S E A R C H D V D B e a v e r
(Brian De Palma, 1976)
Review by Gary Tooze
Theatrical: Columbia Pictures Corporation
Video: Arrow Film (UK)
Region: FREE! (as verified by the Momitsu region FREE Blu-ray player)
Disc Size: 46,555,449,802 bytes
Feature Size: 31,809,884,160 bytes
Video Bitrate: 34.94 Mbps
Case: 4 panel reversible sleeve with original and newly commissioned artwork with two sided fold out poster
Release date: July 11th, 2011 /Re-issue as Dual-Format (with DVD) November 25th, 2013
Aspect ratio: 2.35:1
Resolution: 1080p / 23.976 fps
Video codec: MPEG-4 AVC Video
DTS-HD Master Audio English 3781 kbps 5.1 / 48 kHz / 3781 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
LPCM Audio English 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit
• Obsession Revisited: Interviews with director Brian De Palma, stars Cliff Robertson and Genevieve Bujold and more! (37:31 in 1080P)
• Early Brian De Palma short films: Woton s Wake (1962 - 27:59 in 1080P) and The Responsive Eye (1966 - 26:42 in 1080P)
• Original Trailer (1:35 in 1080P)
• Exclusive collector s booklet featuring an essay on the film by critic and author Brad Stevens
• Paul Schrader's original screenplay of the film in a perfect bound booklet. With the original title Déjà vu, Schrader s original script includes un-filmed sequences and sees the tripartite structure deal with the past, present and future of Michael Courtland
Obsession. Def: A Compulsive, often
unreasonable idea or emotion.
Schrader and De Palma's tribute to Hitchcock's Vertigo may lack the misogyny and bloodbath sensationalism of De Palma's later work, but it's still dressed up in a mortifyingly vacuous imitation of the Master's stylistic touches. Virtuoso gliding camera movements do not necessarily a good film make. The main problem with the film, in fact, is the excruciatingly slow pace; although if you've seen Vertigo, the story itself - of a businessman haunted by guilt about his wife's death, and getting involved years later with her lookalike - will fail to yield the narrative surprises and suspense required in a thriller.
Herrmann came to work on Obsession following a debilitating period of fatigue, complicated by shortness of breath, which he attributed initially to a lingering case of the flu. When his symptoms did not improve with time and home remedies, Herrmann was admitted (under protest) to St. George's Hospital in London, where the diagnosis was made of an irreversible heart condition. Given at best two years left to live, Herrmann went right back to work. (The composer's workaholic nature and professional intractability are thought now to have contributed greatly to his hypertensive cardiac failure.) Despite De Palma's coup at having scored the participation of Herrmann, Obsession producer George Litto was keener to cash in on John Williams' brand recognition as the composer of the soundtrack to Steven Spielberg's Jaws (1975). To persuade the producer of Herrmann's qualifications for the assignment, editor Paul Hirsch screened a sequence from Obsession, an evocatively wordless setpiece of Robertson stalking Bujold through the crooked side streets of Florence, with a lush passage from Herrmann's orchestrations for Vertigo. Litto's reaction was reportedly one of wide-eyed incongruity at the music's high romance quotient. "What is this, Romeo and Juliet?" Litto asked Hirsch, who replied "No, Bernard Herrmann." Devoted to the project, Herrmann pushed himself through all-night composing sessions in London and finished the entire score in one month. Herrmann was also smitten with the film's leading lady and kept a photograph of Geneviève Bujold in his wallet for the remainder of his life.Excerpt from TCM located HERE
Image : NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc and slightly compressed to 96% jpegs.
Obsession appears very grainy on Blu-ray from Arrow Films in the UK. The image quality seems to reflect a dynamic transfer - dual-layered with a very high bitrate. The grain and grittiness is extensive often appearing as noise but its consistency is pleasing. There is no untoward manipulation to advance the colors which are generally passive with some notable exceptions (reds of Bujold's dress and the flowers at the cemetery.). Skin tones occasionally show warmth but I don't doubt that this is accurate to the theatrical. Detail is not at modern-standards but this was how Obsession was shot via Vilmos Zsigmond cinematography with the textures being a major part of the film. This Blu-ray has a genuineness to it that should be appreciated. There is zero gloss and it is exceptionally clean sometimes appearing thin but overall I'd say this is as good as it will get, digitally, for Obsession. Excellent work Arrow!
CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
The Bernard Herrmann magnificent original score transferred uncompressed and remains frequently overwhelming during viewing - as his scores often are - adding power to every scene it is utilized. The audio defaults to a linear PCM in original 1.0 channel mono at 1152 kbps. A surround mix is included as an option - a DTS-HD Master 5.1 at 3781 kbps. It is reasonably buoyant effort but I wasn't dissatisfied with the original as it carries some depth - albeit through the front channel only. Great to have both options via lossless. There are optional English subtitles (see sample) and my Momitsu and Oppo have identified it as being a region FREE disc playable on Blu-ray machines worldwide.
Impressive supplements include the 40-minute Obsession Revisited featuring interviews with director Brian De Palma, stars Cliff Robertson, Genevieve Bujold and others in 1080P. Included are two early Brian De Palma short films: Woton's Wake (1962 - 27:59 in 1080P) and The Responsive Eye (1966 - 26:42 in 1080P). They are in rough shape, 1:33 but fans of the director may be intere4sted to indulge. Lastly on the digital front is an original trailer (1:35 in 1080P) but in the package is an 'Exclusive' collector's booklet featuring an essay on the film by critic and author Brad Stevens plus Paul Schrader's original screenplay of the film in a perfect bound booklet. With the original title Déjà vu, Schrader s original script includes un-filmed sequences and sees the tripartite structure deal with the past, present and future of Michael Courtland.
June 30th, 2011
About the Reviewer: Hello, fellow Beavers! I have been interested in film since I viewed a Chaplin festival on PBS when I was around 9 years old. I credit DVD with expanding my horizons to fill an almost ravenous desire to seek out new film experiences. I currently own approximately 9500 DVDs and have reviewed over 3500 myself. I appreciate my discussion Listserv for furthering my film education and inspiring me to continue running DVDBeaver. Plus a healthy thanks to those who donate and use our Amazon links.
Although I never wanted to become one of those guys who
focused 'too much' on image and sound quality - I
find HD is swiftly pushing me in that direction.
Oppo Digital BDP-83 Universal Region FREE Blu-ray/SACD
Gary W. Tooze
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