Firstly, a massive thank you to our Patreon supporters. Your generosity touches me deeply. These supporters have become the single biggest contributing factor to the survival of DVDBeaver. Your assistance has become essential.
What do Patrons receive, that you don't?
1)
Our
weekly
Newsletter
sent to your Inbox every
Monday morning!
Please consider keeping us in existence with a couple of dollars or more each month (your pocket change!) so we can continue to do our best in giving you timely, thorough reviews, calendar updates and detailed comparisons. Thank you very much. |
Search DVDBeaver |
S E A R C H D V D B e a v e r |
directed by Derek Jarman
UK 1993
Blue, Derek Jarman's final film,
was made as he was dying of AIDS and blind, his vision hijacked by
constant blue light. For its entire duration, the screen is filled with
the color blue and nothing more, while Jarman, with voice contributions
from frequent collaborators Tilda Swinton, John Quentin, and Nigel
Terry, weaves a poetic, angry, wistful, and sometimes humorous account
of his illness and impending mortality. He speaks of having become a
"walking laboratory," taking up to thirty pills a day, of the chore of
hospital waiting rooms, of the brusque indifference of medical
personnel, of the hypocrisy of charity, and of the color blue. Jarman's
voice is commanding. This is not an informal affair. He often speaks in
verse, augmented with music and sound by Jarman's regular composer Simon
Fisher-Turner, as well as Brian Eno, Coil, Momus, The King of
Luxembourg, and others, forming an atmospheric wall of sound that is
the film's imagery and is constructed in a highly cinematic way, with
abrupt shifts in texture and tone. (The short-lived ambient
sketch-comedy radio program Blue Jam created a similar mood.)
Jarman invokes a sense of journey within the viewer, and the effect is
hypnotic and moving. You walk away from it with total identification
with Jarman, and once your eyes return to the corporeal world, it's as
though sight has been restored. In terms of form, this movie is as bold
as anything Jarman has done. |
Posters
Theatrical Release: December 3, 1993 (United States)
Comparison:
Dolmen Home Video - Region 2 - PAL vs. Artificial Eye - Region 2 - PAL vs. Kino / Zeitgeist - Region 'A' - Blu-ray
Thanks to Per-olof Strandberg for the AE Screen Caps!
1) Dolmen Home Video - Region 2 - PAL - LEFT 2) Artificial Eye - Region 2 - PAL MIDDLE 3) Kino / Zeitgeist - Region 'A' - Blu-ray- RIGHT
|
Box Cover |
|
|
Already available from BFI, on Blu-ray, in the UK: Bonus Captures: |
Distribution |
Dolmen Home Video Region 2 - PAL |
Artificial Eye Region 2 - PAL |
Kino / Zeitgeist - Region 'A' - Blu-ray |
Runtime | 1:14.28 (4% PAL speedup) | 1:15:39 (4% PAL speedup) | 1:16:16.863 |
Video |
175:1 Original Aspect Ratio
16X9 enhanced |
1:1.78 Original Aspect Ratio
16X9 enhanced |
1.78 :1 1080P Dual-layered Blu-rayDisc Size: 41,556,095,378 bytesFeature: 24,721,201,152 bytesVideo Bitrate: 34.93 MbpsCodec: MPEG-4 AVC Video |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
|||
Bitrate: Dolmen |
|
||
Bitrate: Artificial Eye |
|
||
Bitrate: Kino / Zeitgeist Blu-ray |
|
||
Audio | English (Dolby Digital 1.0), Italian 1.0 (Dolby Digital 1.0) | English (Dolby Digital 2.0) |
DTS-HD Master Audio English 3886
kbps 5.1 / 48 kHz / 3886 kbps / 24-bit (DTS Core: 5.1 / 48 kHz /
1509 kbps / 24-bit) DTS-HD Master Audio English 2012 kbps 2.0 / 48 kHz / 2012 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit) |
Subtitles | Italian, None | None | English (SDH), None |
Features |
Release Information: Studio: Dolmen Home Video Aspect Ratio:
Edition Details: Chapters 22 |
Release Information: Studio: Artificial Eye Aspect Ratio:
Edition Details: Chapters 8 |
Release Information: Studio: Kino / Zeitgeist
1.78 :1 1080P Dual-layered Blu-rayDisc Size: 41,556,095,378 bytesFeature: 24,721,201,152 bytesVideo Bitrate: 34.93 MbpsCodec: MPEG-4 AVC Video
Edition Details: • Bliss (1991 concert recording of the project that would become Blue) (39:17 - audio-only)• David Lewis Remembers Blue (13:34) • Derek Jarman Blue Plaque Unveiling in London (2:11) • The Garden Trailer (1:32) • Glitterbug (1994, a compilation of Derek Jarman's home movies, scored by Brian Eno) (44:50) • Hard to Imagine (John Maybury recalls Jarman's journey towards Blue) (8:23) • James Mackay Remembers Blue (14:40) • Simon Fisher Turner Remembers Blue (8:00)
Standard Blu-ray Case Chapters 11 |
Comments: |
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
NOTE:
30 more full resolution (1920 X 1080) Blu-ray captures
for Patrons are available HERE.
On their
Blu-ray,
Kino / Zeitgeist offer the option of DTS-HD Master 2.0 and 5.1 surround tracks (24-bit)
with the narration and dialogue in the original
English language. Effects have depth and there is a supportive score by
The Kino / Zeitgeist
Blu-ray has
*** ADDITION: Artificial Eye - March 08': I'm quite sure that Artificial-Eye have recycled their master tape (probably analog betacam) made for their VHS release in 1993. This old transfer is made from an used cinema copy, and is full of dirt, dust, and reel change mark's every 20 minute. The closer the reel change is, the more dirt is visible. In a close look the image is full of artefacts, and it's quite annoying to watch it with a projector. Based on the opening and closing credits the transfer seems to be quite soft, but it doesn't disturb as the image is only blue. Compared to the Italian release (that seems to be a disaster), the Artificial-Eye is superior, and has more accurate color.
NOTE: The screen caps are not exact matches. I tried to find
"problems" on the AE disc. I'm sure that there are even more problems in
the Italian release. The point is that they have recycled an old master
tape. Even tough the amount of dirt is limited, it's disturbing in a
film that should have only one color. The dirt looks bigger than if
there was live action on it. People who want to view / listen to the
film shouldn't be afraid to by this disc. The main thing is the sound,
and it's clean from dirt, and sounds probably as intended. ON THE DOLMEN: You'd think it'd be kind of hard to screw up a DVD issue of Derek Jarman's Blue, but Italian distributor Dolmen has managed to find a way. This transfer is obviously culled from a VHS. While the whole film is simply the color blue, bookended by credits, artefacts are nonetheless present throughout, with visible analog noise and rolling horizontal lines. Furthermore, the audio is monaural (the English soundtrack, fortunately, sounds a lot richer than the Italian dub), which is not the way the film was originally mixed (the theatrical release was Dolby SR). The ideal way to present this on DVD would be either a 3-channel mix or a 5-channel mix, with Jarman's voice isolated in the center channel, and music and effects given to the peripheral channels. But since this disc, which is barebones and no better than a homemade VHS port, is mono, the words that are spoken are frequently unintelligible, drowned out by the music. Complaining about a bad transfer of Blue might seem comical to some, but Jarman's intent was for the viewer to see a blue void for 70-odd minutes. While 35mm prints undoubtedly displayed speckles and other damage, the inescapable feeling that you're watching video when looking at this disc diminishes the effect a lot more than some scratches would have. |
DVD Menus
(Dolmen Home Video - Region 2 - PAL - LEFT vs. Artificial Eye -
Region 2 - PAL - RIGHT)
|
|
|
|
Kino / Zeitgeist - Region 'A' - Blu-ray
|
|
CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
S
ubtitle Sample - Kino / Zeitgeist - Region 'A' - Blu-ray
1) Dolmen Home Video - Region 2 - PAL - TOP 2) Artificial Eye - Region 2 - PAL MIDDLE 3) Kino / Zeitgeist - Region 'A' - Blu-ray- BOTTOM
|
|
1) Dolmen Home Video - Region 2 - PAL - TOP 2) Artificial Eye - Region 2 - PAL MIDDLE 3) Kino / Zeitgeist - Region 'A' - Blu-ray- BOTTOM
|
|
1) Dolmen Home Video - Region 2 - PAL - TOP 2) Artificial Eye - Region 2 - PAL MIDDLE 3) Kino / Zeitgeist - Region 'A' - Blu-ray- BOTTOM
|
|
1) Dolmen Home Video - Region 2 - PAL - TOP 2) Artificial Eye - Region 2 - PAL MIDDLE 3) Kino / Zeitgeist - Region 'A' - Blu-ray- BOTTOM
|
|
1) Dolmen Home Video - Region 2 - PAL - TOP 2) Artificial Eye - Region 2 - PAL MIDDLE 3) Kino / Zeitgeist - Region 'A' - Blu-ray- BOTTOM
|
|
1) Dolmen Home Video - Region 2 - PAL - TOP 2) Artificial Eye - Region 2 - PAL MIDDLE 3) Kino / Zeitgeist - Region 'A' - Blu-ray- BOTTOM
|
|
More full resolution (1920 X 1080) Blu-ray Captures for DVDBeaver Patreon Supporters HERE
Report Card:
Image: |
Blu-ray |
Sound: |
Blu-ray |
Extras: | Blu-ray |
Box Cover |
|
|
Already available from BFI, on Blu-ray, in the UK: Bonus Captures: |
Distribution |
Dolmen Home Video Region 2 - PAL |
Artificial Eye Region 2 - PAL |
Kino / Zeitgeist - Region 'A' - Blu-ray |