Review by Leonard Norwitz
Studio:
Theatrical: Bazmark
Blu-ray: 20th Century Fox Home Entertainment
Disc:
Region: A
Runtime: 165 min
Chapters: 26
Size: 50 GB
Case: Standard Blu-ray case
Release date: March 3, 2009
Video:
Aspect ratio: 2.35:1
Resolution: 1080p
Video codec: AVC @ 22.5 Mbps
Audio:
Audio:
Subtitles:
English SDH, Spanish, Korean, Portuguese, Cantonese &
Mandarin
Extras:
• Australia: The People, The History, The Location (7:01)
• Behind the Scenes:
• Production Design (5:30)
• Costume Design (6:58)
• Locations (6:22)
• Cinematography (6:44)
• Still Photography (4:37)
• Sound (11:05)
• Editing (11:05)
• Music (10:23)
• Visual Effects (8:40)
• 2 Deleted Scenes with Optional Director's Introduction in
HD (2:02 + 0:56)
The Film:
6
After the such quirky love stories as Strictly Ballroom,
Romeo + Juliet and Moulin Rouge, Baz Luhrmann settles down
into a familiar, though not often visited genre: the
Romantic Western Adventure. Australia is a sweeping, if not
exactly epic, love story set against the country's
burgeoning cattle industry, it's unique racial and class
structure and the Japanese encroachment at the beginning of
WWII. That's a lot for a script to chew on, but it's a long
movie, and it does its chewing by way of Mark Rydell's The
Cowboys, Lawrence of Arabia and, most of all, Giant.
Nicole Kidman's character is every bit as naïve as Elizabeth
Taylor's when it comes to relations between the whites and
the native populations. Lady Sarah Ashley is just as put off
by the treatment of the indigenous population as Leslie
Benedict, and she is just as strong-willed about doing
something about it. But Leslie is not lord and master of the
ranch. Being suddenly stranded in the middle of nowhere with
only her neighbors and a couple hundred years of tradition
behind them, Leslie works behind the scenes – and sometimes
behind her husband's back - to do what she can and what she
thinks is right. Lady Ashley's husband, on the other hand,
is found dead at their remote cattle ranch on the day of her
arrival. She had come all the way from England to collect
her husband, whom she was sure was leaving a life of
debauchery and sell their ranch. Imagine her surprise.
Ashley is willful – to the point of farce at times – but she
may return to England whenever she pleases to an
aristocratic life without a tinge of disgrace.
There are three or four forces at work, however, that keep
her eye and her heart on the present however: the first is
the half-caste boy, Nulla (Brandon Walters), whose aborigine
mother is accidentally killed off shortly after Lady
Ashley's arrival. Nulla's father is most likely Fletcher
(David Wenham) the head wrangler for neighboring Carney
Cattle, the only competing ranch in that part of the world.
His boss (Bryan Brown) wants to buy out Faraway Downs, thus
ending the movie before it starts, but Fletcher's behavior
so infuriates Lady Ashley at every turn that she decides to
stay on out of sheer orneriness.
The joker in the deck is The Drover (Hugh Jackman) who makes
it clear that he works for no man. He doesn't fall in love
either, it seems. What he does, he does well: driving horses
and cattle on contract, and he would have taken Ashley's to
market except that Fletcher took what hands she had with him
when she ran him off the property. Needless to say, Lady
Ashley convinces The Drover to take her cattle to Darwin
where the Army is waiting to sort out a contract to the
seller with the best offer. Their ragtag crew consists of a
handful of men, women, a drunk, a boy, and Ashley. Comic
relief soon turns serious: Fletcher is determined to see to
it that they don't reach their destination with the help of
a little fire and poisoned water as Australia's version of
the Nefud Desert rises before them. While the Japanese bear
down on Australia's northern coast, the authorities make
clear their intention to bring the boy to the mission where
the "black" can be stripped out of him.
Image:
6/8
The first number indicates a relative level of excellence
compared to other Blu-ray video discs on a ten-point scale.
The second number places this image along the full range of
DVD and Blu-ray discs.
I would have preferred a movie with far fewer effects shots
as the overall image suffers from their less than seamless
incorporation. The image never quite coheres into what we
expect for a Romance. Post-processing takes its pound of
flesh, so Luhrmann rightly, but sadly for us, brings down
the level of the non-effects photography accordingly. The
result is a kind of fairy
tale look that works well in some scenes more than others.
It's hard to know where the theatrical film leaves off and
the transfer begins, but I'm suspecting that the transfer
isn't right on the money either. The picture is surprisingly
flat. Detail is lacking, sometimes washed out in the glitter
of the sun. Contrast is high which helps neither the detail
or shadow information. Color is nice, but it's a case of too
little, too late.
Audio & Music:
7/7
Dialogue is clear, thanks to a lossless audio track – a good
thing too since half the dialogue is in a foreign language
that sounds only vaguely like English, so clarity helps a
lot. The surround mix opens things up nicely when music
underscores the drama or when the cattle are on the march or
when crowds gather for a fight or when bombs blow up
buildings and the odd ship.
Operations:
2
This has to be one of the most user-unfriendly menu designs
on Blu-ray. The font is too small, and navigation is
unexpected. The absence of a Play All for the Behind the
Scenes passes understanding. And the menu is just plain
unattractive.
Extras:
7
I found the Behind the Scenes Film School tracks to be
engaging and informative, even if I've been down this road
before. "Australia: The People, The History, The Location"
is a misleading title: it's more EPK than it is a history or
cultural lesson.
Bottom line:
6
No iconic pose or reaction goes undocumented. I don't mind,
really. It's one of the reasons we love the Western – which
this movie is, despite the occasional palm tree. But it's
not fair that Jackman looks better than Nicole here. Between
the script and Luhrmann's direction, the movie is too
comical to be taken seriously when we're expected to, and
its willingness to resort to magic whenever things get tough
denies the threat of disaster. The image processing upends
the intent of the vistas, which makes what should have been
a lovely movie more than a little compromised. Worth seeing,
perhaps, just keep your hopes on a short bit.
Leonard Norwitz
March 7th, 2009