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S E A R C H D V D B e a v e r |
(aka "Vérités et mensonges" or "F wie Fälschung")
France / Iran / West Germany 1976
Trickery. Deceit. Magic. In Orson Welles’s free-form documentary F for Fake, the legendary filmmaker (and self-described charlatan) gleefully engages the central preoccupation of his career—the tenuous line between truth and illusion, art and lies. Beginning with portraits of world-renowned art forger Elmyr de Hory and his equally devious biographer, Clifford Irving, Welles goes on a dizzying cinematic journey that simultaneously exposes and revels in fakery and fakers of all stripes—not the least of which is Welles himself. Charming and inventive, F for Fake is an inspired prank and a searching examination of the essential duplicity of cinema. |
Posters
Theatrical Release: January 30th, 1976 - West Germany
Reviews More Reviews DVD Reviews
Comparison:
Imagica - Region 2 - NTSC vs. Masters of Cinema (Spine # 31) - Region 2 - PAL vs. Criterion (Spine # 288) - Region 0 - NTSC vs. Criterion - Region 'A' - Blu-ray |
Big thanks to Jaime N. Christley, B. Montgomery for the DVD Screen Caps!
1) Imagica - Region 2 - NTSC - LEFT 2) Masters of Cinema (Spine # 31) - Region 2 - PAL SECOND3) Criterion (Spine # 288) - Region 0 - NTSC THIRD 4) Criterion - Region 'A' - Blu-ray RIGHT |
Box Covers |
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Also available, on a Region 'B' Blu-ray from, Criterion at Amazon UK in July 2018
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Distribution |
Imagica Region 2 - NTSC |
Masters of Cinema Region 2 - PAL |
Criterion -
Spine # 288 Region 0 - NTSC |
Criterion Collection Spine # 2 88Region 'A' - Blu-ray |
Runtime | 1:28:39 | 1:25:08 | 1:28:30 | 1:28:45.361 |
Video |
1.63:1 Aspect Ratio
16X9 enhanced |
1.66:1 Original Aspect Ratio
16X9 enhanced |
1:61:1 Original Aspect Ratio
16X9 enhanced |
1080P Dual-layered Blu-ray Disc Size: 47,721,408,645 bytes Feature: 18,576,046,080 bytesVideo Bitrate: 24.00 Mbps Codec: MPEG-4 AVC Video |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate:
Imagica
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Bitrate:
Masters of Cinema (Spine # 31)
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Bitrate:
Criterion (Spine # 288)
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Bitrate:
Criterion Blu-ray |
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Audio | English (Dolby Digital 2.0) |
English (Dolby Digital 2.0) |
English (Dolby Digital 2.0) |
LPCM Audio English 1152 kbps 1.0
/ 48 kHz / 1152 kbps / 24-bit Dolby Digital Audio English 192 kbps 1.0 / 48 kHz / 192 kbps |
Subtitles | Japanese and none | None | English and none | English and none |
Features |
Release Information: Studio: Imagica Aspect Ratio:
Edition Details:
Chapters 14 |
Release Information: Studio: Masters of Cinema Aspect Ratio:
Edition Details:
DVD Release Date:
February 26th, 2007 Chapters 18 |
Release Information: Studio: Criterion Aspect Ratio:
Edition Details:
DVD Release Date: April
26th, 2005 Chapters 19 |
Release Information: Studio: Criterion 1080P Dual-layered Blu-ray Disc Size: 47,721,408,645 bytes Feature: 18,576,046,080 bytesVideo Bitrate: 24.00 Mbps Codec: MPEG-4 AVC Video
Edition Details:
• Audio commentary from
2005 by cowriter and star Oja Kodar and director of
photography Gary Graver Transparent Blu-ray Case Chapters: 18 |
Comments |
NOTE: The below Blu-ray captures were obtained directly from the Blu-ray disc. ADDITION: (September 2014) Criterion Region 'A' - Blu-ray: A definite upgrade in the a/v with higher support for the grain, color separation (although a bit of 'blue' leaning) and, in certain scenes, detail is notably improved. The 1080P resolution advances the films textures to a much higher extent than the SDs.Criterion use a linear PCM mono track for the audio. It is authentically flat but narration and dialogue is clean and clear - or as accurate as the various sources would allow. There are optional English subtitles on the region 'A'-locked Blu-ray disc. The Criterion includes all the extras from the 2005 DVD release including the audio commentary from 9-years ago with co-writer and star Oja Kodar and director of photography Gary Graver, and the 6-minute introduction from 2005 by filmmaker Peter Bogdanovich. Unless I missed it on the original release - we get a new supplement; a 45-minute episode of the talk show Tomorrow from April 8th, 1975 featuring an extensive interview with Welles who discusses his dificulty financing and distributing his films, including F For Fake; his independence as a director; magic and many other topics. Repeated from Criterion's original DVD is the 1.5 hour Orson Welles: One-Man Band, a documentary from 1995 about Welles’s unfinished projects. Welles completed 11 feature films as a director. He also left behind countless fragments during a lifetime spent both in front of and behind the camera. He gave these bits and pieces to his companion, Oja Kodar, whi after his death joined with filmmakers Vassili Silovic and Roland Zag to create this remarkable film, which is part documentary, part experiment. Modeled explicitly after F For Fake's 'essay film' style, Orson Welles: One-Man Band is a unique cinematic record of one of film's greatest artists. Almost True: The Noble Art of Forgery is a fifty-two-minute documentary from 1997 about art forger Elmyr de Hory. Made in 1997 by Yellow Cottage Productions for the Norwegian Film Institute, Almost True: The Noble Art of Forgery is the film F For Fake might have been had director director Welles played it straight. With investigative zeal, the documentary tracks the career and claims of art forger Elmyr de Hory, from the cloudy circumstances of his birth and his equally mysterious death. Also included is the 9-minute • 60 Minutes interview from 2000 with Clifford Irving about his Howard Hughes autobiography hoax, a 20-minute audio recording of Hughes’s 1972 press conference exposing Irving’s hoax and an extended, nine-minute trailer. The package also contains a liner notes booklet with an essay by critic Jonathan Rosenbaum. Fans of the film, and Welles, will definitely want to own this new Criterion Blu-ray release - the definitive for the Home Theatre presentation. Recommended! ***
ADDITION (Feb 2007 - MoC): Thanks to MoC for
another wonderful package! First, the image is virtually
identical to the Criterion. The HD master was sourced from
them, but the transfer is in PAL (coded for region 2), and thus slightly higher
resolution than their NTSC disc. Although I don't
have my copy of the Criterion disc, I assume that the sound
(crystal clear by the way), is identical as well. While the
two discs have none of the same extras, both provide us with
commentaries by a production member of the film (Graver and Kodar, respectively) that offer valuable insights into the
'making of...'. Additionally, the MoC provides us with one of
their typically extensive and indispensable booklets, and
this one is no exception. Finally, there is an interview
with Jonathon Rosenbaum that is nearly half an hour in
length and of the quality that we would expect from the
producers and participant, providing us insight into the
nature of duplicity in the film itself as well as the
critical misunderstanding that it received upon release.
ON the IMAGICA: The Imagica disc is very poor - contrast boosting has manipulated the colors to be often unrecognizable from their original state. It is non-progressively transferred and has prevalent 'combing' throughout. I also suspect it is from analog. Because of all that and more the non-anamorphic Imagica DVD is inferior in every way. For more on the Criterion and the extensive extras see our review HERE. The Imagica disc includes an opening credit screen for Les Films d'Astrophore production company, attached with some unusually strong music - this runs for about 30 seconds and contains the title "F For Fake" which is not on the Criterion or Masters of Cinema DVD. |
Menus
(Imagica - Region 2 - NTSC - LEFT
vs. Masters of Cinema (Spine # 31) - Region 2 - PAL - MIDDLE
vs. Criterion (Spine # 288) - Region 0 - NTSC - RIGHT)
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Criterion - Region 'A' - Blu-ray
CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Screen Captures
1) Imagica - Region 2 - NTSC - TOP 2) Masters of Cinema (Spine # 31) - Region 2 - PAL SECOND3) Criterion (Spine # 288) - Region 0 - NTSC THIRD 4) Criterion - Region 'A' - Blu-ray BOTTOM |
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1) Imagica - Region 2 - NTSC - TOP 2) Masters of Cinema (Spine # 31) - Region 2 - PAL SECOND3) Criterion (Spine # 288) - Region 0 - NTSC THIRD 4) Criterion - Region 'A' - Blu-ray BOTTOM |
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1) Imagica - Region 2 - NTSC - TOP 2) Masters of Cinema (Spine # 31) - Region 2 - PAL SECOND3) Criterion (Spine # 288) - Region 0 - NTSC THIRD 4) Criterion - Region 'A' - Blu-ray BOTTOM |
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1) Imagica - Region 2 - NTSC - TOP 2) Masters of Cinema (Spine # 31) - Region 2 - PAL SECOND3) Criterion (Spine # 288) - Region 0 - NTSC THIRD 4) Criterion - Region 'A' - Blu-ray BOTTOM |
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1) Imagica - Region 2 - NTSC - TOP 2) Masters of Cinema (Spine # 31) - Region 2 - PAL SECOND3) Criterion (Spine # 288) - Region 0 - NTSC THIRD 4) Criterion - Region 'A' - Blu-ray BOTTOM |
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1) Imagica - Region 2 - NTSC - TOP 2) Masters of Cinema (Spine # 31) - Region 2 - PAL SECOND3) Criterion (Spine # 288) - Region 0 - NTSC THIRD 4) Criterion - Region 'A' - Blu-ray BOTTOM |
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1) Imagica - Region 2 - NTSC - TOP 2) Masters of Cinema (Spine # 31) - Region 2 - PAL SECOND3) Criterion (Spine # 288) - Region 0 - NTSC THIRD 4) Criterion - Region 'A' - Blu-ray BOTTOM |
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More Blu-ray Captures
Report Card:
Image: |
Blu-ray |
Sound: |
Blu-ray |
Extras: | Tie (Criterion Blu-ray and MoC) |
Box Covers |
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Also available, on a Region 'B' Blu-ray from, Criterion at Amazon UK in July 2018
|
Distribution |
Imagica Region 2 - NTSC |
Masters of Cinema Region 2 - PAL |
Criterion -
Spine # 288 Region 0 - NTSC |
Criterion Collection Spine # 2 88Region 'A' - Blu-ray |