Criterion Blu-ray
Audio	Russian Dolby Digital 5.1(448Kbps) and Russian Dolby Digital 2.0(256Kbps) - real mono * although it is listed as 2.0	Russian Dolby Digital 5.1 and (added later): Russian Dolby Digital 1.0 mono	Russian Dolby Digital 1.0 mono	Russian Dolby Digital 5.1 and (added later): Russian Dolby Digital 1.0 mono	Russian Dolby Digital 1.0 mono * * although it is listed as 2.0	Russian Dolby Digital 2.0 mono	LPCM Audio Russian 1536 kbps 2.0 / 48 kHz / 1536 kbps / 16-bit	LPCM Audio Russian 1536 kbps 2.0 / 48 kHz / 1536 kbps / 16-bit	LPCM Audio Russian 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit
Subtitles	Russian or none	Russian, English, Deutsch, French, Spanish, Portuguese, Italian, Dutch, Swedish, Arabic, Hebrew, Mandarin, Japanese	Burned in yellow (English)	Russian, English, Deutsch, French, Spanish, Portuguese, Italian, Dutch, Swedish, Arabic, Hebrew, Mandarin, Japanese	Russian, English, Korean or none	English or none	Japanese or none	English and none	English and none
Features	Released by: Krypny Plan Aspect Ratio: 1:33:1 original aspect ratio Edition Details: • Introduction: Interview with scriptwriter Aleksandr Mišarin (1.33:1, color, 32:14) • Filmographies • Photo Album of 9 images DVD Release Date: 2004 Super Jewel Case Chapters: 18 DVD Encoding: PAL Region 0 DL/DVD-9 ( 6.57 Gb)	Release Information: Studio: MK2 Aspect Ratio: 1:33:1 original aspect ratio Edition Details: • Introduction: Interview with scriptwriter Aleksandr Mišarin (1.33:1, color, 32:14) • Introduction: Interview with politician Grigory Javlinsky (1.33:1, color, 9:45 ) • Biographical Text Pages (2) on Arseny Tarkovsky • Excerpts of films with Anatoly Solonisyn (1.33:1, b+w and color, 8:18) • Documentary on Innokenty Smoktunovsky (1.33:1, color, 10:50) • Documentary on Nikolai Grinko (1.33:1, 3:24) • Edouard Artemev: Dedication to Tarkovsky (1.33:1, color, 9:14) • Filmographies: Static screens of 6 crew with imbeded trailers:or Solaris (2.35:1/4:3, 3:20), Nekončennaja p’esa dlja mekhaničeskogo pianino (1.33:1, 1:29), Sinjaja Ptica (1.33:1, 3:06), Sibiriada (1.33:1, 2:21), Dvorjanskoe gnezdo (1.33:1, 3:46) • Photo Album of 9 images DVD Release Date: May 25th, 2005 Slim digipak with no sleeve Chapters: 18 DVD Encoding: PAL Region 0 SS-DL/DVD-9	Release Information: Kino Video Aspect Ratio: 1:33:1 original aspect ratio Edition Details: None DVD Release Date: 21st March 2000 Keep Case Chapters: 14 DVD Encoding: NTSC Region 0 SS-SL/DVD-5	Release Information: Studio: Artificial Eye Aspect Ratio: 1:33:1 original aspect ratio Edition Details: • Introduction: Interview with scriptwriter Aleksandr Mišarin (1.33:1, color, 32:14) • Introduction: Interview with politician Grigory Javlinsky (1.33:1, color, 9:45 ) • Biographical Text Pages (2) on Arseny Tarkovsky • Excerpts of films with Anatoly Solonisyn (1.33:1, b+w and color, 8:18) • Documentary on Innokenty Smoktunovsky (1.33:1, color, 10:50) • Documentary on Nikolai Grinko (1.33:1, 3:24) • Edouard Artemev: Dedication to Tarkovsky (1.33:1, color, 9:14) • Filmographies: Static screens of 6 crew with imbeded trailers:or Solaris (2.35:1/4:3, 3:20), Nekončennaja p’esa dlja mekhaničeskogo pianino (1.33:1, 1:29), Sinjaja Ptica (1.33:1, 3:06), Sibiriada (1.33:1, 2:21), Dvorjanskoe gnezdo (1.33:1, 3:46) • Photo Album of 9 images DVD Release Date: 29 July 2002 Keep Case Chapters: 18 DVD Encoding: PAL Region 0 SS-DL/DVD-9	Release Information: Studio: Spectrum Aspect Ratio: 1:33:1 original aspect ratio Edition Details: • Introduction: Interview with scriptwriter Aleksandr Mišarin (1.33:1, color, 32:14) • Introduction: Interview with politician Grigory Javlinsky (1.33:1, color, 9:45 ) • Biographical Text Pages (2) on Arseny Tarkovsky • Excerpts of films with Anatoly Solonisyn (1.33:1, b+w and color, 8:18) • Documentary on Innokenty Smoktunovsky (1.33:1, color, 10:50) • Documentary on Nikolai Grinko (1.33:1, 3:24) • Cast and Crew: Static screens of 6 crew with imbeded trailers:or Solaris (2.35:1/4:3, 3:20), Nekončennaja p’esa dlja mekhaničeskogo pianino (1.33:1, 1:29), Sinjaja Ptica (1.33:1, 3:06), Sibiriada (1.33:1, 2:21), Dvorjanskoe gnezdo (1.33:1, 3:46) • Photo Album of 9 images DVD Release Date: 2003 Part of Boxset Chapters 18 NO SUBS ON EXTRAS !	Release Information: Studio: Artificial Eye Aspect Ratio: 1:33:1 original aspect ratio Edition Details: • Part of the Andrei Tarkovsky Collection DVD Release Date: May 23rd, 2011 Unknown Case Chapters: 12	Release Information: Studio: IVC Aspect Ratio: 1.44:1 1080P Single-layered Blu-ray Disc Size: 22,502,874,817 bytes Feature: 22,399,383,552 bytes Video Bitrate: 24.77 Mbps Codec: MPEG-4 AVC Video Edition Details: • None Blu-ray Release Date: December 20th, 2013 Transparent Blu-ray case Chapters 12	Release Information: Studio: Artificial Eye Aspect Ratio: 1.44:1 1080P Dual-layered Blu-ray Disc Size: 31,230,803,038 bytes Feature: 30,867,191,808 bytes Video Bitrate: 34.99 Mbps Codec: MPEG-4 AVC Video Edition Details: • Mary Wild Introduction (2:35) • Selected scene commentary with Film Psychoanalyst Mary Wild (11:38 - Part 4 - The Mirror - Alienation in Language) • Interview with screenwriter A. Misharin (32:32) • Interview with Composer Eduard Artemev (21:10) • Interview with Oleg Yankovskiy (9:55) • Music Box Featurette "The Last Take" (3:24) 36 page booklet Blu-ray Release Date: July 25th, 2016 Standard Blu-ray case Chapters 12	Release Information: Studio: Criterion Aspect Ratio: 1.37:1 1080P Dual-layered Blu-ray Disc Size: 48,433,698,842 bytes Feature: 31,901,540,352 bytes Video Bitrate: 35.66 Mbps Codec: MPEG-4 AVC Video Edition Details: • Andrei Tarkovsky: A Cinema Prayer, a 2019 documentary about the director by his son Andrei A. Tarkovsky (1:42:07) • The Dream in the Mirror, a new documentary by Louise Milne and Seán Martin (53:56) • New interview with composer Eduard Artemyev (22:12) • Islands: Georgy Rerberg, a 2007 documentary about the cinematographer (52:08) • Archival interviews with Tarkovsky (1PM news - 4:19 / Nord-Pas-De-Calias News - 3:31) and screenwriter Alexander Misharin (32:34) • PLUS: An essay by critic Carmen Gray and, for the Blu-ray, the 1968 film proposal and literary script by Tarkovsky and Misharin that they ultimately developed into Mirror Blu-ray Release Date: July 6th, 2021 Transparent Blu-ray case Chapters 17

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Criterion - Region 'A' / 'B' Blu-ray - June 2021: Criterion's 1080P transfer of Tarkovsky's Mirror is housed on a dual-layered Blu-ray disc with a max'ed out bitrate. It is cited as a "New 2K digital restoration". The package has a second Blu-ray of extras (discussed below.) This is a massive improvement over all digital editions. The past DVDs and Blu-rays always seem to have a color cast over them, dampened contrast, pink hues etc. Those are thankfully gone and we get far truer colors, a notable jump in detail and contrast layering to a far more impressive level. I don't know what Mirror originally looked like but I can say, with confidence, that the Criterion visuals are far more realistic, pleasing and provide another vital layer for your 'viewing experience'. The blocky textures on the UK and Japanese Blu-rays are replaced with fine, consistent, grain on the Criterion. There can be sequences where Criterion's 1.37:1 aspect ratio loses some information on the sides when compared to the 1.44:1 transfers. Other screen captures actually showed more. I never found the Criterion image 'blown-out' or too bright, nor any digitization. It's an artistically hypnotic HD presentation worthy of the unique and visually impacting film.

NOTE: We have added 76 more large resolution Blu-ray captures (in lossless PNG format) for DVDBeaver Patrons HERE

On their Blu-ray, Criterion use a similar linear PCM mono track - (24-bit) in the original Russian language. It is a bump ahead of the Artificial Eye (16-bit) and the film's music sounds so beautiful. The score by Eduard Artemev (Stalker, Solaris) sounds excellent - rich and deep - augmented by Henry Purcell, Johann Sebastian Bach and Giovanni Battista Pergolesi. There are also optional English (SDH) subtitles on Criterion's region 'A' / 'B' Blu-ray (sold in North American and the UK.)

On their extras Criterion add, sharing the feature Blu-ray, Andrei Tarkovsky: A Cinema Prayer, a one and 3/4 hour 2019 documentary about the director by his son Andrei A. Tarkovsky It poetically recounts Tarkovsky's life and work, letting the director tell the story himself, as he shares with us his memories, his view of art and his reflections on the destiny of the artist and the meaning of human existence. It premiered at the Venice Film Festival in 2019.

The second Blu-ray has The Dream in the Mirror, a new 54-minute documentary by Louise Milne and Seán Martin. They made this film for the Criterion Collection in 2021. It features interviews with collaborators and family members of director Andrei Tarkovsky's, along with scholars of his work. Criterion shot an interview with the innovative electronic composer Eduard Artemyev in 2021. There are 22-minutes of it included on the Blu-ray. Artemyev composed music for three films by Andrei Tarkovsky: Mirror, Stalker, Solaris. Islands: Georgy Rerberg is a 2007 documentary about the cinematographer running over 52-minutes. Georgy Rerberg was known as "the Genius" around Mosfilm Studios in the 1970s, at a time when director Andrei Tarkovsky was looking for a new cinematographer for his upcoming project. This 2007 Russian television documentary considers Rerberg's career, with a special focus on his most famous film, Mirror. Criterion include short archival interviews with director Andrei Tarkovsky that appeared on French television in 1978. The first, a segment from 1 p.m. News, was broadcast on January 17th of that year. The second, a segment from Nord-Pas-de-Calais News, was broadcast on January 25th. There is also a 1/2 hour 2004 interview with screenwriter Alexander Misharin discusses working with director Andrei Tarkovsky on Mirror. (same as found on the 2016 AE BD.) The Criterion Blu-ray package has a liner notes booklet with an essay by critic Carmen Gray and the 1968 film proposal and literary script by Tarkovsky and Misharin that they ultimately developed into Mirror.

What a fabulous surprise. I was hoping that the Criterion Blu-ray would turn out just as it has. Easily the best a/v presentation of one of my all time favorite films (my eldest son's middle name is 'Andrei'). An obvious frontrunner for our 2021 Year End Poll and inclusion in our Desert Island Discs. For a film so visually arresting, filled with art, memory, poetry that you can see is multiple times gaining appreciation each viewing. Criterion Blu-ray is a revelation and a must-own for all cinephiles. Our highest recommendation!

***

ADDITION: Artificial Eye - Region 'B' Blu-ray - July 2016: Curzon / Artificial Eye provide another two-Blu-ray package for one of their new Tarkovsky film-to-1080P releases. Mirror is housed on one dual-layered Blu-ray disc with a max'ed out bitrate. It shares the color scheme of the IVC BD, the 1.44:1 aspect ratio and same source as the Artificial Eye DVD from The Andrei Tarkovsky DVD Collection boxset that never really got released. In close examination the UK BD is superior to the Japanese - a shade lighter, tighter and more layered contrast.

NOTE: There is the opinion that the brighter appearance is due to a missing gamma correction from an encoding error. In Blu-ray authoring you often use a lossless Apple Quicktime Pro-Res file as an intermediate between the uncompressed content of an HD-tape-master and the final AVC or VC1 encoding. This Pro-Res file, like most thing made by Apple, has an error that comes with it which is that it brightens the picture. Now, if you encode the Pro-Res file without a gamma correction, your result can be a faulty Blu-ray.

Artificial Eye again use a linear PCM track in the original Russian. It mimics the uncompressed audio transfer from the Japanese Blu-ray and the music is a huge part of the film experience. However, the AE has optional English subtitles and the disc is region 'B'-locked.

AE include a second Blu-ray of extras with Film Psychoanalyst Mary Wild's Introduction and 'Andrei Tarkovsky's metaphysical dream zone' - Part 4; The Mirror - Alienation in Language running shy of a dozen minutes. There are also interviews with with screenwriter A. Misharin for 1/2 an hour, composer Eduard Artemev for over 20-minutes and 10-minutes with the actor Oleg Yankovskiy as well as the brief Music Box Featurette "The Last Take" (all offer optional English subtitles) and the package has a booklet - that I have not been privy to, yet!

***

ADDITION: IVC - Region FREE Blu-ray - March 2014 - Certain films - despite not being on an English-friendly Blu-ray - we still like to investigate, see what prints are being used etc.. IVC, out of Japan, seem to have done a good job with Jacques Becker's Le Trou on Blu-ray (although is also not English-friendly.) I realized the odds were against English subtitles but Mirror is one of the films that I would least require them. Not that I have memorized the Russian dialogue translations, or anything - but the Tarkovsky's visuals are much more like art than formed in the structure of a standard film - I can still greatly appreciate the film without being informed what is precisely spoken. Anywho...

This looks like the same source as the newest Artificial Eye (The Andrei Tarkovsky Collection boxset that never really got released.) Perhaps this is some form of restoration that took place 2011 or before. I'm just guessing. The aspect ratio is about 1.44:1. The 1080P shows more grain and in certain scenes there is depth and detail not seen on SD. Also the colors may be the most noticeable video difference. Brighter, tighter and more layers. Black and white sequences have solid contrast. This new Blu-ray can look softer, but I don't think it is softness - it actually looks more thick and film-like in-motion, to me. I liked the way this looks - superior to the DVDs, but I can't say it will be the definitive.

I was very excited to hear the linear PCM - a 2.0 channel at 1536 kbps. Mirror's music is some of the most impacting I have ever heard in a film. The Purcell piece and three Bach's - Matthäuspassion - BWV 244, Johannes Passion - BWV 245 and Orgelbüchlein - Das alte Jahre vergangen ist - BWV 614 sound brilliant in lossless. Like the video also superior to SD - but perhaps even more so. There is depth and crispness in the orchestras. Wow. Only optional Japanese subtitles, but the Blu-ray disc is region FREE.

There are no extras. I will still cherish this release while waiting for an English-friendly, dual-layered 1080P version. I understand the Russian Blu-ray that is out there is also single-layered and it has no subtitles at all.

***

ADDITION: Artificial Eye (ATC) - Region 2 - PAL - May 11' - This is part of The Andrei Tarkovsky Collection from Artificial Eye in the UK. We had heard that these would be 'new transfers' and Mirror certainly is. I suspect this may be from a different source. Colors have some alternation from the previous crop of DVDs as does the contrast of the black and white segments. I'd like to take a bit longer to look at this barebones disc - as I had not seen Mirror in a while - it is my favorite Tarkovsky film and one of my favorite pieces of cinema... ever. I LOVED the subtle differences that I noted in the new transfer and look forward to perusing the rest of the collection which includes Childhood (1962), Andrei Rublev (1966), Solaris (1972), Mirror (1975), Stalker (1979), Nostalgia (1983), and The Sacrifice (1986).

NOTE: There appears to have been a delay with the release date - but I can assure you it exists as I am holding 3 screeners of the 6 films available in the new set. Exciting times!

***

ADDITION: Lizard - Region 0 - PAL - October 05' - The Lizard edition looks quite good - I would say a small notch ahead of the AE and MK2 in terms of sharpness but, of course, its fatal drawback, for most, are the lack of English subtitles. It might very well be vertically stretched a bit and looks more correct to me, at times, next to the other releases. The real conundrum of any transfer of Mirror, is that it cannot be digitally tampered with - there is too much archival footage, often very damaged. So when you boost or de-saturate it become easily apparent in those scenes. Ex. the damage in the balloon sequence is supposed to be there!

If you are keen to own this Lizard edition BEWARE - this is a DVD9 (Dual layer - 6.57 Gb), but Lizard also produces a DVD5 (single layer - 4.33 Gb) of the same film. Big thanks to Denis for supplying these captures!

***

Bottom line for many - the 'new' MK2 is an exact copy of the Artificial Eye (which barring a few subtle differences is an exact copy of the RusCiCo. The Korean editions is the same but was not converted from PAL to NTSC and will have those apparent artifact deficiencies.)

The MK2 offers the same 5.1 and original Russian mono tracks and the same extras which are subtitled. It comes in a slim digipak case with no sleeve.

Major differences in the editions:

1) The Kino is overly bright and saturated. It has abused the intended color scheme.

2) The initial AE disc did not offer the original mono, but does now.

3) The Korean edition does not have subtitles on the extras.

4) The RusCiCo ports (AE, MK2 and Korean) have a sepia tinge to the black and white sequences.

NOTE: I'd like to think there will one day be a superior edition of this important film. The image is soft and the bitrate indicates it is probably from analog, but for now the definitive choice is either the AE or MK2 dependant on which you can obtain least expensively.

- Gary W. Tooze

DVD Menus

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2) MK2 - Region 0 - PAL SECOND

3) Kino Video - Region 0 - NTSC - THIRD

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1) Lizard - Region 0 - PAL TOP

2) MK2 - Region 0 - PAL SECOND

3) Kino Video - Region 0 - NTSC - THIRD

4) Artificial Eye - Region 0 - PAL - FOURTH

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7) IVC - Region FREE - Blu-ray SEVENTH

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