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S E A R C H D V D B e a v e r |
(aka "Daughters of Dracula" or "Blood Hunger" or "Las hijas de Drácula")
directed by Jose Ramon Larraz
UK 1974
"One of the most underrated and oft-neglected genre filmmakers of his generation, Spanish-born director José Ramón Larraz (Symptoms) finally receives his due with this collection of his work, the first of its kind, bringing together a fascinating cross-section of films from the first half of his lengthy cinematic career. By turns terrifying, titillating, artful and scandalous, these three films collected here - all newly restored from original film elements, with Whirlpool and The Coming of Sin making their Blu-ray world premieres - collectively offer film fans a unique perspective on the fascinating, highly-varied career of one of the horror genre’s most overlooked auteurs." *** Motorist Ted (Murray Brown) picks up cloaked hitchhiker Fran (Marianne Morris) who takes him back to her decaying mansion - Hammer's Oakley Court - for some wine and a little blood drinking. Little does he know that Fran and fellow blood-drinker Miriam (Anulka) have a habit of luring men back to the mansion and tear them to pieces with knives and teeth (their mutilated bodies are subsequently discovered at car crash sites with empty bottles of Carpathian wine; though no one seems to question why the drunken drivers are without clothes). To Miriam's annoyance and jealousy, Fran is content to sleep with and slowly drain Ted who seeks the help of nearby campers Harriet (Sally Faukner) and John (Brian Deacon) when he becomes too weak but the vampires have already formed an attachment to Harriet who has been witnessing their comings (with a string of motorists are never seen leaving) and goings (running through the woods to the cemetery before the dawn). A low-budget British production, VAMPYRES maintains the chilly, misty atmosphere of the British countryside. Even if the resolution seems thrown together, VAMPYRES as a whole is one of the memorable accomplishments of the more permissive seventies British exploitation cinema. |
Posters
Theatrical Release: January 1975 (USA)
Reviews More Reviews DVD Reviews
Comparison
:Blue Underground - Region 1 - NTSC vs. Blue Underground - Region FREE - Blu-ray vs. Arrow - Region FREE - Blu-ray
Big thanks to Eric Cotenas for the DVD Review!
1) Blue Underground - Region 1 - NTSC LEFT 2) Blue Underground - Region FREE - Blu-ray MIDDLE 3) Arrow - Region FREE - Blu-ray RIGHT
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Box Cover |
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Part of Arrow's Blood Hunger: The Films of José Larraz Blu-ray package: |
Distribution |
Blue Underground Region 1 - NTSC |
Blue Underground Region FREE - Blu-ray |
Arrow Region FREE - Blu-ray |
Runtime | 1:27:27 | 1:27:36.251 | 1:27:35.875 |
Video |
1.83:1 Original Aspect Ratio
16X9 enhanced |
Disc Size: 20,883,975,514 bytes Feature Size: 19,471,104,000 bytes Average Bitrate: 24.98 MbpsSingle-layered Blu-ray MPEG-4 AVC Video 1080P |
Disc Size: 47,069,666,156 bytes Feature Size: 25,709,927,808 bytes Average Bitrate: 34.82 MbpsDual-layered Blu-ray MPEG-4 AVC Video 1080P |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate Blue Underground
Blu-ray |
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Bitrate Arrow
Blu-ray |
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Audio | English (Dolby Digital 2.0 mono) | DTS-HD
Master Audio English 1897 kbps 7.1 / 48 kHz / 1897 kbps / 16-bit
(DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit) Dolby Digital EX Audio English 640 kbps 5.1-EX / 48 kHz / 640 kbps / DN -4dB Original Mono - Dolby Digital Audio English 224 kbps 1.0 / 48 kHz / 224 kbps / DN -4dB Commentary: Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB |
LPCM Audio English 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps |
Subtitles | None | English, French, Spanish, none | English, none |
Features |
Release Information: Studio: Blue Underground Aspect Ratio:
Edition Details: Chapters 21 |
Release Information: Studio: Blue Underground
Disc Size: 20,883,975,514 bytes Feature Size: 19,471,104,000 bytes Average Bitrate: 24.98 MbpsSingle-layered Blu-ray MPEG-4 AVC Video 1080P
Edition Details: Standard Blu-ray case Chapters 21 |
Release Information: Studio: Arrow
Disc Size: 47,069,666,156 bytes Feature Size: 25,709,927,808 bytes Average Bitrate: 34.82 MbpsDual-layered Blu-ray MPEG-4 AVC Video 1080P
Edition Details:
• Reimagining Vampyres - a
brand new interview with Larraz’s friend and collaborator Victor
Matellano, director of the 2015 Vampyres remake (21:57)
80-page perfect bound book featuring new writing by Jo Botting,
Tim Greaves and Vanity Celis Blu-ray Release Date: March 25th, 2019 Transparent Blu-ray case Chapters 12 |
Comments |
NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc. ADDITION: Arrow -
Region FREE
Blu-ray - April 2019 - "Vampyres"
appears as part of Arrow Video's gorgeous "Blood Hunger: The
Films Of Jose Larraz" 3-disc
Blu-ray set. Vampyres
is located on a dual-layered
Blu-ray with a nicely
maxed-out bitrate. The included booklet states: "Vampyres is
presented in its original aspect ratio of 1.85:1 with mono
audio. The original 35mm camera negative element was scanned in
2K resolution on a 4K Scanity at R3Store Studios, London.
Sections of a 35mm CRI element were also scanned OCN Digital
Labs, CT. The film was graded on Digital Vision's Nucoda Film
Master and restored at R3Store Studios in London. The original
mono mix was remastered from the optical negative reels at OCN
Labs, CT. The original negative was made available for this
project by Producer Brian Smedley-Aston. The CRI and audio
elements were made available from Films Around the World."
Colin Zavitz *** ADDITION: Blue Underground - Region FREE Blu-ray - March 2010 - Things certainly tighten up but perhaps not as dramatically as we have seen in the past but grain seems to gain the most benefit with the structure more readily visible and intact. Detail and color improves to a lesser degree. Like the DVD it is a single-layered treatment but the bitrate approaches 5 times that of the SD rendering.Probably more prominent an improvement is the audio and Blue Underground offers a substantial upgrade with a lossless DTS-HD Master 7.1 at a respectable 1897 kbps. It's a bump but a decent one and a 5.1 is another choice as is the original mono available as an option. Sound for the film was never produced at premium levels and this is probably about as good as it will ever get. There are now subtitle options and my Momitsu has identified it as being a region FREE disc playable on Blu-ray machines worldwide.We lose a couple of minor extras from the 2003 DVD but the commentary and Return of the Vampyres 14-minute featurette with interviews with Anulka and Marianne Morris is still here... although nothing new. Strangely, this seems a higher price point than usually offered by Blue Underground but the film has its niche following. The Blu-ray is certainly the way to go to see and hear it in it's best home theater representation... Gary Tooze *** ON THE DVD: Blue Underground's DVD features a progressive, anamorphic, single-layered presentation (hopefully Larraz's other 70's British pictures will look this good) of the uncut version. Although heavily cut in the UK, VAMPYRES arrived in the US relatively uncut (most of the opening titles were moved to the end of the film, the credits rescored with electronic music, and the ending scene slightly edited) theatrically and on cassette from Magnum Entertainment who cashed in on THE LOST BOYS with the tagline "They're Lost Girls." Anchor Bay's original DVD release of the film restored the original credits and music but lost a minute of footage from a gory scene late in the film. Blue Underground's reissue restored this footage while porting over the commentary and adding interviews with the "vampyres" themselves (who learn here for the first time that their performances were redubbed) and some other extras including production stills from a deleted sequence as well as a PDF of Tim Greaves book on the making of the film. The commentary with Larraz and Smedley-Aston is quite entertaining with Larraz noticing bits that are cut from his "edited for the Vatican" cassette copy, the inspirations behind certain shots (like the girl Larraz remembers who slept with her eyes open), and his meeting with the censors. |
Menus
Blue Underground - Region
1 - NTSC LEFT vs. Blue Underground - Region FREE -
Blu-ray RIGHT
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Subtitle sample
1) Blue Underground - Region FREE - Blu-ray TOP 2) Arrow - Region FREE - Blu-ray BOTTOM
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Screen Captures
1) Blue Underground - Region 1 - NTSC TOP 2) Blue Underground - Region FREE - Blu-ray MIDDLE 3) Arrow - Region FREE - Blu-ray BOTTOM |
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1) Blue Underground - Region 1 - NTSC TOP 2) Blue Underground - Region FREE - Blu-ray MIDDLE 3) Arrow - Region FREE - Blu-ray BOTTOM |
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1) Blue Underground - Region 1 - NTSC TOP 2) Blue Underground - Region FREE - Blu-ray MIDDLE 3) Arrow - Region FREE - Blu-ray BOTTOM |
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1) Blue Underground - Region 1 - NTSC TOP 2) Blue Underground - Region FREE - Blu-ray MIDDLE 3) Arrow - Region FREE - Blu-ray BOTTOM |
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More Blu-ray captures
1) Blue Underground - Region FREE - Blu-ray TOP 2) Arrow - Region FREE - Blu-ray BOTTOM |
1) Blue Underground - Region FREE - Blu-ray TOP 2) Arrow - Region FREE - Blu-ray BOTTOM
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1) Blue Underground - Region FREE - Blu-ray TOP 2) Arrow - Region FREE - Blu-ray BOTTOM
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Box Cover |
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Part of Arrow's Blood Hunger: The Films of José Larraz Blu-ray package: |
Distribution |
Blue Underground Region 1 - NTSC |
Blue Underground Region FREE - Blu-ray |
Arrow Region FREE - Blu-ray |
Box Cover |
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Distribution |
Blue Underground Region 1 - NTSC |
Blue Underground Region FREE - Blu-ray |
Search DVDBeaver |
S E A R C H D V D B e a v e r |