Review by Leonard Norwitz
Studio:
Theatrical: Lynda Obst, Media Rights Capital & Radar
Pictures
Blu-ray: Warner Home Video
Disc:
Region: FREE!
(as verified by the
Momitsu region FREE Blu-ray player)
Runtime: 1:39:28.754
Disc Size: 17,494,595,829 bytes
Feature Size: 14,756,007,936 bytes
Video Bitrate: 14.58 Mbps
Chapters: 23
Case: Standard Blu-ray case with slipcase
Release date: January 19th, 2010
Video:
Aspect ratio: 1.85:1
Resolution: 1080p / 23.976 fps
Video codec: VC-1 Video
Audio:
Dolby TrueHD Audio English 1404 kbps 5.1 / 48 kHz / 1404
kbps / 16-bit (AC3
Core: 5.1 / 48 kHz / 640 kbps)
Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps
Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
Subtitles:
English (SDH), English,
French, Spanish,
none
Extras:
• Prequel: The Dawn of Lying – in SD (6:30)
• A Truly “Honest” Making of Featurette with Ricky Gervais –
in HD (7:15)
• Meet Karl Pilkington – in SD (17:30)
• More Laughter: Corpsing and Outtakes – in SD (5:30)
• Deleted Scenes – in SD (7:10)
• Ricky and Matt's Video Podcasts – in SD (10:00)
• Digital Copy Disc
The Film:
8
Imagine, if you will, a world without lying, where people
comment only on what is, not what might be; where they say
whatever pops into their mind about what they feel or think
because the idea of hurting another person's feelings
doesn't factor into the equation; where there is no fiction
and where advertisers invite us to buy their products on the
basis of the obvious – "Coke is famous" and "Pepsi is what
you buy when they don't have Coke" – where creativity and
imagination, evidently, is limited to technological pursuit.
Success is granted to those with good genes; disappointment
is the natural bequest for those lacking in beauty, smarts
or money. It is a world without God and without hope – not
for the young and certainly not for the old.
This is the depressing, humorless universe imagined by
co-writers/directors Ricky Gervais ("The "real" Office) and
Matthew Robinson (in his first IMDB credit). As weird as
this may seem, since we're telling the truth here, theirs is
a world more plausible and – dare I say it - funnier than
the day of The Hangover. It's world where the entire text is
contrived of the subtitles from the rooftop dialogue between
Annie Hall and Alvy Singer. When Mark Bellison (Gervais)
hooks up with Anna (Jennifer Garner), his blind date for the
evening, he immediately expresses the worry that he is out
of her league and she tells him right off he doesn't have a
chance with her. Insulting as that may seem, it's pretty
much the truth – because that's how Mark sees himself as
well.
It's a bit of a surprise that Mark gets himself to work the
next day knowing that he is likely to be fired – a "fact"
that his secretary (Tina Fey) can't stop reminding him of,
as does his nemesis, Brad Kessler (Rob Lowe.) Mark and Brad
work at Lecture Films as copywriters whose job it is to
regurgitate history (which has to be boring as all hell
since their history is uneditorialized) into screenplays,
whose success depends on the subject, not the writing. Poor
Mark is assigned the 13th Century where the Black Plague
takes center stage.
Then one day, it just sort of comes to him much like the ape
considering the bone in 2001: A Space Odyssey that he could
say what is not: that is: lie. At first he uses his newfound
skill – a skill that only he has, by the way - to make money
(I won't spoil the fun of telling you how), and soon
discovers that he can console others by offering them hope.
This, quite naturally, leads to the invention of God, which
Mark calls "the Man in the Sky". It makes for a less
successful second act, but then this might just be the
writers' idea of cinema verité. (And, ladies, don't get
yourselves in a tizz, it was the first attempt at the face
of God – what did he know!).
But Gervais and Robinson don't neglect the non-romance
between Mark and Anna, who sees in this "short, fat man with
a snub nose" a source of humour, warmth and, eventually,
possibility." All the same, right up to the alter, she is
torn between Mark and Brad, whose genetic pool promises
successful, handsome children (I kept hoping for Mark to go
all Ben Braddock and crash the wedding of his Elaine, but I
won't spoil that either.)
The Invention of Lying is just a notch short of brilliant in
its assessment of both the hypocracy of lying and its less
obvious benefits as a coping mechanism. Perhaps it is this
ability, and not the opposing thumb, that separates us from
other species. Neither the music nor the photography amount
to much, and Gervais, while perfect for the role in his
self-deprecating, forced laughed way, isn't exactly what you
would call charismatic enough to carry a whole movie. But
the writing and situations are relentlessly smart,
insightful and subtle.
Image:
5/7
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
The first number indicates a relative level of excellence
compared to other Blu-ray video discs on a ten-point scale.
The second number places this image along the full range of
DVD and Blu-ray discs.
If only The Invention of Lying were supported by an engaging
image. I suspect the fault lies with the production, which
suffers from unimaginative, inconsistent lighting and
photography which alternates pointlessly between flat, dull
images and overlit contrast. I suppose I should have
downgraded the Movie Score another point, but I'm trying to
get the hang of this lying thing. Back to the truth: this is
not a fun image – so much so that I could not work up much
enthusiasm to focus on transfer issuers. I can say that
there is a persistent and useless digital grain, which adds
softness to an already soft image. The lowish bit rate
doesn't help, but I doubt doubling it would have solved the
problem.
CLICK EACH
BLU-RAY
CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Audio & Music:
6/6
Only slightly better is the audio. I even had to resort to
the subtitles on occasion. It's mostly front-directed, as we
would expect, with the surrounds casually engaged. I didn't
expect much and, except for the somewhat muffled dialogue, I
wasn't disappointed.
Operations:
6
I very much liked the way the Extra Features window is
configured, but I took off a couple points because my OPPO
remote was unable to advance through the Scene Selections.
Could be a glitch at my end. Maybe.
Extras:
4
There is no commentary, and I can't say that I miss one,
seeing as how the film speaks for itself. All of the Extras
are tongue-in-cheek, not least the Truly “Honest” Making of
Featurette. The Prequel: The Dawn of Lying is a short that
considers the first lie out of the mouth of a caveman – not
nearly as funny as the movie. The only production segment is
"Meet Karl Pilkington" which is hosted by Ricky's best
friend who was invited to be an extra in the movie – make
that, the caveman prequel – dry and very English.
Bottom line:
7
As much as I liked this movie, I am reluctant to give it any
more than a lukewarm recommendation for its rendering in
high definition, though it has several more extra features
as compared to the DVD – just trying to be honest, here.
Leonard Norwitz
January 10th, 2010