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S E A R C H    D V D B e a v e r

Directed by Alexander Mackendrick
UK 1951

 

In this definitive Ealing comedy, Sir Alec Guinness (The Lavender Hill Mob) delivers one of his most beloved performances as Sidney Stratton, an eccentric chemist who one day invents a fiber that never wrinkles, wears out or gets dirty. But when the mill owners and workers both realize that this miracle fabric will destroy their industry, Sidney suddenly becomes the most hunted man in the nation. Can a young idealist trapped between big business and mad unions find safety in science, or will the future of Britain become unraveled by one extraordinary suit? Directed by Alexander Mackendrick (The Ladykillers, Sweet Smell of Success), The Man in the White Suit received an Oscar nomination for Best Screenplay by Mackendrick, Roger MacDougall (A Touch of Larceny) and John Dighton (Roman Holiday). Co-starring Joan Greenwood (Kind Hearts and Coronets), Cecil Parker (Under Capricorn) and Michael Gough (Konga), with stunning black-and-white cinematography by the great Douglas Slocombe (Raiders of the Lost Ark, Indiana Jones and the Temple of Doom, Indiana Jones and the Last Crusade).

***

Alec Guinness has one of his finest comic roles in this Ealing satirical comedy about a much patronized amateur scientist whose latest invention creates an uproar in the British textile industry. In the British manufacturing country of Northern England, factory owner Michael Corland (Michael Gough) is showing competitor Alan Bimley (Cecil Parker) around his plant, hoping to borrow some money and marry off his daughter Daphne (Joan Greenwood). They come upon a curious contraption that turns out to be an experiment by employee Sidney Stratton (Alec Guinness). Being a lower class worker, Sidney is summarily fired from his job. Sidney ends up working at Bimley's factory, where he is befriended by militant worker Bertha (Vida Hope). Daphne spots Sidney at the factory and he explains to her the results of his experiment -- a material that is indestructible and impervious to dirt. Bimley discovers this project and throws Sidney out. But Daphne, impressed by his experiments, funds Sidney, installing him in his own laboratory. After a few false starts, Sidney develops a pure white material that can't be dirtied or ruined. But it seems Sidney's invention is too brilliant and effective; if a material is marketed that will last forever, textile mills will go out of business and workers will lose their jobs. Suddenly, poor, luckless Sidney has both management and labor banding together to combat his new invention.

Excerpt from B+N located HERE

Posters

Theatrical Release: August 10th, 1951

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Review: Kino - Region 'A' - Blu-ray

Box Cover

CLICK to order from:

    

Also available on Blu-ray from Studio Canal in the UK:

Distribution Kino - Region 'A' - Blu-ray
Runtime 1:25:35.088        
Video

1.33:1 1080P Dual-layered Blu-ray

Disc Size: 29,915,215,480 bytes

Feature: 24,811,597,824 bytes

Video Bitrate: 34.91 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate Blu-ray:

Audio

DTS-HD Master Audio English 1554 kbps 2.0 / 48 kHz / 1554 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 16-bit)
Commentary:

Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps

Subtitles English, None
Features Release Information:
Studio:
Kino

 

1.33:1 1080P Dual-layered Blu-ray

Disc Size: 29,915,215,480 bytes

Feature: 24,811,597,824 bytes

Video Bitrate: 34.91 Mbps

Codec: MPEG-4 AVC Video

 

Edition Details:

• Audio Commentary by Film Historian Dr. Dean Brandum
• Revisiting ‘The Man in the White Suit’ – Interviews with Filmmaker Stephen Frears and Film Critic Ian Christie (13:55)
• Theatrical Trailer (02:46)
• Other Trailers


Blu-ray Release Date:
September 3rd, 2019
Standard Blu-ray Case

Chapters 9

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Kino Blu-ray (August 2019): "The Man in the White Suit", starring Sir Alec Guinness, now appears thanks to Kino Lorber. This Ealing comedy is located on a dual layered Blu-ray and the 1.37:1 shot film is given a hefty and maxed-out bitrate. There are only a few frames showing small vertical scratches or tiny marks, sporadically appearing during the film's running time. Nothing to be upset over, in fact it only enhances the theatrical 'look' of the film (the marks are so small that to erase them would only take away from the texture). At times, the clarity of the image oscillates between a pretty sharp picture with fine detail, to a softer one. The impeccable Cinematography is due to Douglas Slocombe ( The first 3 'Indiana Jones' films, "The Lion in Winter", and "Rollerball!") and when characters are dramatically lit, the shadows and lights look just right on this Blu-ray transfer. Scenes that are a little brighter tend to suffer from what I can only assume is a modest contrast, possibly due to the source material. Either way, fans should be pleased to finally have this classic Ealing comedy in 1080p.

The film is accompanied by a 16-bit DTS-HD master audio track. The various factory noises and the lab's bubbling beakers all provide a sense of surroundings, yet things can sound a little flat. The score is thanks to Benjamin Frankel and played by the Philharmonia Orchestra
(Frankel is notable for composing the music for the British version of Night and the City, plus some Noirish titles like Libel and The Man Who Watched Trains Go By, Footprints in the Fog as well as The Iron Petticoat and The Importance of Being Earnest, Mine Own Executioner)
. There are optional English subtitles on this Region 'A' Blu-ray from Kino Lorber.

Film Historian Dr. Dean Brandum provides an audio commentary for the film. Dr. Brandum received his PhD. at Deakin University for his writings and analysis of historical box office takings. As he states early on, a main focus for him during graduate school was the box office of British films of the 60's in the US market. Dr. Brandum goes on to talk about the film's origin story (began as a play) and the story behind Ealing Studios productions. Though the microphone seems to pick up a little too much superfluous noise for my liking, I have heard much worse. This is a fine track and worth diving into, especially for fans. "Revisiting ‘The Man in the White Suit’" is a 14-minute conversation between filmmaker Stephen Frears and critic Ian Christie as well as an interview with British Film Historian Richard Darce (author of Traditions of British Comedy) discussing Sir Alec Guinness. Christie points out that the film demands a discussion after viewing, with the question "do you think it is an accurate portrayal of what happens when the balance of nature is upset?" The two talk about the film and its context within England at that time. I also appreciate the discussion regarding Joan Greenwood. I truly wish that these interviews and insightful readings could go on for hours. The film's trailer also appears here, along with a few other Kino titles; "Kind Hearts and Coronets", "The Lavender Mob", and "The Captain's Paradise".

"The Man in the White Suit" is a fine introduction for those unfamiliar with the Ealing Studios comedy pictures. I would encourage those to also check out "The Ladykillers" and "
Kind Hearts and Coronets", the latter also coming out from Kino. The Blu-ray is a treat for fans of the studios work, any A/V gripings are minimal and the commentary adds important value! 

Colin Zavitz

 


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Box Cover

CLICK to order from:

    

Also available on Blu-ray from Studio Canal in the UK:

Distribution Kino - Region 'A' - Blu-ray


 


 

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