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H D - S E N S E I

A view on Blu-ray by Gary W. Tooze

Sunday Bloody Sunday [Blu-ray]

 

(John Schlesinger, 1971)

 

 

Review by Gary Tooze

 

Production:

Theatrical: Vectia 

Video: Criterion Collection Spine #629 / BFI

 

Disc:

Region: 'A' / 'B' (as verified by the Momitsu region FREE Blu-ray player)

Runtime: 1:50:26.036 / 1:50:02.470

Disc Size: 46,580,343,027 bytes / 47,451,695,591 bytes

Feature Size: 32,368,115,712 bytes / 29,717,821,440 bytes

Video Bitrate: 34.97 Mbps / 29.99 Mbps

Chapters: 27 / 6

Case: Standard Blu-ray case / Transparent case

Release date: October 23rd, 2012 / March 16th, 2020

 

Video (both):

Aspect ratio: 1.66:1

Resolution: 1080p / 23.976 fps

Video codec: MPEG-4 AVC Video

 

Audio:

LPCM Audio English 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit LPCM Audio English 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit
Interview:

Dolby Digital Audio English 256 kbps 2.0 / 48 kHz / 256 kbps
Commentary:

LPCM Audio English 1536 kbps 2.0 / 48 kHz / 1536 kbps / 16-bit

 

Subtitles (both):

English (SDH), none

 

Extras:

• New video interviews with actor Murray Head (7:31), Billy Williams (13:15), and production designer Luciana Arrighi (9:34)
Illustrated 1975 audio interview with director John Schlesinger (13:11)
New interview with writer William J. Mann (Edge of Midnight: The Life of John Schlesinger) about the making of Sunday Bloody Sunday (23:20)
New interview with photographer Michael Childers, Schlesinger’s longtime partner (7:25)
Trailer (2:35)
PLUS: A booklet featuring essays by film critic Terrence Rafferty and cultural historian Ian Buruma, as well as screenwriter Penelope Gilliatt’s 1971 introduction to the film’s screenplay

 

Feature commentary by Amy Simmons (2020): the author and critic on the film and its radical take on 1970s sexuality
Interview with John Schlesinger (1977, audio, 105 mins): the director looks back over an illustrious career
The Starfish (1950, 46:44): supernatural fantasy made by John Schlesinger and Alan Cooke as students
The Face of London - Sunday in the Park (1956, 14:55): Schlesinger's short captures Londoners enjoying their day of rest
Murray Head Remembers Sunday Bloody Sunday (2020): the musician and actor discusses his leading role (24:15)
Billy Williams Remembers Sunday Bloody Sunday (2020): the award-winning cameraman on working with Schlesinger (27:42)
The Pacemakers: Glenda Jackson (1971, 14:09): the actress talks about her performances, filmed on the set of Sunday Bloody Sunday
Blood Donor: Glenda and Ernie (1981, 2:29): a reluctant Glenda Jackson and a crafty Ernie Wise make a public-service appeal
Image galleries: rare on-set shots by renowned photographer Michael Childers, plus promotional and press stills (2:14 / 10:33)
Trailer (2:34)
**FIRST PRESSING ONLY** Fully illustrated booklet with new essays by Simon McCallum and Kieron McCormack and full film credits

 

Bitrates:

1) Criterion - Region 'A' - Blu-ray TOP

2) BFI - Region 'B' - Blu-ray BOTTOM

 

 

Description: John Schlesinger followed his iconic Midnight Cowboy with this deeply personal take on love and sex. Sunday Bloody Sunday depicts the romantic lives of two Londoners, a middle-aged doctor and a prickly thirty-something divorcée—played with great sensitivity by Peter Finch and Glenda Jackson—who are sleeping with the same handsome young artist (Murray Head). A revelation in its day, this may be the seventies’ most intelligent, multi-textured film about the complexities of romantic relationships.

 

 

The Film:

This British film examines the choices individuals must make when confronted with a romantic relationship which is rewarding but does not offer them everything they want. In this sympathetic and psychologically precise drama, Alexandra Greville (Glenda Jackson), "Alex" to her friends, has a younger man as her sometime lover, the young sculptor Bob Elkin (Murray Head). Elkin is completely open about the fact that he is also the lover of her acquaintance, Dr. Daniel Hirsch (Peter Finch). These relationships continue in some kind of equilibrium until Alex and Bob agree to house-sit the children of a couple known to the three of them. In their roles, neither Head nor Finch "swished," or otherwise catered to homosexual stereotypes, and theirs was considered to be a groundbreaking, sympathetic portrayal of this kind of relationship, not condescending in any way. One highlight of the film is a scene in which Dr. Hirsch attends the Bar Mitzvah of his nephew. This critically well-received movie was unexpectedly successful at the box office. The film's director and screenwriter, as well as Jackson and Finch, were nominated for Academy Awards.

Excerpt from MRQE located HERE

Sunday, Bloody Sunday is Schlesinger's (Darling, Midnight Cowboy) wisest, least sentimental film, an almost perfect realization of Penelope Gilliatt's original screenplay, which is, I think, just about the best original screenplay since Eric Rohmer's Claire's Knee.

Like Rohmer, Miss Gilliatt, who is a novelist and short story writer as well as a film critic, has the extraordinary ability to create intelligent characters who don't sound like mouthpieces, to capture those looks and sounds of the surface of things that suggest the universes just beneath, and to write dialogue that is simultaneously rueful and funny, and as spontaneous as love itself.

Excerpt from the NY Times located HERE

Image :    NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

Sunday Bloody Sunday looks very strong on Blu-ray from Criterion.  It is advertised as "...digital transfer, supervised by director of photography Billy Williams". There really are no flaws - the detail is very impressive, pastel colors are strong, depth is apparent and the image is spotlessly clean.  This is dual-layered with a high bitrate and we can surmise that it is as solid representation that the film is likely to get in digital. It is in the original 1.66:1 aspect ratio and contrast is at Criterions hallmark standards. There is no intrusive noise. This Blu-ray is essentially flawless and supplies a totally pleasing 1080P presentation.

 

7 1/2 years later and the new 1080P transfer doesn't look significantly different - slightly warmer skin tones in spots, a tick of deeper contrast but in-motion I suspect few would discern any strong disparity. It, also, looks just great - wonderful grain and very film-like in the 1.66:1 aspect ratio. Impressive.

 

CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION

 

Subtitle Sample - BFI - Region 'B' - Blu-ray

 

 

1) Criterion - Region 'A' - Blu-ray TOP

2) BFI - Region 'B' - Blu-ray BOTTOM

 

 

1) Criterion - Region 'A' - Blu-ray TOP

2) BFI - Region 'B' - Blu-ray BOTTOM

 

 

1) Criterion - Region 'A' - Blu-ray TOP

2) BFI - Region 'B' - Blu-ray BOTTOM

 

 

More Criterion - Region 'A' - Blu-ray Captures

 

 

 

 

 

 

 

 

 

 

 

Audio :

Notable in the film are tracks from Mozart - "Soave sia il vento" performed by Pilar Lorengar, Yvonne Minton and Barry McDaniel as well as the piece by Felix Mendelssohn-Bartholdy's "Auf Flügeln des Gesanges (On Wings of Song)". The original music is by Ron Geesin - and all benefit from Criterion's lossless linear PCM mono transfer at 1152 kbps. It is clean, crisp and, predictably, flat but the music is impressive in uncompressed. There are optional English subtitles and my Momitsu has identified it as being a region 'A'-locked disc.

 

Also 24-bit linear PCM - maybe slightly deeper but essentially no difference. Mendelssohn and Mozart sound impressive in the uncompressed. The BFI offers optional English (SDH) subtitles on their Region 'B' Blu-ray.

 

Extras :

Criterion have conducted a number of 2012 interview here in their supplements - with actor Murray Head (7:31), cinematographer Billy Williams (13:15), and production designer Luciana Arrighi (9:34) and her attention to minute details as well as 25-minute with writer William J. Mann (Edge of Midnight: The Life of John Schlesinger) about the making of Sunday Bloody Sunday as well as 7-minutes with photographer Michael Childers, Schlesinger’s longtime partner. They reminisce on the director and experiences working on Sunday Bloody Sunday. There is also a 13-minute illustrated 1975 audio interview with director John Schlesinger, a trailer (2:35) and a liner notes booklet featuring essays by film critic Terrence Rafferty and cultural historian Ian Buruma, as well as screenwriter Penelope Gilliatt’s 1971 introduction to the film’s screenplay. Nice to see such relevant extras.

 

BFI stack their Blu-ray release starting with a new audio commentary by Amy Simmons where the author of Antichrist (Devil's Advocates) - and critic (Time Out, Sight & Sound, Little White Lies, the BFI and Senses of Cinema) on the film and its radical take on 1970s sexuality. I found, what I heard, very interesting. You can also watch the film with a 105-minute interview with John Schlesinger from 1977 where the director looks back over his illustrious career. BFI include a 3/4 hour 1950 film entitled The Starfish. It's a supernatural fantasy made by John Schlesinger and Alan Cooke as film students. The Face of London - Sunday in the Park runs 1/4 hour from 1956. In this short Schlesinger captures Londoners enjoying their day of rest. We get two important new interviews; Murray Head Remembers Sunday Bloody Sunday has the musician and actor discusses his leading role for 25-minutes. Secondly is Billy Williams Remembers Sunday Bloody Sunday where the award-winning cameraman recalls working with Schlesinger for shy of 28-minutes. The Pacemakers is a 1971 interview with Glenda Jackson where the actress talks about her performances, filmed on the set of Sunday Bloody Sunday. Blood Donor: Glenda and Ernie (is from 1981) and shows a reluctant Glenda Jackson and a crafty Ernie Wise make a public-service appeal for donating blood - lastly only a couple of minutes. There is an image gallery of rare on-set shots by renowned photographer Michael Childers, plus a 10-minute slideshow of promotional and press stills. There is a trailer (and for the first pressing BFI include a fully illustrated booklet with new essays by Simon McCallum and Kieron McCormack and full film credits.

 

Criterion - Region 'A' - Blu-ray

 

 

BFI - Region 'B' - Blu-ray

 

 

BOTTOM LINE:
Schlesinger was a unique talent in filmmaking. Sunday Bloody Sunday is an integral part of his impressive list of films. This is a thoughtful, witty, emotionally relevant premium 70's film experience and the Criterion Blu-ray package offers a lovely a/v presentation with some concerted effort put into the supplements. Strongly recommended!

 

Well... BFI have advanced on the Criterion with a great package of supplements - commentary, new interviews, shorts, booklet - and the film looking equally as impressive as its US counterpart. Wonderful to revisit this masterwork - brilliantly ahead of its time - with such great performances. Certainly the BFI Blu-ray is worthy of a double-dip. This is a real keepsake package and a film you can watch for the rest of your life.   

Gary Tooze

September 27th, 2012

March 8th, 2020


 

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About the Reviewer: Hello, fellow Beavers! I have been interested in film since I viewed a Chaplin festival on PBS when I was around 9 years old. I credit DVD with expanding my horizons to fill an almost ravenous desire to seek out new film experiences. I currently own approximately 9500 DVDs and have reviewed over 5000 myself. I appreciate my discussion Listserv for furthering my film education and inspiring me to continue running DVDBeaver. Plus a healthy thanks to those who donate and use our Amazon links.

Although I never wanted to become one of those guys who focused 'too much' on image and sound quality - I find HD is swiftly pushing me in that direction.

Gary's Home Theatre:

60-Inch Class (59.58” Diagonal) 1080p Pioneer KURO Plasma Flat Panel HDTV PDP6020-FD

Oppo Digital BDP-83 Universal Region FREE Blu-ray/SACD Player
Momitsu - BDP-899 Region FREE Blu-ray player
Marantz SA8001 Super Audio CD Player
Marantz SR7002 THX Select2 Surround Receiver
Tannoy DC6-T (fronts) + Energy (centre, rear, subwoofer) speakers (5.1)

APC AV 1.5 kVA H Type Power Conditioner 120V

Gary W. Tooze

 

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