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S E A R C H D V D B e a v e r |
directed by Donald Cammell
UK 1987
Late director Donald Cammell's haunting
formalistic approach to formulaic material, written by Cammell and his wife
China (adapted from the Margaret Tracy novel Mrs. White), elevates
what could have been routine '80s trash into that hazy realm of the art
film. David Keith stars as Paul White, an audio installation expert whose
idyllic life with his wife (Cathy Moriarty, as good as ever) and young
daughter (Danielle Smith) is threatened when he finds himself the subject of
an investigation into a string of local serial killings. While the first
hour is too preoccupied with backstory and apparent minutiae to generate
much suspense, attention is maintained by Cammell's often exhilarating
stylization, which finishes the film's surface with a very late-1980s
consumerist gloss. The movie frequently has the look and feel of a
calculatedly "sexy" television commercial, which interacts perversely with
the immensely creepy and sexually sadistic nature of the murders, which are
filmed in the icy, yet spectacular manner of a Dario Argento film. Also in
common with Argento is the usage of POV perspective in the murder scenes,
employed to preserve the anonymity of the killer while underscoring the
viewer's role as voyeur; here, it is done uncommonly well, as these scenes
are uncomfortably voyeuristic in the extreme. Donald Cammell, a Brit (whose
debut was as co-director of
Performance, with Nicolas Roeg, whose own
style is very evident in White of the Eye), brings an outsider's
perspective to the Tucson, Arizona seen here. Like Jacques Demy with
Model Shop, Antonioni with
Zabriskie Point, and Wim Wenders with
The End of Violence and
Paris, Texas, Cammell is a European
looking at a contemporary western region of the United States with an alien
eye, revealing an imposing strangeness by rendering its natural and
architectural landscapes cold, foreboding, and oppressively open, echoing
the spiritual emptiness of a materialistic culture. |
Posters
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Theatrical Release: May 20, 1988
Reviews More Reviews DVD Reviews
Comparison:
Hollywood Classics Ltd. / Mælström - Region 2 - PAL vs. Arrow - Region 'B' - Blu-ray vs. Shout! Factory - Region 'A' - Blu-ray
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Hollywood Classics Ltd. / Mælström - Region 2 - PAL LEFT 3) Shout! Factory - Region 'A' - Blu-ray RIGHT
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Box Covers |
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Also available in Blu-ray Steelbook from Arrow: |
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Distribution |
Hollywood Classics Ltd. / Mælström Region 2 - PAL |
Arrow - Region 'B' - Blu-ray | Shout! Factory - Region 'A' - Blu-ray |
Runtime | 1:46:24 (4% PAL speedup) | 1:51:03.365 | 1:51:04.407 |
Video |
1.85:1 Original Aspect Ratio
16X9 enhanced |
1080P Dual-layered Blu-ray Disc Size: 47,118,463,392 bytes Feature: 32,645,447,232 bytesVideo Bitrate: 34.87 MbpsCodec: MPEG-4 AVC Video |
1080P Dual-layered Blu-ray Disc Size: 46,110,530,477 bytesFeature: 35,693,125,632 bytesVideo Bitrate: 34.48 MbpsCodec: MPEG-4 AVC Video |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate |
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Bitrate: Arrow Blu-ray |
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Bitrate: Shout! Factory Blu-ray |
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Audio | English (Dolby Digital 2.0) |
LPCM Audio English 2304 kbps 2.0 / 48
kHz / 2304 kbps / 24-bit Commentary: Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps |
DTS-HD Master Audio English 3833 kbps
5.1 / 48 kHz / 3833 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509
kbps / 24-bit) DTS-HD Master Audio English 1679 kbps 2.0 / 48 kHz / 1679 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit) Commentary: Dolby Digital Audio English 448 kbps 2.0 / 48 kHz / 448 kbps / DN -4dB |
Subtitles | Dutch, None | English (SDH), None | English (SDH), None |
Features |
Release Information: Studio: Hollywood Classics Ltd. / Mælström Aspect Ratio:
Edition Details: Chapters 15 |
Release Information: 1080P Dual-layered Blu-ray Disc Size: 47,118,463,392 bytes Feature: 32,645,447,232Video Bitrate: 34.87 MbpsCodec: MPEG-4 AVC Video Edition Details:
• Audio commentary by Donald Cammell biographer Sam Umland
(author of
Donald Cammell: A Life on the Wild Side)
• Into The White: Filming White of the Eye (11:01)
DVD included |
Release Information: 1080P Dual-layered Blu-ray Disc Size: 46,110,530,477 bytesFeature: 35,693,125,632 bytesVideo Bitrate: 34.48 MbpsCodec: MPEG-4 AVC Video Edition Details:
• “Into the Vortex:” An interview with actor Alan Rosenberg
(17:51)
DVD included |
Comments |
NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc. ADDITION: Shout! Factory - Region 'A' Blu-ray - November 2015: An opening screen on the Shout! Factory presentation indicated:
and indeed it is, virtually, the exact same 1080P
transfer as the Arrow (described below.) We've compared
two screen captures below that can substantiate this.
Audio does differ moderately as Shout! Factory offer the
option of a DTS-HD Master 5.1 bump at 3833 kbps or a
similar encode 2.0 channel (both 24-bit). Beyond the
surround bump (that is not particularly discreet in its
separations) my ears can't distinguish too much between
the more robust linear PCM (surprising bass response) of
the Arrow and the 2.0 channel DTS-HD Master of the US
Blu-ray.
Both quite excellent exporting the
score by Nick Mason and Rick Fenn with added music; The Grand
Tour (performed by David Keith), some Hank Williams
Jr., Booker T. Jones and Hot Chocolate's You Sexy
Thing.
There are also optional English (SDH)
subtitles (bolder, smaller font - see comparative sample) on the region 'A'-locked
Blu-ray
disc.
So what differences in the supplements? Much is
duplicated. Both include the revealing audio commentary
by Donald Cammell biographer Sam Umland
(Donald Cammell: A Life on the Wild Side)
and the 11-minute the “Into the White” interview
with cinematographer and steadicam operator Larry
McConkey, as well as the rare, 5.5 minutes, deleted
scenes, newly transferred from the original camera
negative, with commentary by Sam Umland - the alternate
credit sequence and the 12-minutes of Flashback
Sequences prior to the Bleach Bypass process. Both
also include a second disc DVD. What we gain on the
Shout! Factory are two interviews - “Into the Vortex”
spends almost 18-minutes with actor Alan Rosenberg and "Eye
of the Detective” has 1/4 hour with actor Art Evans.
What we lose, that is on the Arrow, is the feature
length documentary Donald Cammell: The Ultimate
Performance – and Cammell's 72' short The
Argument, booklet, revisable sleeve etc.
So it's close but with the added extras - the Arrow
Blu-ray
ekes out another win. Still a great package that region
'A' audiences should be very pleased with. True cinema
and wonderfully discussed in the supplements. A very
strong recommendation!
***
Arrow provide a linear PCM 2.0 channel at 2304 kbps with some surprising effects exporting bass. The score is by Nick Mason and Rick Fenn with added music; The Grand Tour (performed by David Keith), some Hank Williams Jr., Booker T. Jones and Hot Chocolate's You Sexy Thing. It all sound very good, flat but clean and reasonably tight. There are optional English (SDH) subtitles (see sample) on the region 'B'-locked disc. We get a very informative audio commentary by Donald Cammell biographer Sam Umland (author of Donald Cammell: A Life on the Wild Side). He fills in so much knowledge about the film, production and director. He can seem a bit dry at times as if he is reading from a prepared text, but it still flows exceptionally well. Very professional - Criterion-like. Arrow describe the supplements so well - I will use their descriptions. Another big extra is the 1 1/4 hour Donald Cammell: The Ultimate Performance feature length documentary by Kevin Macdonald and Chris Rodley (from BBC 1998) looks over the life and career of the rebel filmmaker and features interviews with Cammell and his closest friends, family and colleagues including Nicolas Roeg, Mick Jagger, Kenneth Anger, James Fox and many more. Included is The Argument – a 11-minute short film by Cammell in 1972, gorgeously shot by Vilmos Zsigmond in the Utah Desert. Rediscovered and assembled by Cammell’s regular editor Frank Mazzola in 1999, it is viewable with optional commentary by Sam Umland. There are 5-minutes worth of rare deleted scenes, newly transferred from the original camera negative, with commentary by Sam Umland. The scenes featuring John Diel's character were removed from release prints by Cannon, for reasons unknown. Unfortunately, the original audio is lost (in its place Umland's informative commentary). A 'Making of...' entitled Into The White: Filming White of the Eye. It runs just over 11-minutes. As previously mentioned the flashback scenes, are here, as originally shot, prior to the bleach bypass processing that they underwent in the final film. Lastly, on the digital front are two minutes of an alternate credits sequence. The package is dual;-format with a DVD of the feature. The case contains a reversible sleeve featuring original and newly commissioned artwork by Nathanael Marsh and a collector’s booklet featuring new writing by Brad Stevens and Sam Umland, and a previously unpublished extract from the memoirs of producer Elliott Kastner, illustrated with original archive stills.
Highly interesting film - quite unique and...
progressively curious. Arrow create another incredible
Blu-ray
package with the extensive extras including the
knowledge-filled commentary. It's kind of a must-have
for film fans. I kept thinking of Antonioni, and, of
course, Roeg. WOW. Strongly recommended!
***
ON THE DVD:
A serviceable release under the Dutch
label Mælström, this is the barest of bare-bones editions, with no
supplements whatsoever. However, having an anamorphic, dual-layer
edition of this rather obscure title on DVD is a small cause for
celebration. There's nothing wrong with the transfer itself, which
is progressive and evidences few apparent artifacts. The print shows
some minor wear that's really too negligible to infringe upon
viewing enjoyment, and though there's heavy grain throughout the
presentation, Janet Maslin's New York Times review of the film,
written at the time of its original theatrical release, refers to
the "grainy, high-contrast style" of the flashback scenes, which "is
meant to look very different from the rest of the film," according
to Maslin, "but does not." Given this, it's reasonable to conclude
that the image on this disc is a pretty faithful representation of
the way the film originally looked.
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Hollywood
Classics Ltd. / Mælström - Region 2 - PAL
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Arrow - Region 'B' - Blu-ray
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Shout! Factory - Region 'A' - Blu-ray
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Subtitle Sample
1) Arrow - Region 'B' - Blu-ray TOP 2) Shout! Factory - Region 'A' - Blu-ray BOTTOM |
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Screen Captures
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Hollywood Classics Ltd. / Mælström - Region 2 - PAL TOP 3) Shout! Factory - Region 'A' - Blu-ray BOTTOM |
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Hollywood Classics Ltd. / Mælström - Region 2 - PAL TOP
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Hollywood Classics Ltd. / Mælström - Region 2 - PAL TOP
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Hollywood Classics Ltd. / Mælström - Region 2 - PAL TOP
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Hollywood Classics Ltd. / Mælström - Region 2 - PAL TOP
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More Blu-ray Captures
Box Covers |
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Also available in Blu-ray Steelbook from Arrow: |
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Distribution |
Hollywood Classics Ltd. / Mælström Region 2 - PAL |
Arrow - Region 'B' - Blu-ray | Shout! Factory - Region 'A' - Blu-ray |