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S E A R C H D V D B e a v e r |
(aka 'Koroshi no rakuin" or "Branded to Kill")
The 4K UHD of Seijun Suzuki's "Branded to Kill" is reviewed/compared HERE
Branded to Kill, the wildly perverse story of the yakuza’s rice-sniffing “No. 3
Killer,” is Seijun Suzuki at his delirious best. From a cookie-cutter studio
script, Suzuki delivered this brutal, hilarious, and visually inspired
masterpiece—and was promptly fired. *** When Japanese New Wave bad boy Seijun Suzuki delivered this brutal, hilarious, and visually inspired masterpiece to the executives at his studio, he was promptly fired. Branded to Kill tells the ecstatically bent story of a yakuza assassin with a fetish for sniffing steamed rice (the chipmunk-cheeked superstar Joe Shishido) who botches a job and ends up a target himself. This is Suzuki at his most extreme—the flabbergasting pinnacle of his sixties pop-art aesthetic. |
Posters etc.
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Theatrical Release: 1966 - Tokyo
Reviews More Reviews DVD Reviews
Comparison:
Criterion - Region 0 - NTSC vs. Sandrew Metronome (Seijun Suzuki Collection) - Region 0 - PAL vs. Criterion - Region 'A' - Blu-ray vs. Arrow - Region 'B' - Blu-ray |
Big thanks to Henrik Sylow for the DVD Review!
1) Criterion - Region 0 - NTSC LEFT 2) Sandrew Metronome - Region 0 - PAL SECOND 3) Criterion - Region 'A' - Blu-ray - THIRD 4) Arrow - Region 'B' - Blu-ray - RIGHT
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Box Cover |
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Coming to 4K UHD by Criterion in May 2023: |
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Distribution | Criterion Collection - Spine # 38 - Region 0 - NTSC |
Sandrew Metronome Region 0 - PAL |
Criterion Collection Spine # 38 Region 'A' - Blu-ray |
Arrow Film Region 'B' - Blu-ray |
Runtime | 1:31:00 | 1:30:57 | 1:31:19.891 | 1:30:57.326 |
Video |
2.17:1
Original Aspect Ratio Average Bitrate: 5.5 mb/s NTSC 720x480 29.97 f/s |
2.35:1 Original Aspect Ratio
16X9 enhanced |
1080P Dual-layered Blu-rayDisc Size: 37,523,545,776 bytesFeature: 26,731,112,448 bytes Video Bitrate: 34.96 MbpsCodec: MPEG-4 AVC Video |
1080P Dual-layered Blu-rayDisc Size: 42,936,750,462 bytes Feature: 26,584,367,424 bytesVideo Bitrate: 34.91 MbpsCodec: MPEG-4 AVC Video |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate:
Criterion |
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Bitrate
Sandrew |
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Bitrate: Criterion
Blu-ray |
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Bitrate: Arrow
Blu-ray |
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Audio | Japanese (Dolby Digital 1.0 mono) | 2.0 Dolby Digital Japanese | LPCM Audio Japanese 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit | LPCM Audio Japanese 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit |
Subtitles | English, None | Danish, Swedish, Norwegian, Finnish, None *NO ENGLISH SUBS* | English, None | English, None |
Features |
Release Information: Studio: Criterion Aspect Ratio: 2.17:1 Edition Details: • Seijun Suzuki interview (14:02) • Poster Gallery
• 2
page liner notes by John Zorn
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Release Information: Studio: Sandrew Metronome Aspect Ratio:
Edition
Details: Chapters 12 |
Release Information: Studio: Criterion 1080P Dual-layered Blu-rayDisc Size: 37,523,545,776 bytesFeature: 26,731,112,448 bytes Video Bitrate: 34.96 MbpsCodec: MPEG-4 AVC Video
Edition Details:
• Video piece featuring new
interviews with director Seijun Suzuki and assistant
director Masami Kuzuu (12:10 in 1080i) |
Release Information: Studio: Arrow 1080P Dual-layered Blu-rayDisc Size: 42,936,750,462 bytes Feature: 26,584,367,424 bytesVideo Bitrate: 34.91 MbpsCodec: MPEG-4 AVC Video
Edition Details:
• Interview with director Seijun
Suzuki (7:08)
DVD included |
Comments |
The 4K UHD of Seijun Suzuki's "Branded to Kill" is reviewed/compared HERE
NOTE: These Blu-ray captures were taken directly from the Blu-ray disc.
ADDITION: Arrow - Region 'B' - Blu-ray (July 14'): I've compared a number of captures and the new Arrow is almost exactly the same as the Criterion. The transfers, are virtually, technically a duplicate. The only thing you might notice by toggling between the large, linked, captures is that the Arrow seems to show more grain - and slightly more marks. I would presume that most systems would not be able to distinguish a difference between the two 1080P videos, but those projecting to large surfaces might.
Audio, I also not as being very close to the Criterion linear PCM. It is exactly the same transfer but at times the Arrow did sound a shade squeaky in the higher end - I believe the Criterion was the same in that regard. The Arrow also has optional English subtitles - their Blu-ray disc is region 'B'-locked.
NOTE: The audio for Trapped in Lust has a 'screetchy' higher end, like fingernails across a chalkboard at times. Ughh.
Okay, the extras - aside from the similar interviews - 7-minutes of Seijun Suzuki and another 7-minutes with star Jo Shishido, Arrow have added another feature - Atsushi Yamatoya's 1973 Trapped in Lust - described as "a delirious roman porno re-imagining of Branded to Kill from Atsushi Yamatoya, one of Branded to Kill's screenwriters and Suzuki's regular collaborators". It is in 1080P, runs 1 1/4 hours and is quite raunchy with a lot of nudity, sex and warnings of the use of "Strong Language -true to the director's original intention". It's actually not a bad film but doesn't look very strong with plenty of artifacts visible (we have added captures at the very bottom of this review). Regardless - many will be interested to see it. There are also original trailers for Branded to Kill (3:10) and Trap of Lust (2:07) and a reversible sleeve with original and newly commissioned artwork by Ian MacEwan and the package contains a booklet by Japanese film expert Jasper Sharp, illustrated with original stills and new artwork by Ian MacEwan. Being Dual-Format a DVD of the feature is included.
Arrow have done another admirable job - equally the Criterion in the a/v and adding a unique extra feature film and their usual reversible sleeve and booklet. Region 'B'ers should be very pleased. This is quite the keepsake!
* **
ADDITION: Criterion - Region 'A' - Blu-ray (November 11'): Suzuki fans have been waiting patently for a new, superior, transfer to the 1998 Criterion SD DVD. So, here we are a dozen years later and we get the director's delirious concoction in a spanking new improved 1080P Blu-ray transfer. Actually this makes the original DVD look more awful. The HD transfer visually improves dramatically in every area beside both DVDs. The green tinge of the SDs is gone and the contrast and detail are multiple times superior. Ex. Look at the 'gun being fired' capture and check out the wall on the right side of the frame. The Blu-ray shows the Stucco-like texture where the DVDs - especially the Criterion are simply a white mass. Although stating the obvious - much more information is now visible in the 2.35:1 frame. Some depth creeps in. There is still a small amount of noise and grain is there - albeit a bit clunky at times. Overall though - this is a revelation for fans of the film's extravagant style which is exported in a far more film-like presentation. Wow.
Audio gets the linear PCM, lossless, treatment - remaining faithfully mono and there are optional English subtitles on the region 'A'-locked Blu-ray disc. Naozumi Yamamoto's original music can still sound a bit tinny but is reproduced far better via the uncompressed track.
We get some solid new supplements starting with a new video piece (July 2011) featuring separate interviews with director Seijun Suzuki and assistant director Masami Kuzuu who recall the production and release of Branded to Kill over a dozen minutes in HD. There is also a new 10-minute interview with actor Joe Shishido - star of Branded to Kill - also recorded this year and a March 1997 interview with Suzuki recorded during a retrospective of his work by the Japanese Foundation and Los Angeles FilmForum at the Nuart Theater in L.A. . Lastly we get a 3-minute HD trailer and a booklet featuring an essay by critic and historian Tony Rayns.
Branded to Kill (simultaneously released on Criterion DVD HERE) is one of the most stylistic films of all time and it's wonderful to have it and Tokyo Drifter available in the Blu-ray format. There is an acquired taste factor to these works - but once that is bridged they become absolutely addictive. Strongly recommend! ***
ON THE METRONOME:
The Criterion image is both severely cropped by 26.22%: 56px left and
right (7.78%) and 16px top and bottom (5.33%), and approx. stretched 5%
horizontally. In order to fit within the true 2.35:1 frame, the image had
to be resized to 590x266 pixels (see composite - Criterion highlighted to
make it more visible). This very early non-anamorphic Criterion DVD looks very poor. One of their worst - no question. It is quite hazy with weak contrast. Like "Tokyo Drifter" if a pristine print - the transfer were done, it would be outstanding and more worthy of the Criterion branding. As it stands, this is for Seijun Suzuki aficionados and those keen on the genre. |
DVD Menus
(Criterion
- Region 0 - NTSC LEFT vs. Sandrew Metronome - Region 0 - PAL RIGHT)
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Criterion - Region 'A' - Blu-ray
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Arrow - Region 'B' - Blu-ray
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Criterion DVD image over Sandrew DVD to better detail missing information from Criterion's original release
CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Screen Captures
1) Criterion - Region 0 - NTSC TOP 2) Sandrew Metronome - Region 0 - PAL SECOND 3) Criterion - Region 'A' - Blu-ray - THIRD 4) Arrow - Region 'B' - Blu-ray - BOTTOM |
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1) Criterion - Region 0 - NTSC TOP 2) Sandrew Metronome - Region 0 - PAL SECOND 3) Criterion - Region 'A' - Blu-ray - THIRD 4) Arrow - Region 'B' - Blu-ray - BOTTOM |
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1) Criterion - Region 0 - NTSC TOP 2) Sandrew Metronome - Region 0 - PAL SECOND 3) Criterion - Region 'A' - Blu-ray - THIRD 4) Arrow - Region 'B' - Blu-ray - BOTTOM |
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1) Criterion - Region 0 - NTSC TOP 2) Sandrew Metronome - Region 0 - PAL SECOND 3) Criterion - Region 'A' - Blu-ray - THIRD 4) Arrow - Region 'B' - Blu-ray - BOTTOM |
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1) Criterion - Region 0 - NTSC TOP 2) Sandrew Metronome - Region 0 - PAL SECOND 3) Criterion - Region 'A' - Blu-ray - THIRD 4) Arrow - Region 'B' - Blu-ray - BOTTOM |
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1) Criterion - Region 0 - NTSC TOP 2) Sandrew Metronome - Region 0 - PAL SECOND 3) Criterion - Region 'A' - Blu-ray - THIRD 4) Arrow - Region 'B' - Blu-ray - BOTTOM |
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More Blu-ray Captures
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Included on the Arrow Blu-ray is Atsushi Yamatoya's 1973 Trapped in Lust - tech stats and captures below
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Trapped in Lust [Aiyoku no wana] (1973
)Director: Atsushi Yamatoya
Runtime | 1:13:31.448 |
Video |
1080P Dual-layered Blu-rayDisc Size: 42,936,750,462 bytes Feature: 13,007,026,752 bytes Video Bitrate: 20.15 MbpsCodec: MPEG-4 AVC Video |
Bitrate: Arrow "Trapped in Lust"
Blu-ray |
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Audio | LPCM Audio Japanese 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit |
Subtitles | English, None |
CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Screen Captures
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Recommended Reading (CLICK COVERS or TITLES for more information)
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The Midnight Eye Guide to New Japanese Film by Tom Mes and Jasper Sharp |
Eros Plus Massacre: An Introduction to the Japanese New Wave Cinema (Midland Book, Mb 469) by David Desser |
Asian Cult Cinema by Thomas Weisser |
Silver Screen Samurai: The Best of Japan's Samurai
Movie Posters by Na |
VideoHound's Dragon: Asian
Action & Cult Flicks by Brian Thomas |
The Yakuza Movie Book : A Guide
to Japanese Gangster Films by Mark Schilling |
Japanese Movie Posters: Yakuza, Monster, Pink, and
Horror by Chuck Stephens, Tetsuya Masuda, Kairakutei Black |
A Hundred Years of Japanese Film by Donald Richie |
Check out more in "The Library"
Box Cover |
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Coming to 4K UHD by Criterion in May 2023: |
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Distribution | Criterion Collection - Spine # 38 - Region 0 - NTSC |
Sandrew Metronome Region 0 - PAL |
Criterion Collection Spine # 38 Region 'A' - Blu-ray |
Arrow Film Region 'B' - Blu-ray |