Review by Leonard Norwitz
Studio:
Theatrical: Ilion Animation Studios (Madrid)
Blu-ray: Sony Pictures Home Entertainment
Disc:
Region: A
(as verified by the
Momitsu region FREE Blu-ray player)
Runtime: 1:31:01.456
Disc Size: 42,756,094,579 bytes
Feature Size: 27,979,886,592 bytes
Video Bitrate: 31.79 Mbps
Chapters: 16
Case: Standard locking Blu-ray case
Release date:
March 9th, 2010
Video:
Aspect ratio: 2.35:1
Resolution: 1080p / 23.976 fps
Video codec: MPEG-4 AVC Video
Bitrate:
Audio:
DTS-HD Master Audio English 3815 kbps 5.1 / 48 kHz / 3815
kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
DTS-HD Master Audio German 2070 kbps 5.1 / 48 kHz / 2070
kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps
Subtitles:
English (SDH), German, Spanish, Turkish, none
Extras:
• 3 Extended Scenes (2:45)
• The World of Planet 51 (2:50)
• Life on Planet 51 (11:50)
• Planetarium Voice Stars (3:15)
• Planet 51 Music Video (2:05)
• Animation Progression Reels (15:45)
• Target 51 Game
• DVD/Digital Copy Disc
The Film:
6
It took me a while, but I finally figured out the target
audience for this bizarre family animation fantasy comedy:
kids under the age 10 and their grandparents. Most humans
between those ages are likely to find the set-up inane and
the unapologetic stealing from this movie and that (Alien,
E.T., Star Wars, American Graffiti, The Day the Earth Stood
Still, Starman – to name but a few) and the 1950s pop
references relentless, possibly obscure and insulting. I'm
not quite sure when I gave myself up to this movie, I can
only say that I did, and felt the better for it by the time
the credits came up.
The little green inhabitants of Planet 51 are peculiar in
two respects: they have a fixation with 1950s American pop
culture and, while the females all wear dresses and skirts,
the males wear nothing below their waists. Their apparent
lack of gender does not go without notice. It's important to
understand, accept and not question how any of this could be
any more than they all speak English. The inhabitants of
Glipforg also have a fascination with horror movies in which
their planet is under attack by aliens who take control of
their minds and turn them into zombies. They even have a
secret military base whose sole function is to prepare for
just such an invasion, which is all the stranger considering
that the little town of Glipforg looks like a page out of
Leave it to Beaver as imagined by Walt Disney's original
drawings for Tomorrowland.
When American astronaut Chuck Baker (Dwayne Johnson) lands
in the middle of town and encounters Lem, there is some
disagreement on the question of who is the alien here. It's
a sweet moment, and essentially what drives the plot here.
Lem is a good kid, a teenager whose confidence lags well
behind his hormones. Lem has a crush on Neera (Jessica Biel)
who is easily distracted by the radical political movement
du jour. Once Lem and Chuck get over their initial fear and
distrust, Lem, aided by a few friends, agrees to help Chuck
get back to his ship which has been taken to the secret base
by the blustery, paranoid General Grawl (Gary Oldman).
I doubt there's an idea in this movie that isn't borrowed
from some other movie. More than borrowed, the original idea
man and co-director Marcos Martinez, together with Joe
Stillman (Shrek) and director Jorge Blanco, make sure than
every one of them is deliberately positioned so we can count
them as they go by. But to younger kids, the many plot and
gag thefts of Planet 51 have about as much consequence and
meaning as an accounting of the dots in a Seurat. Once we
realize these guys aren't trying to get away with anything
the hardnosed critic in us can loosen its reins and enjoy
the fun.
Image:
10/10
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
The first number indicates a relative level of excellence
compared to other Blu-ray video discs on a ten-point scale.
The second number places this image along the full range of
DVD and Blu-ray discs.
While we can expect elegant, pristine, perfectly “drawn”
images from CG sources, Plant 51 actually fooled me on a
couple of occasions in that for a moment I found myself
responding as if I was watching live action. This is all the
stranger considering that everyone but Chuck is far from
recognizable as “real” in any sense. I suspect it was a
combination of image, dialogue tracking, convincing and
seamless movement and animated, wide-ranging expression. A
consistently healthy bit rate in the low 30s helps to
provide the density of image required. Color and contrast
are stunning and dimensional with no transfer issues.
CLICK EACH
BLU-RAY
CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Audio & Music:
7/8
In keeping with the target audience, the DTS-HD MA 5.1 mix
is just about right. Dialogue is clean, and while most often
front heavy, there are plenty of opportunities with various
chase scenes on and off the ground for the surrounds to kick
in. Pans and locational cues are accurate, dynamics are
pleasing, if not aggressive.
Operations:
7
I like that all of the chapter thumbnails are on display at
a glance, with a time line and that they are hugely
expandable. Most of the extra features, likewise, can be
viewed in a single window. Easy to use, if not infantile in
design, unlike the feature film.
Extras:
3
All the bonus features are in polished HD. There's a video
game that is very old school dodging and zapping. A couple
of the features are either redundant or thinly disguised
trailers, or both (You know who you are), so I recommend
"Life on Planet 51" which is your basic making-of min-doc:
it's short but it covers the waterfront. There is also a
fairly interesting self-guiding storyboard-to-finished-frame
segment titled plainly enough "Animation Progression Reels."
Bottom line:
7
Depending on your expectations – and I hope I've provided
some helpful guidance there – Planet 51 can be either fun or
galactically lame. I am in the former camp, and I expect
single digit kids to eat this up. Image quality is superb.
Hats off to Ilion Animation Studios (Madrid).
Leonard Norwitz