Review by Leonard Norwitz
Studio:
Television: HD Vision Studios, BBC & HBO
Blu-ray: Home Box Office
Disc:
Region: FREE! (as verified by the Momitsu region FREE Blu-ray player)
Sample Runtime: 0:52:17.134
Disc One Size: 39,903,594,242 bytes
Episode Sample Size: 17,292,466,176 bytes
Video Bitrate:
28.63 Mbps
Chapters: 8 per episode
Case: Case: 14-page book with slipcase (see image below)
Release date:
November 17th, 2009
Video:
Aspect ratio:
1.78:1
Resolution: 1080p / 23.976 fps
Video codec: MPEG-4 AVC Video
Audio:
DTS-HD Master
Audio English 4134 kbps 5.1 / 48 kHz / 4134 kbps /
24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
DTS-HD Master Audio German 4136 kbps 5.1 / 48 kHz / 4136
kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps /
24-bit)
DTS Audio English 768 kbps 2.0 / 48 kHz / 768 kbps /
16-bit
DTS Audio French 768 kbps 2.0 / 48 kHz / 768 kbps /
24-bit
DTS Audio Polish 768 kbps 2.0 / 48 kHz / 768 kbps /
16-bit
DTS Audio Spanish 768 kbps 2.0 / 48 kHz / 768 kbps /
24-bit
DTS Audio Spanish 768 kbps 2.0 / 48 kHz / 768 kbps /
24-bit
Subtitles:
English (SDH),
English, Danish, Dutch, Finnish, French, German, Greek,
Hebrew, Norwegian, Polish, Portuguese, Romanian,
Spanish, Swedish, Turkish, none
Sample Bitrate (disc 1):
Description: Four hundred years after the founding of the Republic, Rome
is the wealthiest city in the world, a cosmopolitan metropolis of one
million people, epicenter of a sprawling empire. But now, the city's
foundations are crumbling, eaten away by corruption and excess...And two
soldiers unwittingly become entwined in historical events, their fates
inexorably tied to the fate of Rome itself. The entire award-winning,
critically-acclaimed series will be available as a Blu-ray gift set,
just in time for the holiday season.
Package:
Extras:
• 13 Audio Commentaries with Cast & Crew
• A Tale of Two Romes – in HD (20:30)
• When in Rome – in SD (22:40)
• The Making of Rome – Season II – in HD (22:50)
• Friends, Romans, Countrymen – in SD (11:00)
• The Rise of Rome (the series) – in SD (23:30)
• The Rise of Octavian – in HD (20:30)
• Anthony & Cleopatra – in HD (15:05)
• Shot X Shot: Caesar's Triumph – in SD (23:00)
• Shot X Shot: Gladiator – in SD (23:00)
The Film:
I'd like to start by addressing the packaging of this
10-disc set. Readers of this column know that box design is
a particular bugaboo of mine, especially in that DVD box
sets are generally much better thought out – even more
extravagant in design and execution. I find this state of
affairs inexcusable and irresponsible given the state of the
art that HD video and audio has brought us to. Blu-ray
multidisc sets are usually given the flippage treatment,
which makes me retch every time one of these fragile, clangy
monstrosities shows up on my doorstep for review. (Ever drop
one of these? I did, and now one of the hinges of my Rocky
Undisputed set has torn itself from the case and now flops
about like a broken wing.) On occasion HBO has tried some
semi-creative alternatives: witness the gatefold
presentations for John Adams, Generation Kill, True Blood
and the metal box assist for Band of Brothers. But these
efforts are routine compared with the imaginative and
entirely sensible layout for Rome: a 1.25 inch thick book of
fourteen 2mm pages, each page with room for only a single
disc (Jupiter be praised!) to be slid easily and securely in
place (add lots of incense to that praise), and with plenty
of room for all the information necessary about disc
contents, including episode synopsis and details re extra
features, with stunning full size color stills on the facing
pages (perhaps the sacrifice of a bull is in order.) It
astonishes me that it took this long for someone to come up
with this idea. Disney, Fox, and others: please take note.
It's easy for rival producers making series for broadcast
television to claim that HBO is true to its advertising
slogan -- that it's really not TV. But for all the boundless
artistic license one gets on HBO, there's also an
intimidating, righteously fearful standard to uphold. If you
put a series on HBO, it will be judged against the best
television has to offer -- other HBO series. As good as
"Rome" is -- and it's an epic, multilayered thing of beauty
-- it's still not on the level of "The Sopranos" or "The
Wire" or "Deadwood." That's almost an unfair comparison, but
it's also true. On the other hand, "Rome" unfolds like a
marvelously shot big-screen movie, each scene (filmed on
location in Italy) dripping with money well spent and a
meticulous grandeur that rewards you for paying extra for
HBO. – Tim Goodman
MORE available
HERE
Excerpt of review from SF Gate located HERE
The Series : 9
The main adventure in the sadly curtailed two-season drama
that is HBO's Rome, is the transition from Republic to
Empire, so it makes sense to begin with Gaius Julius Caesar
and conclude with the emergence of Octavian, soon to be
Augustus Caesar. The story so ingrained in us by one route
or another – from Caesar to Brutus to Anthony and Cleopatra
is all there, minus the romanticized cinematic impact of a
Claudette Colbert or Elizabeth Taylor.
Something that watching this series brings home to us is
that Rome, for all its culture and laws, had no constitution
and, for centuries, no king either. Instead, the senatorial
rules of order dwelt in the brain of a single man - some
centuries old from the look of him. These rules were honored
by all, however much opponents on either side wanted to bend
them to their needs. The issue at hand is: in what capacity
should Caesar be permitted to return: as conquering hero,
king – the latter anathema to the aristocracy - or traitor,
since his successful and popular wars in Gaul have turned
the balance of power away from a joint governance by Julius
and Pompey? It is typical of the scope of this series that
this single question, and the lines of loyalty it engenders,
consumes the first three hours of the first season.
All the major players we know from books, plays and cinema
are here – fleshed out and dramatized in a context of what
historical consultant Jonathan Stamp calls details of “geeky
historical accuracy”: Julius Caesar, Anthony, Brutus,
Octavian, Cleopatra, Pompey, Cassius, Cicero, and three
women that we know far less well: Atia, Julius’ niece, her
daughter Octavia, and Servilia, Brutus' mother and Julius'
lover. There are two others: the only soldiers Julius Caesar
mentions in his account of the Gallic Wars: the centurions
Lucius Vorenus and Titus Pollo.
It is through these two men, brought to life and altered in
the HBO series as centurion and legionary (officer and
enlisted soldier), that the events of the period – from
Caesar’s return to Rome after his protracted wars in Gaul,
his assassination, the civil war that preceded and followed
it, and the entrance of Cleopatra into the history books are
seen. But Vorenus and Pollo are no mere time travelers (that
extraordinary journey is reserved for us): We, through them,
and almost despite all the nudity, fucking, and bloodletting
that we come to expect from HBO, almost just seem to happen
upon these great events without the usual exclamation points
that generally attend, for our attention is always directed
to character, dialogue and the detailed sets and costumes.
In redefining the class relationship between Vorenus and
Pollo, series creator Bruno Heller develops both a dramatic
tension and a friendship that extends to and makes that much
more credible the relationships among all the other players
from senator to slave, soldier and prostitute, brother and
sister, husband and wife, king and merchant, crime lord and
gladiator.
Cast:
Kevin McKidd: Lucius Vorenus
Ray Stevenson: Titus Pullo
Polly Walker: Atia
Lindsay Duncan: Servilia
James Purefoy: Mark Anthony
Kerry Condon: Octavia
Tobias Menzies: Brutus
Ciarán Hinds: Julius Caesar
Max Pirkis: Octavian (as an adolescent)
Simon Woods: Octavius (as a young man)
Kenneth Cranham: Pompey Magnus
Lyndsey Marshal: Cleopatra
Indira Varma: Niobe
David Bamber: Cicero
Proof of the involvement of the BBC in this effort, entirely
shot in Italy, is the remarkable fact that all of the major
players are from the U.K. The extras, of course, are largely
Italian, many non-English speaking, a circumstance that gave
the Assistant Director a job worth his paycheck. Most of
these names are relatively unfamiliar to American audiences
(Max Pirkis we know from Master and Commander, Polly Walker
we might remember from Restoration and Lindsay Duncan from
Under the Tuscan Sun and Mansfield Park - along with James
Purefoy by the way.) But, for me, with the single exception
of Lyndsey Marshall as Cleopatra, the entire cast is
marvelous, inventive, perfect. I even liked Purefoy’s randy
and dismissive Anthony. (Marshall is a good enough actor,
she just doesn’t exude the kind of erotic magic from
Cleopatra that I wanted. Your mileage might be quite
different.) We are immediately engaged by Kevin McKidd as
the righteous and breakable Vorenus and Ray Stevenson as the
practical, generous and generally sunny Pullo. Max Pirkis as
an Octavian smarter than his years, Polly Walker, whose Atia
balances an unbridled eroticism with political savvy, and
Lindsay Duncan as Servilia, a woman of power scorned, she
feels, by the most powerful man in Rome, are exceptional in
a field of the exceptional.
Image
:
8/9 NOTE: The below Blu-ray captures were ripped directly from the Blu-ray disc.
The first number indicates a relative level of excellence
compared to other Blu-ray video discs on a ten-point scale.
The second number places this image along the full range of
DVD and Blu-ray discs.
The HBO/BBC series, Rome, is one of the most gorgeously
photographed television series ever filmed, but it also
demands the highest quality video imaging and playback
system. Rome is shot on film, and has the look of cinema
about it. But more than that, it is lit in a pronounced
chiaroscuro with huge swaths of shadow right where a typical
made-for-TV show would place the actors. Between the sharp
delineation of light and dark on the one hand and moderate
but meaningful shadow on the other, there is ample
opportunity for the compression coding and transfer process
to engage in digital manipulation for the benefit of the
lowest common denominator amongst viewing systems. Perhaps I
was too carried away with the scope and the drama to take
much notice, but except for the occasional splatter of
noise, what artifacts that were apparent on my computer
screen faded into insignificance on my 104-inch front
projection screen. Grain is evident, sometimes pushed
digitally, I suspect, for effect. Filtration - warmish for
the rich, cool for the poor – works quite well; blacks are
properly opaque; flesh tones, given the filter used, are
convincing. Some of the discs contain two hour-long
episodes, others, three, but I noticed no appreciable drop
off in quality for the fuller discs.
(I confess that at first I judged the image to lack
something in coherence and sharpness, and took the
opportunity to check on projector focus – and though an
entirely electronic affair on my JVC RS10, it had in fact
slipped out, quite a bit actually. After the correction, all
was well. Let this be a warning to my fellow front
projectionists.)
All this said, I must also admit that the difference between
the DVD and the Blu-ray is more subtle and cumulative than
striking. As with our appreciation of the drama itself, it
takes a while for the benefits of image integrity,
dimensionality, resolution, color discrimination and
intensity (especially of dark reds, blues and greens),
brightness and motion control to makes itself felt.
CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
DVD TOP vs. Blu-ray
BOTTOM
DVD TOP vs. Blu-ray
BOTTOM
DVD TOP vs. Blu-ray
BOTTOM
Audio & Music:
7/8
Though filmed in Rome, the usual practice of looping
dialogue in post-production (the thing that drives me a
little crazy in the films of Fellini and his
contemporaries), the series is photographed and recorded
with British and American attitudes and practices to the
art, and the difference in immediacy and veracity are
palpable. In this case, the difference between the
uncompressed DTS-HD MA here and the DVD's Dolby Digital 5.1
is at once immediately felt and appreciated. This is all the
more important in such a well written drama where the actors
deliver their lines with emotional subtlety and dynamic
range. On the other hand, I felt at times that crowd noises
and battle sequences were more arbitrarily configured in the
surround mix: though immersive, the cues was not always
accurately placed. Jeff Beal's music is very catchy. Be
warned.
Operations:
10
HBO's design for the box is now the gold standard for
multidisc presentations. Menu operations follow much the
same instruction as with the DVD except for their being
smart menus and that the new interactive feature
"Bloodlines" can be activated during play. The commentaries
can also be cued via the remote or the special features
menu. I might add that the Blu-ray edition manages the
entire wealth of the two seasons in a single box whose
volume is perhaps 2/3 that of a single DVD season – and you
needed space for two of those on your shelf.
Extras:
7
Let's get the bad news out of the way: Compared to the DVD
editions, the BRD offers only the new interactive feature
"Bloodlines" – and it is missing the informative inserts
about art direction and The Temple of Jupiter. So any hopes
that new features would be included will not be realized. On
the other hand, I feel what is included is quite sufficient,
and a few of the bonus items, the ones from season two, are
in HD.
Bottom line:
9
The main downside to the Blu-ray is how little it offers
over the DVD aside from improved, if not perfect, picture
and sound. If you don't own this set on DVD, I urge you not
to pass it up. If you have the DVD, hold breath, tighten
your belt and take the plunge. You won't regret it. Thumbs
Up.
Leonard Norwitz
November 28th, 2009