Boondock Saints II All Saints Day [Blu-ray]
(Troy Duffy, 2009)
Review by Leonard Norwitz
Studio:
Theatrical: Don Carmody/Chris Brinker
Blu-ray: Sony Pictures Home Entertainment
Disc:
Region: FREE!
(as verified by the
Momitsu region FREE Blu-ray player)
Runtime: 1:57:31.044
Disc Size: 48,683,801,325 bytes
Feature Size: 31,828,027,392 bytes
Video Bitrate: 24.87 Mbps
Chapters: 16
Case: Standard Blu-ray case
Release date:
March 30th, 2010
Video:
Aspect ratio: 2.35:1
Resolution: 1080p / 23.976 fps
Video codec: MPEG-4 AVC Video
Audio:
DTS-HD Master Audio English 2821 kbps 5.1 / 48 kHz / 2821
kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
DTS-HD Master Audio French 2269 kbps 5.1 / 48 kHz / 2269
kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
DTS-HD Master Audio Portuguese 2289 kbps 5.1 / 48 kHz / 2289
kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
/ Dolby Surround
Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
/ Dolby Surround
Subtitles:
English (SDH), English,
French, Portuguese, Spanish,
none
Extras:
• Audio Commentary with Writer/Director Troy Duffy, Sean
Patrick Flanery, Norman Reedus & Billy Connelly
• Audio Commentary with Writer/Director Troy Duffy & Willem
Dafoe
• Unprecedented Access: Behind the Scenes (25:30)
• Billy Connelly & Troy Duffy: Unedited (9:20)
• Inside the Vault: The Weapons (8:25)
• The Cast Confesses: Secrets from the Set (7:10)
• The Boondock Saints Hit Comic-Con (57:00)
• Deleted Scenes – SD/Ltbx (2:30)
• Movie IQ
• BDLive
• Trailers
The Film:
5
The original Boondog Saints movie, hails from 1999, also
written and directed by Troy Duffy. It bombed at the box
office and, famously, made millions on DVD – thus the
sequel. Duffy was able to bring back Flanery & Reedus, the
fighting fraternal twins, and Connelly as their "da", as
well as Ferry, Mahoney and Marley as Detectives Dolly, Duffy
and Greenly. Willem Dafoe's character, FBI Agent Paul
Smecker, was laid to rest in the first movie. This time
around, the FBI has sent Special Agent Eunice Bloom (Julie
Benz), who seems to have a sixth sense about how crimes go
down, which she recreates in her imagination with the help
of her 4-inch Stilettos.
Joining Connor and Murphy (Sean Patrick Flanery & Norman
Reedus) in the sequel is the sentimental Romeo (Clifton
Collins Jr.), who can't get enough action any more than he
can drive a fork lift in a straight line. Romeo makes
absolutely clear that the sequel is a comedy, if the fake
beards that the brothers sport as they tend sheep with
rifles slung over their backs wasn't enough. Now that I
think of it, nearly everyone in this cast of characters is
played for laughs, even as they are spitting venom or being
gunned down. Not least is Concezio Yakavetta (Judd Nelson),
son of one of the gangsters dispatched by the saintly twins
in the original movie, who tries to outmalaprop Samuel
Goldwyn at every turn.
I felt the original movie to be a satire until about halfway
into it when I thought Duffy was taking his material
seriously for comfort – or maybe I was taking his effort too
seriously. In All Saints Day his characters and the violence
perpetrated in their names are about as cartoonish as you
can get with live action figures. Some of the comedy works
better than others. Collins' Romeo is always a riot; Benz is
a scene-stealer, even when it's not clear what she's up to,
which is probably why Duffy doesn't put her and Collins in
the same frame very often. The script, which trumps up an
excuse for the twins to return to Boston after ten years
tending sheep in Ireland, makes little sense, but I suppose
it's all just an excuse to smirk, crack wise, show off your
tattoos, play with guns and do some gratuitous violence.
Image:8/9
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
The first number indicates a relative level of excellence
compared to other Blu-ray video discs on a ten-point scale.
The second number places this image along the full range of
DVD and Blu-ray discs.
Compared to the first movie, the sequel is darker in tone in
terms of visuals, with some pretty nifty photography that
the film hardly deserves, even if the action sequences are a
mess. Contrast holds its own even when pushed beyond the
edge for effect. Blacks are deep, if a little crushed at
times, though shadows maintain detail in most scenes. Color
is very good, indoors and out, popping nicely at times. I
wasn't aware of transfer issues, DNR, edge-enhancement or
ruinous artifacts.
CLICK EACH
BLU-RAY
CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Audio & Music:
7/7
The DTS-HD MA 5.1, a mite better than Fox's mix for the
original movie on Blu-ray finds a good balance between
clarity and bang, with clean dialogue, even when muttered or
shouted in mid-mayhem. The surrounds are involved and
splashy, but not especially involving, nor as interested in
precision of locational cues and pans as I've heard
elsewhere, but it's aggressive as expected and quite
serviceable.
Operations:
8
After a few forced, if skippable, previews, Sony settles
down with one of the better menu designs I've seen in a
while with readable windows that detail the extra features
that require a minimum of scrolling. The chapter search has
expandable thumbnails (I fail to see why this isn't S.O.P.)
and a time line.
Extras:
7
Reedus and Flanery make up for their absence on the
original's movie's commentary track with free-wheeling jabs
and dodges that turns their commentary into a kind of laugh
track much in the spirit of the movie. The more sober track
– the one that intends to inform rather than assault – is
the other one commandeered by Duffy with an assist from
Willem Dafoe, who joins him about an hour into the movie.
Charles Taylor acts as curator for the firepower used in the
movie "Inside the Vault." The Cast Confessions have an
off-the cuff feel to them; the conversation between Duffy
and Connelly even more so.
Bottom line:
6
I truly didn't expect to enjoy this movie as much as I did,
despite that it's really not very good. I say: Let's hear it
for low expectations, and echo A.O. Scott's verdict: "See it
drunk." A year from now, if I decide to watch this movie
again, I can see myself saying: "What were you thinking!"
Rent it first.
Leonard Norwitz
March 14th, 2010
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