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Directed by Michael Haneke
Austria 1997

 

Michael Haneke’s most notorious provocation, Funny Games spares no detail in its depiction of the agony of a bourgeois family held captive at their vacation home by a pair of white-gloved young men. In a series of escalating “games,” the sadistic duo subject their victims to unspeakable physical and psychological torture over the course of a night. A home-invasion thriller in which the genre’s threat of bloodshed is made stomach-churningly real, the film ratchets up shocks even as its executioners interrupt the action to address the audience, drawing queasy attention to the way that cinema milks pleasure from pain and stokes our appetite for atrocity. With this controversial treatise on violence and entertainment, Haneke issued a summation of his cinematic philosophy, implicating his audience in a spectacle of unbearable cruelty.

***

In this exploration of our violent society, writer and director Michael Haneke takes a disturbing look at how depictions of violence at once reflect and shape our culture. A well-to-do German family -- father Georg (Ulrich Mühe), mother Anna (Susanne Lothar), and son Georgie (Stefan Clapczynski) -- are settling in for the weekend at their vacation retreat near the lake. While Georg and his son head out for some sailing, a courteous young gentleman named Peter (Frank Giering) appears at the door, asking if he can borrow some eggs. When he breaks them, Anna offers him some more, but the conversation soon takes an odd turn; Peter goes from pleasant to sniveling to confrontational, and he's soon joined by his friend Paul (Arno Frisch). When Georg returns, he demands that Paul and Peter leave, but the two strangers refuse; Paul and Peter react with violence against Georg and his family, and they soon have the family tied up and begin torturing them. Peter and Paul occasionally refer to the camera in a manner recalling Bertolt Brecht, and near the end of the film, they even demand the opportunity to replay a scene so that they may mete out more punishment against their victims. The score includes classical selections by Mozart and Handel as well as performances by avant-garde composer John Zorn.

Excerpt from B+N located HERE

Posters

Theatrical Release: May 14th, 1`997 (Cannes)

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Review: Criterion - Region 'A' - Blu-ray

Box Cover

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Distribution Criterion Spine #975 - Region 'A' - Blu-ray
Runtime 1:49:13.129         
Video

1.85:1 1080P Dual-layered Blu-ray

Disc Size: 49,746,560,190 bytes

Feature: 32,544,473,088 bytes

Video Bitrate: 33.77 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate Blu-ray:

Audio

DTS-HD Master Audio German 3962 kbps 5.1 / 48 kHz / 3962 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)

Subtitles English, None
Features Release Information:
Studio:
Criterion

 

1.85:1 1080P Dual-layered Blu-ray

Disc Size: 49,746,560,190 bytes

Feature: 32,544,473,088 bytes

Video Bitrate: 33.77 Mbps

Codec: MPEG-4 AVC Video

 

Edition Details:

New interviews with Haneke "Trojan Horses" (25:09) and actor Arno Frisch (17:56) "Bad Boy"
New interview with film historian Alexander Horwath (28:07) "Game Culture"
Press conference from the 1997 Cannes Film Festival featuring Haneke and actors Susanne Lothar and Ulrich Mühe (44:12)
Trailer (01:12)
PLUS: An essay by critic Bilge Ebiri


Blu-ray Release Date:
May 14th, 2019
Transparent Blu-ray Case

Chapters 12

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

Criterion new release of Michael Haneke's love-it-or-hate-it "Funny Games" to a dual-layered Blu-ray. This is a new 2K digital restoration, supervised by director Michael Haneke. The 1.85:1 1080p image comes to us with an almost maxed-out bitrate. The level of detail is impressive right from the start. Given that the film mostly takes place in a single location, with a motion-less camera, one is able to see all kinds of information in the image. When the film reaches its nighttime climax, a solid contrast really kicks in, without seeing any dreaded uniform blacks. There are some scenes that seem to be purposely overexposed, most noticeable in a scene with a blinding white light coming through the front door. This was almost certainly a decision by the filmmakers, and by no means the fault of the transfer.

Criterion offer up a 24-bit German DTS-HD Master audio track with optional English subtitles (newly translated). That opening jolt of a title will certainly wake up your home theater's speakers when "Bonehead" by Naked City comes blasting in. There are also pieces by Mozart and Handel utilized in the film. This is a fine lossless DTS track, with clear and audible dialogue. This is a Region 'A'
Blu-ray release from Criterion.

Criterion have included some interviews on their
Blu-ray, starting with "Michael Haneke", a 25-minute interview with the director that does not dissapoint. Haneke begins by explaining how he used the thriller genre to "reflect on manipulation via the medium itself" and then elaborates even more on the film. "Arno Frisch" is an 18-minute interview with the actor talking about his experiences working on the film. "Alexander Horwath" is a 28-minute interview with the film historian talking about the film and Haneke. This piece with Horwath is quite elucidating, especially with regards to the film not being the outlier of Haneke's work that some would have you believe. "Cannes, 1997" is 44-minutes of footage from the press conference at the film festival. Director Michal Haneke and actors Susanne Lothar, Ulrich Muhe, and Arno Frisch all appear. All of these extras have optional English subtitles. There is also an essay by critic Bilge Ebiri.

This new 2K digital restoration from Criterion will please Haneke's fans. The film surely will still divide people 22 years later, as it truly is a powerful and upsetting viewing experience. I have always found the film deeply fascinating, not to mention its 2007 almost shot-for-shot "Hollywood" remake by Haneke himself (the very idea of Haneke doing this still makes me smile). Though there is no commentary, the film itself IS. The Criterion
Blu-ray is recommended to more adventurous filmgoers that are able to take some abuse. You won't be rewarded, and that is surely the point.

Colin Zavitz

 


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Box Cover

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Distribution Criterion - Region 'A' - Blu-ray


 


 

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