Review by Leonard Norwitz
Studio:
Theatrical: Dubiecki/Novick/Reitman
Blu-ray: 20th Century Fox Home Entertainment
Disc:
Region: A
Runtime: 1:47:29.979
Disc Size: 47,122,004,358 bytes
Feature Size: 26,985,363,456 bytes
Video Bitrate: 25.82 Mbps
Chapters: 24
Case: Standard Blu-ray case
Release date: December 29th, 2009
Video:
Aspect ratio: 2.35:1
Resolution: 1080p / 23.976 fps
Video codec: MPEG-4 AVC Video
Audio:
DTS-HD Master Audio English 3803 kbps 5.1 / 48 kHz / 3803
kbps / 24-bit (DTS Core:
5.1 / 48 kHz / 1509 kbps / 24-bit)
Dolby Digital Audio French 448 kbps 5.1 / 48 kHz / 448 kbps
Dolby Digital Audio Portuguese 448 kbps 5.1 / 48 kHz / 448
kbps
Dolby Digital Audio Spanish 448 kbps 5.1 / 48 kHz / 448 kbps
Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps
Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps
Subtitles:
English ,Chinese (traditional and simplified), French,
Portuguese, Spanish, Thai, none
Extras:
• Audio Commentary with Director Karyn Kusama and Writer
Diablo Cody (Theatrical Cut)
• Audio Commentary with Director Karyn Kusama (Extended Cut)
• Deleted Scenes – HD (13:55)
• Gag Reel – SD (4:55)
• Video Diaries – HD (12:50)
• Megan Fox is HOT – HD (0:55)
• Megan Fox "Peer Pressure" PSA – SD (0:40)
• Fox Movie Channel Presents: "Life After Film School" with
Diablo Cody - SD (26:25)
• Jennifer's Body: The Dead Pool – HD (13:50)
• Digital Copy Disc
The Film:
4
Fox Atomic, director Karyn Kusama (Girlfight), writer Diablo
Cody (Juno), and actors Megan Fox (a name I was amused to
learn the Transformer actress was given at birth) and Amanda
Seyfried (Mama Mia) ask – and answer – the question if it is
possible to make a successful horror/demon/slasher movie
without suspense, scares, skin, sex, score, stunts or
special effects? It's not that Jennifer's Body doesn't have
these things, only that they don't seem to do what they're
supposed to. But, we should ask if the intention was,
instead, to make a campy, sexless, creepiless homage of some
sort – perhaps even a comedy. Hmmm. For in addition to
having precious little of the seven S's going for it,
Jennifer's Body – you gotta give these gals points for the
title, yes – doesn't have much humor either, though that it
is its strongest suit.
So while the title – and, especially, the "Unrated" tag on
the cover - turns out to be something of a tease ("Unrated"
here simply means that no one ever rated the extended cut of
the movie), it has to be said that any opportunity to feast
one's eyes on a hotty such as Megan Fox, who gives a
creditable performance here considering the material, counts
for something. And then there's Amanda Seyfried as "Needy",
Jennifer's best friend since their sandbox days: Are we
supposed to be fooled by those Clark Kent glasses she wears
into believing she is not the adorable creature we know from
Mama Mia! Amanda may not exude the primal sex appeal that
emanates from Ms. Fox, but she's got to be the second best
looking girl at the high school.
A brief summary of the plot – and there is a plot: Jennifer
and Needy attend a late-night concert at a local tavern so
that Jennifer can pick up the band's leader. But the place
burns down in mid-song and Jennifer is swept away by the
band for an unanticipated night of ritual murder. Jennifer
returns all demony and sets about eating various boys at
school – mostly innocent ones, I'm sorry to say. Needy, whom
I neglected to mention narrates this story from her solitary
confinement cell at the local nuthouse, is quite alarmed at
the change her once best friend assumes, so the question is:
will Needy turn Jennifer in or . . . ?
Jennifer's Body isn't really a bad film. It just doesn't
deliver much for our time and money. My main complaint is
that the serial killings are antagonistic, rather than, say,
counterpoint, to what I take to be the main theme of the
story: "sisters" - their loyalties and jealousies. Both lead
actresses acquit themselves well, Amanda being the more
accomplished actress with much more on her plate in terms of
character development. She also turns out to be a very good
narrator – a task at which many a good actor (think Leonardo
DiCaprio in The Beach) fails miserably. The cinematography
is sometimes seductive but the effects are generally,
perhaps intentionally (how can we know?), ludicrous - I’m
thinking here of Jennifer’s projectile puking scenes, which
are not so disgusting, which might have been OK, as they are
pointless. My feeling is that a poorly done effect doesn't
make it satire.
Image:
7/8
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
The first number indicates a relative level of excellence
compared to other Blu-ray video discs on a ten-point scale.
The second number places this image along the full range of
DVD and Blu-ray discs.
In the opening shot, in what I took to be a psychiatric
facility for the criminally insane, I felt that shadow areas
were a brightened, offering more detail, but sacrificing
contrast. This may not have been the fault of the transfer,
if indeed it is a fault, but a decision in post-production.
In any case, it wasn’t a deal breaker, and I can’t say that
the issue persisted, since later scenes retained good black
levels while permitting just enough of a peak into the
shadows to worry our attention. The color palette and the
saturation accorded it is eye-catching and varied, but there
is some inexplicable grain that shows up now and then.
Sharpness is good – I think I learned more about how Megan’s
eyebrows are trimmed than I wanted to know. When the light
is right, skin tones are very good. I didn’t catch any
problematic transfer artifacts, DNR or edge enhancement.
CLICK EACH
BLU-RAY
CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Audio & Music:
7/7
I expected more in the surreal sonics department in what
promised to be an atmospheric movie. Perhaps it was all too
subtle for me, but I found the only scene worth the trouble
of an uncompressed surround mix was the impressively staged
destruction of the roadkill tavern, which was bodaciously
ferocious with its whooshing bass and dizzying fiery
effects. Curiously, the band, here or in their final
appearance, does not sound convincingly amplified. There is
little of that enveloping concert feel to the sound, which
was more front-directed than it should have been. Jennifer’s
attacks are given their fair share of ferocious, riotous
scream, however. The music score opens up the soundstage
some, but effects and ambiance are minimal. Diablo Cody’s
sassy dialogue is crisply articulated. I liked the music the
band plays – reminded me of Sunnydale's Bronze.
Operations:
4
This hidden menus thing is really getting to be annoying,
but the Blu-ray for Jennifer's Body does the idea proud. In
addition to the usual Play, Set-Up and Extras buttons on the
main menu page is one titled "Search." "Scenes" or
"Chapters" is not good enough – now we have to re-invent the
wheel. As it happens, "Search" includes an item or two more
than a go-to menu for scenes. But why bother! The scene
selector doesn't show all of them at once so you still have
to guess or search one at a time for what you are looking
for. Who thinks of these things! BTW, if you pause during
the feature film, a time line appears so you know where you
are (good), but it never goes away until you hit play again
(bad).
Extras:
6
There are two commentaries: the one that accompanies the
feature film with the writer and director: it’s all about
sisterhood and girl-power in substance and execution. The
other commentary is for the Extended Cut, where the director
speaks to the five minutes worth of differences between the
two cuts. The deleted scenes, gag reel and video diary are
skippable. The minute-long stare at Megan Fox is merely a
series of clips from the feature film that plays to the
title of the segment. "The Dead Pool" is what amounts to the
making-of featurette by looking at production considerations
for the movie's climactic scene – pretty good, actually. In
the half-hour Fox Movie Channel segment, film students
interview Diablo Cody.
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Bottom line:
6
Alas, Jennifer's Body does not rise to the level of a guilty
pleasure for me, though I can understand why some find it
cult-worthy. Image and audio quality are both good without
being of demonstration quality. Extra features are hit and
miss. I suspect if you warmed to the girl-power aspects of
Juno and you want to see how far it can go on a certain
wavelength (as in: so you have the nerve to entertain
thoughts of Megan Fox without her clothes, then prepare to
have your lungs handed to you) this might be just the
ticket.
Leonard Norwitz
January 3rd, 2010