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Pandora and the Flying Dutchman [Blu-ray]
(Albert Lewin, 1951)
Review by Gary Tooze
Production: Theatrical: Metro-Goldwyn-Mayer (MGM) Video: Kino Video
Disc: Region: FREE! (as verified by the Momitsu region FREE Blu-ray player) Runtime: 2:03:34.073 Disc Size: 39,407,546,850 bytes Feature Size: 31,361,243,136 bytes Video Bitrate: 29.95 Mbps Chapters: 16 Case: Standard Blu-ray case Release date: August 3rd, 2010
Video: Aspect ratio: 1.33:1 matted to 1.78 Resolution: 1080p / 23.976 fps Video codec: MPEG-4 AVC Video
Audio: LPCM Audio English 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit
Subtitles: N one
Extras: • Vintage (1947) documentary El Torero de Cordoba (17:26 in HD!)• Alternate opening titles (2:26 - unrestored in HD!)
•
Restoration Comparison
(5:49 in HD!)
Bitrate:
Description: Restored under the auspices of Martin Scorsese, Pandora and the Flying Dutchman stars Ava Gardner as the siren of a small Spanish town, the type of woman men kill and die for. She s never fallen for anyone until the arrival of the mysterious James Mason, the actual Flying Dutchman condemned to sail the seas until he finds a woman who would die for him. Featuring stunning color cinematography by Jack Cardiff (Black Narcissus, The Red Shoes).
Pandora and The Flying Dutchman is writer, producer
and director Albert Lewin s lushly romantic Technicolor
visualisation of the often-told legend of the sea. A
glamorous Ava Gardner is Pandora, who falls hard for the
charismatic James Mason as Hendrik, a 17th-century seaman
eternally condemned to sail the oceans. Unavailable
theatrically for many years and never available on Home
Entertainment, the film has now been beautifully restored.
The Film:
Reading various reviews of Lee Server’s recent biography of Ava Gardner,
I was shocked to find the movie that defined her apotheosis--surpassing
even George Cukor’s neglected 1956 Bhowani Junction in its erotic
splendor-- dismissed without a second thought. (It’s her first film in
color, and lusciously shot by Jack Cardiff--the cinematographer on
The Red Shoes,
Under Capricorn, and
The Barefoot Contessa,,
a film clearly indebted to this one.) This dismissal could never have
happened in France, where this masterpiece is available on DVD and
rightly revered as a summit for producer-turned-auteur Albert Lewin (a
kind of Val Lewton on the six singular features he made, but with the
benefit of big budgets) and James Mason as well as Gardner. (To
commemorate what it meant to him as an adolescent, Jean Eustache
featured a lengthy clip from it in Mes Petits Amoureuses.)
The majority of the restoration of Pandora and the Flying Dutchman looks absolutely stunning on Blu-ray with only a few aberrations. Colors, which burst forth, and detail both appear to benefit the most from the 1080P transfer and the extensively improved 35mm Technicolor restoration (presented by The Film Foundation, George Eastman House & Douris UK Ltd.) Colors give the visuals some relational depth and the contrast advances the sharpness to a much higher level than I was a anticipating. Certain sequences with Ava Gardner look just mesmerizing. The grain is very even and consistent giving the image quality a perfect textured foil. This Blu-ray has some reference moments considering the film's age and it often rivals the Technicolor look of Black Narcissus or The Red Shoes. There are a few weaknesses - which I won't blame on the transfer. Colors unnaturally shift in a few scenes and there is some damage remaining that was probably not able to be removed. Unfortunately, I didn't catch any in the screen captures but the infrequent speckles and underlying scratches seem frame specific and are generally unnoticeable. This Blu-ray looks VERY strong in my opinion and it was such a pleasant surprise - especially beside the previously released DVD. I expect most fans will be highly impressed with the video presentation.
David tells us in email: "The whole image to me looks "wrong" in the new transfer. Jonathan Rosenbaum ahs also commented questioning the lightiness of the image compared to his memories of it in 35mm. Overall I get the impression this is a restoration which seems to have been done on the cheap, or with far from ideal elements (I.e. no three strip negs or even YCM seps) from which to rebuild a new internegative. Things like the ugly green of sea shots and the weird shade of nursery pea green on the walls of the villa which are contrasted with various reds and lilacs simply don't like like the sorts of things Cardiff would shoot, unless he were going for a sense of menace in the sequences, but the primary color values in this transfer feel "dirty" to me and the entire image throughout seems to have an undercoat of bleaching. I have to say I believe the Park Circus (which IS fixed Region B) is identical to the Kino. " (Thanks David!)
CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
1) Kino - Region FREE - Blu-ray TOP 2) Editions Montparnasse - Region 2 (France) - PAL MIDDLE 3) Kino - Region 1 (interlaced) - NTSC BOTTOM
(R2 DVD captures courtesy of our sister site ChiaroScuro's and the review HERE by our friend Markus! and thanks to Pepsi for the NTSC DVD caps!)
1) Kino - Region FREE - Blu-ray TOP 2) Editions Montparnasse - Region 2 (France) - PAL MIDDLE 3) Kino - Region 1 (interlaced) - NTSC BOTTOM
Audio :Kino have left the audio a 2.0 channel offering in a linear PCM track at 2304 kbps. All the music sounds wonderful in the stereo rendering especially Ava crooning to the lone piano which is also used for the animated menus (waves are moving in the background). The sound is very clean and smooth without fatal dropouts. It doesn't sound particularly flat, as you might expect, and the lossless depth is probably the reason. There are, strangely, no optional English subtitles and my Momitsu has identified it as being a region FREE disc playable on Blu-ray machines worldwide.
Extras :With Kino we get a vintage (1947) documentary El Torero de Cordoba running shy of 20-minutes in HD (as are all video extras). It recounts the career of Manuel Rodriguez Manolete, the celebrated Spanish Bullfighter who was the inspiration for the ill-fates character Montalvo. The black and white print is in weak condition and there are HUGE English subtitles. It seems as though the link to the film is kind of nebulous but it was kind of interesting to see if for nothing more than its age. You can see the Alternate opening titles running 2:26. These are un-restored - prints for the UK market varied slightly from those for the American release. As opposed to a prologue about The Flying Dutchman, there is a quote by Omar Khayyam. The restoration comparison features 6 minutes from the new master and the previously released one (from an original Technicolor print) - the differences are as extravagant as our 2 captures compared below (BD vs. DVD). Included are two stills galleries (Film and Production) and three trailers (U.S., U.S. abridged, and UK restoration re-release for 2010.)
BOTTOM LINE: Gary Tooze July 23rd, 2010
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About the Reviewer: Hello, fellow Beavers! I have been interested in film since I viewed a Chaplin festival on PBS when I was around 9 years old. I credit DVD with expanding my horizons to fill an almost ravenous desire to seek out new film experiences. I currently own approximately 9500 DVDs and have reviewed over 3500 myself. I appreciate my discussion Listserv for furthering my film education and inspiring me to continue running DVDBeaver. Plus a healthy thanks to those who donate and use our Amazon links.
Although I never wanted to become one of those guys who
focused 'too much' on image and sound quality - I
find HD is swiftly pushing me in that direction. So be
it, but film will always be my first love and I list my
favorites on the old YMdb site now accessible
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