We have started a Patreon page with the hopes that
some of our followers would be
willing to donate a small amount to keep DVDBeaver
alive. We are a tiny niche, so your
generosity is vital to our
We are talking about a minimum of
$0.10 - $0.15 a day, perhaps a
quarter (or more) to those who won't
miss it from their budget. It
equates to buying DVDBeaver a coffee
once, twice or a few times a month.
You can then participate in our
and have exclusive access to many 'bonus' High Resolution screen captures - both
|S E A R C H D V D B e a v e r|
Rumble Fish [Blu-ray]
(Francis Ford Coppola, 1983)
Review by Gary Tooze
Video: Eureka - Masters of Cinema - Spine #42 / Criterion Collection Spine #869
Region: 'B'-locked/ Region 'A'-locked (as verified by the Oppo Blu-ray player)
Runtime: 1:34:16.651 / 1:34:29.497
Disc Size: 37,387,123,623 bytes / 49,684,484,021 bytes
Feature Size: 32,243,980,416 bytes / 24,099,434,496 bytes
Video Bitrate: 34.99 Mbps / 25.96 Mbps
Chapters: 14 / 23
Case: Transparent Blu-ray case or Steelbook / Transparent Blu-ray case
Release date: August 27th, 2012 / April 25th, 2017
Aspect ratio: 1.85:1
Resolution: 1080p / 23.976 fps
Video codec: MPEG-4 AVC Video
DTS-HD Master Audio English 3857 kbps 5.1 / 48 kHz / 3857 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
DTS-HD Master Audio English 1576 kbps 2.0 / 48 kHz / 1576 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 16-bit)
DTS-HD Master Audio English 1570 kbps 2.0 / 48 kHz / 1570 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 16-bit)
DTS-HD Master Audio English 785 kbps 2.0 / 48 kHz / 785 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 512 kbps / 16-bit)
DTS-HD Master Audio English 2049 kbps 2.0 / 48 kHz / 2049
kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
English (SDH), none
• Music and effects track
Audio commentary featuring Coppola
On Location in Tulsa
Description: In this deeply personal tale of estrangement and reconciliation between two rebellious brothers, set in a dreamlike and timeless Tulsa, Francis Ford Coppola gives mythic dimensions to intimate, painful emotions. The director’s “art film for teenagers” was his second adaptation of young-adult novelist S. E. Hinton’s work in a single year, after the more classically styled The Outsiders. Graced with a remarkable cast headed by Matt Dillon, Mickey Rourke, and Diane Lane; haunting black-and-white visuals that hark back to German expressionism and forward to Coppola’s own Tetro; and a powerful percussive score by Stewart Copeland that underlines the movie’s romantic fatalism, Rumble Fish pulsates throughout with genuine love and dread.
In this second of Francis Ford Coppola's back-to-back screen adaptations of novels by S. E. Hinton, the grand romanticism of The Outsiders was flipped to create an expressionist, monochrome vision of youthful passion and melancholy, and became one of Coppola's most personal and dazzling works.
Against a run-down, industrial Tulsa, Oklahoma, Coppola presents a vivid portrait of troubled teenage gang leader Rusty James (Matt Dillon) as he struggles with cohorts, rival gangs, his frustrated girlfriend Patty (Diane Lane), his estranged father (Dennis Hopper), and the return of his idolised older brother 'The Motorcycle Boy' (Mickey Rourke).
An audacious depiction of gang violence, dead-end lives, and the ties that bind, Rumble Fish remains a cult favourite and features magnificent cinematography by Stephen H. Burum, a Golden Globe-winning score by Stewart Copeland, and a remarkable cast that also includes Nicolas Cage, Chris Penn, Tom Waits, and Laurence Fishburne. The Masters of Cinema Series is proud to present the world-première release of Rumble Fish on Blu-ray & Blu-ray SteelBook.
One of two S.E. Hinton novels Francis Ford Coppola directed in 1983, Rumble Fish is a stylized black-and-white film... about the death of gang culture in a rough-and-tumble town full of stunted youths. The central character is the strutting Rusty James (Matt Dillon), a foul-mouthed lunkhead clad in sweaty tank tops, who passes his time at the billiards hall waiting for "something" to happen in his life. That something might be the return of his brother, known only as the Motorcycle Boy (Mickey Rourke), from exile in California. Charismatic and intelligent, the Motorcycle Boy once led numerous wide-eyed followers into battle, into the "rumbles" once commonplace in town. Rusty James wants to take over that role, but lacks the smarts necessary for leadership, nearly getting himself killed in an opening fight. The Motorcycle Boy stops the fight with equal parts efficiency and cool, and Rusty James seems delighted by his brother's return. But it quickly becomes clear that a local cop (William Smith) is still gunning for the Motorcycle Boy, waiting for him to slip up, even though the mysterious youth has developed a weary philosophy of life and a skeptical view of his former power. As the Motorcycle Boy seems more and more distant, lost in deaf and color-blind fugues, Rusty James gets into greater trouble, running afoul of his girlfriend (Diane Lane) and friends (Nicolas Cage, Christopher Penn, Vincent Spano), and seeming on the path to destruction.
As this may suggest, ''Rumble Fish'' exerts more than a little
fascination, even at its most absurd. When Mr. Coppola positions his two
heroes against an enormous clock-face, which happens to be tied to a
parked truck, his audacity can't help but be attention-getting. But the
film is so furiously overloaded, so crammed with extravagant touches,
that any hint of a central thread is obscured. Mr. Coppola has wandered
so far from whatever attracted him to the material that neither he nor
Miss Hinton, who collaborated on the screenplay, can even begin to
convey whatever they regarded as its essential concerns.
Image : NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.
The scintillating black and white cinematography of Rumble Fish looks gorgeous on Blu-ray from The Masters of Cinema arm of Eureka Entertainment in the UK. The 1080P image quality is showcased by brilliant contrast exporting crisp detail and frequent depth. What becomes apparent is how effectively this benefits establishing the film's important aura and moods. It can look a bit too bright overall but this clarity does advance detail. This Blu-ray is wonderfully consistent and clean with only one or two minor speckles noticeable in the entire pristine presentation. This dual-layered transfer appears to service the film adeptly.
Firstly, a lot to say here - I was anticipating these two releases to be similar in terms of image. I was wrong. This was very hard to precisely match the captures but I know at least two are the exact frame - 'walking in the alley' and the final capture with 'the birds'. Criterion's Blu-ray visuals are decidedly different from the Masters of Cinema image transfer. The Criterion authoritatively states "New, restored 4K digital transfer, supervised by director of photography Stephen H. Burum and approved by director Francis Ford Coppola". It is significantly darker than the MoC and I was very interested in the framing which is also different between the two Blu-ray releases. The darker image, is the preference of the filmmakers and provides a more dour, solemn and almost austere expression of the film as compared to the brighter MoC. I think it, better, suits the film experience - even limiting detail. As we always say - it is nice to have a choice. Even though the MoC has the higher bitrate, I believe I prefer the darker 4K restored presentation. Speaking generally, the UK disc is cropped in many scenes as compared to the Criterion. It can range from small amounts to significant omissions. On the other hand, the brighter MoC image shows more detail - that is often obscured by the darkness of the Criterion. However, we can presume this to be the wishes of the filmmakers.
CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Masters of Cinema give the option of the original 2.0 channel stereo track as well as a 5.1 bump - both via DTS-HD Master. Copeland's unsettled score and "Don't Box Me In" track sound impressive in lossless. The stereo exports some resounding bass and the film's subtle effects are also notable as tight and crisp. You may opt to hear the isolated music and effects track also in HD. There are optional English (SDH) subtitles and my Momitsu has identified it as being a region 'B'-locked.
Criterion also offer both 5.1 surround and 2.0 channel stereo tracks via DTS-HD Master encodes. I played a couple of scenes back-to-back with the two BDs and my ears were incapable of detecting any differences. Criterion also offer optional English (SDH) subtitles - but their Blu-ray disc is region 'A'-locked.
Masters of Cinema add some great extras. Included is the audio commentary by Francis Ford Coppola from the 2005 Special Edition DVD. He is open and honest about casting, Hinton's novel, Rumble Fish's major themes, and the difficulties and benefits shooting in Tulsa. Which leads us to another piece entitled 'On Location in Tulsa' which is a 12-minute 80's video featuring new and vintage interviews and behind-the-scenes footage. The Percussion-Based Score, has Stewart Copeland and Coppola discussing the film's soundtrack for another dozen minutes. These three were all on the past US DVD. There are also six, poor quality deleted scenes lasting almost 20-minutes and an original theatrical trailer in HD. The package contains a lavish booklet featuring the words of Francis Ford Coppola, rare archival imagery, and more. As previously stated there is an isolated music and effects track accessible in uncompressed.
Criterion substantially advance in the supplements. They duplicate Masters of Cinema's audio commentary featuring Coppola, from 2005 (previously on DVD), also repeating the 12-minute On Location in Tulsa, video piece featuring new and vintage interviews and behind-the-scenes footage, The Percussion-Based Score, a video piece on the film's soundtrack - also a dozen minutes, the, 20-minutes worth of six deleted scenes (including a Coppola introduction) and a theatrical trailer. What Criterion add are a new conversation between Burum and production designer Dean Tavoularis which delves into their working relationship and collaborative achievements on Rumble Fish. There are new interviews with Coppola, for 20-minutes, author and co-screenwriter S. E. Hinton for 18-minutes discussing her novel and its adaptation to film, and associate producer Roman Coppola remembering his responsibilities on-set. There are also interviews from 1983 (City Lights) with some of the cast like Vincent Spano, Matt Dillon, Diane Lane and producer Doug Claybourne as well as new interviews with actors Dillon + Lane running over 21-minutes reminiscing about their performances in Rumble Fish. We get 9-minutes of a French television interview from 1984 with actor Mickey Rourke inside of a car with burned-in French subtitles. Locations: Looking for Rusty James (Locaciones: Buscando a Rusty James), a 2013 documentary by Alberto Fuguet about the impact of Rumble Fish . It is in Spanish and English with English subtitles. It runs 1.5 hours and is described on IMDb as; "This is a personal documentary about the influence of Rumble Fish, the 1983 film directed by Francis Ford Coppola. It is also about Tulsa, Oklahoma (where Coppola's movie was shot), and about how that movie was a milestone on Alberto Fuguet's creative work, as a writer and filmmaker, but also on several film-related people from Chile, Argentina and Uruguay". There is another new piece about the film’s existentialist elements entitled Camus for Kids with film historian Rodney F. Hill discussing the films themes and character traits in Rumble Fish - it runs over 20-minutes.“Don’t Box Me In” is the music video for the film and the package has a liner notes booklet with an essay by critic Glenn Kenny.
Masters of Cinema - Region 'B' - Blu-ray
Criterion - Region 'A' - Blu-ray
We value comparisons here at DVDBeaver - and this has educated me on the more accurate video image. When you have the description - "... supervised by director of photography Stephen H. Burum and approved by director Francis Ford Coppola" as well as being 4K restored it can carry significant weight. So, the image disparity was a surprise but I can see how the film was meant to look by the filmmakers. It has a totally different impact, IMO. There was an element of seeing the film anew and I appreciated that as well as the Criterion's extensive extras. I believe the Criterion is the definitive Blu-ray edition and an impressive package. The extras further advanced my understanding of the film. Fans need to own it.
July 23rd, 2012
March 24th, 2017
About the Reviewer: Hello, fellow Beavers! I have been interested in film since I viewed a Chaplin festival on PBS when I was around 9 years old. I credit DVD with expanding my horizons to fill an almost ravenous desire to seek out new film experiences. I currently own approximately 9500 DVDs and have reviewed over 3500 myself. I appreciate my discussion Listserv for furthering my film education and inspiring me to continue running DVDBeaver. Plus a healthy thanks to those who donate and use our Amazon links.
Although I never wanted to become one of those guys who
focused 'too much' on image and sound quality - I
find HD is swiftly pushing me in that direction.
Oppo Digital BDP-83 Universal Region FREE Blu-ray/SACD
Gary W. Tooze
ALL OUR NEW FORMAT DVD REVIEWS