Review by Leonard Norwitz
Studio:
Theatrical: Brian Grazer
Blu-ray: Universal Studios Home Entertainment
Disc:
Region: FREE!
(as verified by the
Momitsu region FREE Blu-ray player)
Runtime: 2:19:51.049
Disc Size: 46,297,718,453 bytes
Feature Size: 39,571,494,912 bytes
Video Bitrate: 24.23 Mbps
Chapters: 20
Case: Standard Blu-ray case
Release date:
April 13th, 2010
Video:
Aspect ratio: 2.35:1
Resolution: 1080p / 23.976 fps
Video codec: MPEG-4 AVC Video
Audio:
DTS-HD Master Audio English 4237 kbps 5.1 / 48 kHz / 4237
kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
DTS Audio Czech 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit
DTS Audio French 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit
DTS Audio Hungarian 768 kbps 5.1 / 48 kHz / 768 kbps /
24-bit
DTS Audio Italian 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit
DTS Audio Spanish 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit
DTS Audio Spanish 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit
Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
/ Dolby Surround
Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
DTS Express English 192 kbps 2.0 / 48 kHz / 192 kbps /
24-bit
Subtitles:
English (SDH), Bulgarian, Czech, Danish, Finnish, French,
Greek, Hungarian, Icelandic, Italian, Norwegian, Portuguese,
Romanian, Slovenian, Spanish, none
Extras:
• Audio Commentary with Ron Howard
• Audio Commentary with Jim & Marilyn Lovell
• Lost Moon: The Triumph of Apollo 13 – ins SD (57:55)
• Conquering Space: The Moon and Beyond – in SD (48:00)
• Lucky 13: The Astronauts' Story – in S (12:10)
• U-Control (The Apollo Era & Tech-Splanations)
• BD-Live (with
The Film:
8
It was almost twelve years after Sputnik, and the Americans
had finally topped the Russians with Neil Armstrong's
stepping foot on the moon on July 20, 1969. But once was not
enough. It was never the objective to simply plant a flag
and fly away. No, the Apollo program had several more moon
landing opportunities waiting in the wings. And the next one
was to be Lucky Number 13. Thumbing their noses at
conventional wisdom, Jim Lovell, Fred Haise, and Ken
Mattingly were slated to take off on April 13 at 1313 hours.
(It turned out to be April 11.)
In the first inkling that the fates had a left hook hidden
behind their backs, Ken was grounded after he was exposed to
measles when a backup astronaut contracted the disease. Ken
had never had the measles and wasn't about to be sent into
space with the likelihood he would get sick on route.
Lovell's crew had trained for this flight for six months;
they worked together like a finely tuned watch. To replace
Mattingly just two days away from launch made everyone
uneasy, but Lovell, anxious not to disappoint his team and
to step out onto the moon himself, gave it the Go.
About 200,000 miles from Earth, an explosion occurred in the
oxygen tanks of one of the service modules. The moon landing
had to be aborted, but they had far worse problems. Ron
Howard's movie reconstructs the accident and the efforts on
board and at Houston Control to move the crew from the
command module (Odyssey) to the lunar module (Aquarius) for
the return flight, conserve power, deal with the cabin's
increasing carbon dioxide content, and re-enter the Earth's
atmosphere without burning up or skating back off into
space.
Though there was plenty enough opportunity to get
sidetracked into endless shots of space flight and gadgetry
(so effective in 2001: A Space Odyssey and so pointless in
the first Star Trek movie), Howard keeps his eye on the ball
in Apollo 13: the human drama in space and on the ground.
There are light moments and flashes of satire, but Howard
does not dwell on any of it or allow them devolve into
silliness. And though Tom Hanks is the star, his portrayal
of Lovell (on his fourth space flight as compared to his
teammates' first) not only allows for a team effort for the
rescue, it encourages it.
Subtle and assured, this is one of Hanks' best performances.
Special mention, also, to Bill Paxton as Fred Haise,
desperately trying to keep panic and illness at bay; Kevin
Bacon as John Swigert, the new man on the team who has to
check his hot-dog persona at the door and prove himself
without heroics; and Gary Sinise as Ken Mattingly, the man
left behind who helps solve the problem of re-entry. Ditto
kudos to editors Michael Hill and Daniel Hanley who keeps us
on the edge of our seats between the Aquarius, Mission
Control, the waiting families and the nation huddled about
their TV sets and Times Square.
Image:
7/9
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
The first number indicates a relative level of excellence
compared to other Blu-ray video discs on a ten-point scale.
The second number places this image along the full range of
DVD and Blu-ray discs.
Despite a riveting drama and generally satisfying HD
presentation, there are a few inexplicable moments of heavy
grain and/or noise (cf. capture #1) – all the stranger
considering that so much of the film is sharp and relatively
quiet, so to speak. Contrast is superbly handled from the
fiery blast off to the inky black of outer space. Flesh
tones are spot-on and colors properly saturated. There is
some mild edge enhancement on rare occasions (cf. capture
#12 parachute landing), otherwise, the transfer is quite
good.
CLICK EACH
BLU-RAY
CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Audio & Music:8/7
Stanley Kubrick's space missions were conspicuous for their
silence, excepting the music soundtrack. We were so taken
with the idea of "The Blue Danube" accompanying the first
space flight that we may not have noticed the absence of a
single take-off in an atmosphere. But a movie about
America's Apollo space program would disappoint without a
room-shaking take-off from those enormous Saturn V rockets.
Oddly enough, while the blast off is loud and clear enough,
the Blu-ray lacks power and bass. It's possible that the
movie never had much at this point, perhaps favoring an
enveloping distortion-free clarity; even so, I found more
voluptuous bass elsewhere: the music, for instance.
Once in space we are immersed in a world of silence, dotted
with various effects of movement within the cabin. Every
sound, from the removal of a space helmet to the click of a
switch to the gliding through the tunnel from the main cabin
to the lunar module is exquisitely captured. Effects are
discrete but always feel properly situated in the mix rather
than hanging in isolation. The oxygen tank explosion is kept
proportional to all that has come before, but it still
projects quite a jolt into the Odyssey, followed by
considerable sonic clutter and overlapping dialogue. The
panicked chatter about the room at Houston Control is almost
suffocating, as intended. James Horner's music is suitable,
expansive, but not especially memorable – and that is all to
its credit, as it does bring attention to itself as it did
for Cocoon ten years earlier.
Operations:7
Loading and menu functions follow the same template as other
Universal Blu-rays, and it's smartly laid out. U-Control
functions can be accessed from either the menu or the
remote. When bringing up the audio options from the menu you
need to know that there are more options than what the
window displays: click upward or down for the others – it's
the only way to find the commentaries short of returning to
the menu. I felt the division into only twenty chapters
insufficient.
Extras:
7
The big pieces have had life in previous DVD editions. The
U-Control features are new. The Audio Commentary with Jim &
Marilyn Lovell is spotty, as we might expect, Jim taking
most of the command with bits of detail. Ron Howard's Audio
Commentary is sober and informative. He has a light touch
even when speaking of serious matters that is most engaging.
"Lost Moon" is a near hour-long documentary that gets its
title and impetus from the book co-authored by Jim Lovell,
who appears in the feature; Interviews of the astronauts
portrayed in the film are shown in "Lucky 13"; and
"Conquering Space" is an overview of the U.S. space program
up to that point. These features are presented in so-so
standard definition. BD-Live offers two possibilities:
"Social Blu" (a terrible name), which connects you to a
Facebook and Twitter and "pocket BLU" which enables your
mobile device to communicate directly with your Blu-ray
player to extend your movie experience.
Bottom line:
Despite the occasional disturbances in the image, the less
than awesome audio in take-off, and the lack of any new or
HD bonus features (except some minor bits in U-Control and
what you can find through BD-Live), I can warmly endorse a
purchase of Apollo 13. I am not generally a big fan
of Ron Howard's work as a director, but he nails this one
perfectly. Peter Travers expresses my feeling exactly:
Howard doesn't soar to the satirical heights of The Right
Stuff, Philip Kaufman's film of the Tom Wolfe best
seller about the space program. But his view is cleareyed.
The public grew cynical about the space program when the
government used it as a costly political PR tool, and
boredom set in after Neil Armstrong walked on the moon in
1969. Boredom was never in the picture for those who risked
their lives exploring a dream. In honoring a failed mission,
Apollo 13 celebrates the rebel part of the American
character that won't accept boundaries.
Excerpt of review from Rolling Stone located HERE
Leonard Norwitz
April 16th, 2010