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S E A R C H D V D B e a v e r |
(aka "Cortesie per gli ospiti" )
directed by Paul
Schrader
US/UK/Italy 1990
Mary (Natasha Richardson) and Colin (Rupert Everett) attempt to reinvigorate their flagging relationship with a romantic trip to Venice. Soon, though, they find themselves drawn into a complex web of deceit, passion, perversion and sexual intrigue, subtly spun by mysterious Robert (Christopher Walken) who resides nearby in palatial splendour with his wife Caroline (Helen Mirren). ***
The relationship
of divorced Mary
(Natasha
Richardson,
A MONTH IN
THE COUNTRY)
and her
boyfriend Colin
(Rupert Everett,
CEMETERY MAN)
has gone stale.
Even away from
her children in
Venice, the two
wander oblivious
to the sights
and pick at each
other (some
wonderful
exchanges
courtesy of
Harold Pinter;
the novel just
gives us the
gist of their
situation at the
opening) over
meals at outside
cafes. One
evening, they
get up too late
to have dinner
and get lost in
the labyrinthine
alleys of the
city looking for
a cafe and run
into dapper,
white-suited
Robert
(Christopher
Walken,
THE DEAD ZONE)
- who,
unbeknownst to
them has been
following and
photographing
them - who leads
them to a bar.
Over breadsticks
and wine, he
amuses and
terrifies them
with an anecdote
from his
childhood (the
subject of a
recurring
monologue
narrated by
Walken
throughout the
film). Too drunk
to find their
hotel, they
sleep in an
alley and run
into Robert
again the next
day. He
insistently
invites them to
his grand
mirrored and
mural-glutted
palazzo of an
apartment where
they meet
Robert's meek,
seemingly
terrified wife
Caroline (Helen
Mirren,
PRIME SUSPECT).
After a tense
dinner with the
older couple,
Mary and Colin
find their sex
lives
reinvigorated
even as they
continue to grow
emotionally
distant. Their
ultimate
decision of
whether to stay
together or not
when they return
to England is
irrelevant as
Robert and
Caroline have
something more
ominous in store
for them. |
Posters
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Theatrical Release: 29 March 1991
Reviews More Reviews DVD Reviews
Comparison:
MGM - Region 2,4 - PAL vs. BFI - Region 'B' - Blu-ray vs. Criterion - Region 'A' - Blu-ray
Big thanks to Eric Cotenas for the MGM DVD Screen Caps!
Box Covers |
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Distribution |
MGM Region 2,4 - PAL |
BFI Region 'B' - Blu-ray |
Criterion -
Spine #1041 Region 'A' - Blu-ray |
Runtime | 1:40:21 (4% PAL speedup) | 1:44:37.729 | 1:44:45.237 |
Video |
1.83:1 Original Aspect Ratio
16X9 enhanced
|
1.85:1 1080P Dual-layered Blu-ray Disc Size: 31,999,812,870 bytes Feature: 29,486,028,096 bytes Video Bitrate: 26.74 Mbps Codec: MPEG-4 AVC Video |
1.66:1 1080P Dual-layered Blu-ray Disc Size: 48,659,996,584 bytes Feature: 31,672,547,328 bytes Video Bitrate: 36.16 Mbps Codec: MPEG-4 AVC Video |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate:
BFI Blu-ray
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Bitrate:
Criterion Blu-ray
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Audio | English Dolby Digital 2.0 mono; German Dolby Digital 2.0 mono; French Dolby Digital 2.0 mono |
LPCM Audio
English 2304
kbps 2.0 / 48
kHz / 2304 kbps
/ 24-bit
LPCM Audio
English 1536
kbps 2.0 / 48
kHz / 1536 kbps
/ 16-bit LPCM Audio English 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit |
LPCM Audio English 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit |
Subtitles | English (HoH), German (HoH), French, Dutch, Swedish, Finnish, Portuguese, none | English (HoH), none | English (HoH), none |
Features |
Release
Information: Studio: MGM
Aspect Ratio:
Edition Details:
Chapters 16
|
Release Information: Studio: BFI
1.85:1 1080P Dual-layered Blu-ray Disc Size: 31,999,812,870 bytes Feature: 29,486,028,096 bytes Video Bitrate: 26.74 Mbps Codec: MPEG-4 AVC Video
Edition Details:
• Audio commentary by director Paul Schrader, newly recorded for this
release DVD
Chapters 12 |
Release Information: Studio: Criterion
1.66:1 1080P Dual-layered Blu-ray Disc Size: 48,659,996,584 bytes Feature: 31,672,547,328 bytes Video Bitrate: 36.16 Mbps Codec: MPEG-4 AVC Video
Edition Details:
•
New interviews
with Spinotti (13:17), director Paul Schrader (17:29), actor Christopher
Walken (5:46), and editor Bill Pankow (14:29)
Chapters 13 |
Comments |
NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc. ADDITION: (July 2020) Criterion - Region 'A' - Blu-ray: Criterion have also transferred Paul Schrader's The Comfort of Strangers to Blu-ray. It is described as being a "new, restored 4K digital transfer, supervised by cinematographer Dante Spinotti". We have some significant differences from the BFI 1080P. The 1.66:1 image is housed on a dual-layered Blu-ray with a max'ed out bitrate, but as you can see we have much more information in the frame, on all four edges, than the 2018 BFI Blu-ray. It seems apparent that these must be from different sources. So, something is up and it is above my pay-grade to know what. The Criterion colors are far richer and bolder (pale yellow to gold) and it almost touches on being saturated. It looked extremely rich and lush on my system - a very different viewing experience from the BFI Blu-ray. There is a touch of teal-leaning in the Criterion but I didn't fins it overwhelming. Criterion use a linear PCM 24-bit mono track and I wouldn't tell any differences from the similarly uncompressed BFI. There isn't much aggression in the soundtrack but has a score by Angelo Badalamenti - who has done a lot of compositions for David Lynch including Twin Peaks- Fire Walk With Me, Blue Velvet, Lost Highway, Wild at Heart and The Straight Story among others. He's also done the score for Schrader's Auto-Focus, and other films like 44 Inch Chest, The Edge of Love etc. It sounds fairly subtle here but suits the film well via the uncompressed. There are optional English (SDH) subtitles on Criterion's Region-A locked Blu-ray. Criterion include new interviews with Spinotti for a dozen minutes (he talks about shooting in Super 35, how Schrader didn't want a 'Postcard' look of Venice but a darker, more dangerous Venice, dolly shots and much more), director Paul Schrader for shy of 18-minutes, actor Christopher Walken for less than 6-minutes, and editor Bill Pankow for a 1/4 hour. There are also some older interviews from 1981 and 2001, respectively, with novelist Ian McEwan (on The Southbank Show) and actor Natasha Richardson plus two trailers for the film. The package has liner notes with an essay by critic Maitland McDonagh. This Criterion Blu-ray a/v represented an entirely new '4K digital transfer, supervised by cinematographer Dante Spinotti' presentation for me and I'd like to live with it for a while. We actually LOVE when there are differences giving consumers more options. I keep gaining new appreciation for The Comfort of Strangers - an incredible piece of cinema. ***
ADDITION: (October 2018)
BFI - Region 'B' -
Blu-ray:
BFI have
brought Paul Schrader's The Comfort of Strangers to
Blu-ray adapted from Ian
McEwan's novel of Harold Pinter's play. The 1.85:1 image is housed on a
dual-layered
Blu-ray with a supportive
bitrate. The image quality is very strong - a notch ahead of
the 2004 MGM PAL DVD. It's very crisp without a
preponderance of depth. I see no digitization and hardly any
speckles at all. It's a solid HD presentation in-motion -
colors are rich but a bit pale - adept contrast. No complaints. -Gary Tooze
ON THE DVD:
MGM's DVD of
this forgotten
early nineties
Paul Schrader
film is a
beautiful if
slightly soft
(perhaps
intentionally
so) 16:9
presentation
which is sharper
than I remember
the previous
NTSC tape
release being.
The image is not
flawless. There
are speckles
throughout but
Spinotti's
cinematography
is
well-rendered.
The only extra
is a theatrical
trailer
(hopefully
Schrader and
Pinter will have
some input if an
official US DVD
ever comes out
though I believe
MGM only owns
the European
rights). Like
MGM's disc of
Ken Russell's
GOTHIC which I
reviewed some
time ago, this
disc has
English, French,
and German menu
languages and
audio tracks as
well as
subtitles in
several other
languages
suggesting that
DVD release of
the film in
those countries
are the same
presentation.
Although the
cover states
that the
English, French,
and German audio
tracks are mono,
the
often-erroneous
imdb.com lists
the film a
stereo release
(which makes
sense since it
was made in 1990
even if a lot of
Italian non
co-productions
were still being
mixed in mono at
the time). All
three language
tracks are 2.0
224 kb/s which
is a tad
extravagant for
2.0 mono (I'm
not sure if the
directional
sounds I'm
hearing on my
headphones are
from the
original mix or
my software
player). The
Australian DVD
has the same
audio and
subtitles
options. -Eric Cotenas |
DVD Menus
MGM - Region 2,4 - PAL
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BFI - Region 'B' - Blu-ray
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Criterion - Region 'A' - Blu-ray
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Subtitle Sample
1) BFI - Region 'B' - Blu-ray - TOP 2) Criterion - Region 'A' - Blu-ray - BOTTOM |
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1) MGM - Region 2,4 - PAL - TOP 2) BFI - Region 'B' - Blu-ray - MIDDLE 3) Criterion - Region 'A' - Blu-ray - BOTTOM |
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1) MGM - Region 2,4 - PAL - TOP 2) BFI - Region 'B' - Blu-ray - MIDDLE 3) Criterion - Region 'A' - Blu-ray - BOTTOM |
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1) MGM - Region 2,4 - PAL - TOP 2) BFI - Region 'B' - Blu-ray - MIDDLE 3) Criterion - Region 'A' - Blu-ray - BOTTOM |
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1) MGM - Region 2,4 - PAL - TOP 2) BFI - Region 'B' - Blu-ray - MIDDLE 3) Criterion - Region 'A' - Blu-ray - BOTTOM |
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