Review by Leonard Norwitz
Studio:
Theatrical: MGM
Blu-ray: MGM Home Entertainment
Disc:
Region: A
Runtime: 634 min
Case: Expanded Blu-ray Case w/ flippages
Release date: November 3rd, 2009
Video:
Aspect ratio: 1.85:1
Resolution: 1080p
Video codec: MPEG-2 (x1) & MPEG-4 (x5)
Audio:
(see comments)
Subtitles:
(see comments)
Extras:
• Bonus Disc:
• In the Ring: Three-Part Making-Of Documentary (1:15:50)
• The Opponents (16:20)
• Interview with a Legend – Bert Sugar: Author/Commentator
and Historian (6:55)
• Three Rounds with Legendary Trainer Lou Duva (4:40)
• Steadicam: Then and Now with Garrett Brown (17:25)
• Make Up! The Art and Form with Michael Westmore (15:05)
• Staccato: A Composer’s Notebook with Bill Conti (11:25)
• The Ring of Truth (9:45)
• Behind the Scenes with John Avildsen (12:30)
• Tribute to Burgess Meredith (7:50)
• Tribute to James Crabe (3:45)
• Video Commentary with Sylvester Stallone (28:50)
• Sylvester Stallone on Dinah! 1976 (17:15)
• Feeling Strong Now! Video Game (1080p)
The Film:
"Undisputed" is a catchy title, and must have seemed too
good to pass up, but I am sure I not alone in disputing it,
since none of the early Rocky movies have seen any
significant restoration in several years, nor is the audio
commentary present on the 2-disc special edition of Rocky
included here. What's more, the original Rocky film was, and
still is, presented on only a single layer disc with the old
MPEG-2 encode.
Overview:
Along with Star Wars many would consider Sylvester
Stallone's Rocky films to be one of the screen's important
iconic sagas. If popularity is a useful measure, then these
movies, good, bad and fair, certainly qualify. It might be
easy to forget just how much these films, from start to
finish, are tied up its star, Sylvester Stallone, who had
been knocking about Hollywood in small roles – take another
look at Woody Allen’s Bananas if you don’t know about one of
his earliest) until he landed a more significant role in
Lords of Flatbush and later in Death Race 2000. But his
screenplay for Rocky predated all this. Hardly a visible or
pedigreed member of the Hollywood establishment, it was some
while before Stallone could get the necessary backing. The
next thing he or anyone knew, Rocky was an overnight
sensation.
Boxing movies have certainly had their day – from Buster
Keaton’s silent film Battling Butler to Wallace Beery’s
washed up tear jerker The Champ, from William Holden’s
Golden Boy to Body and Soul with John Garfield, The Set Up
with the implacable Robert Ryan, and Somebody Up There Likes
Me with a not very Marciano Paul Newman, what makes these
movies interesting isn’t so much the actual fighting, though
that is an essential ingredient (more so in Robert Wise’s
The Set Up). They are stories about character, usually about
their overcoming odds of one sort or another. So, what did
Rocky have that these other movies didn’t have? Sylvester
Stallone himself for one thing – like Robert Ryan in The Set
Up, Stallone was completely believable in the part – the
movie could have been autobiographical in some ways for all
an unsuspecting audience knew. And let us not forget that
Stallone wrote the screenplays for all six Rocky movies and
directed all but the best (the first) and the worst (Rocky
V).
It helped that Stallone was more or less unknown so that the
audience didn't have to work hard to see him as Rocky
Balboa. It also helped that he happened on a perfect
supporting cast: from Talia Shire as Adrian, his reluctant
girlfriend, Burt Young as her abusive, foul-mouthed brother
(Rocky Balboa may have his roots in the lowest reaches of
society, but he rarely if ever used foul language and, once
he put behind him the job of muscle for a loan shark, never
again beat up on people who didn’t pay for the privilege.)
Then there was Burgess Meredith as Rocky’s trainer, spitting
blood and sweat right along with him at every step, and Carl
Weathers as Apollo Creed, the colorful heavyweight champ.
And besides John Avildsen’s competent direction (later
unable to save Rocky V from itself), let us not forget one
of the most important characters whose presence would
forever accompany each subsequent film: Bill Conti’s music –
rousing and poignant by turns, it paints the man as
perfectly as any image.
Rocky : 9
(1976)
Rocky Balboa is a man without a future, a small time muscle
man for a local loan shark, he picks up the occasional
boxing match with reasonable success. He is uneducated, but
forgiving of others. He's something of a boy scout, looking
out for dogs and drunks alike. But he’s also a man in need
of the confidence to take the next step, whatever that might
be. He meets and courts a shy woman who works at a pet store
and with this success of sorts, he finds the necessary
courage to take Apollo Creed’s challenge at its word. As a
publicity stunt, Creed picks Rocky, “The Italian Stallion”
almost at random to give an underdog a shot (and in part to
commemorate the upcoming Bicentennial), bypassing the usual
political greasing of palms. All Rocky wants is his
self-respect, to not see himself as just another bum from
the neighborhood: to do is go the distance and still be
standing at the end of 15 rounds.
Image: 5/7
Surprising as it may seem, Fox opted to reissue their 2006
Blu-ray for this set. Back then, single-layered disc were
the going thing and MPEG-2 a reasonable solution for the
codec. While the movie itself doesn’t sparkle as a Million
Dollar Baby it could benefit from a little restoration.
Aside from a oversaturated splashes of color here and the
(e.g. ring robes and trunks) and overuse of indoor light to
enhance color and contrast by the cinematographer, outdoor
scenes seem about right, reflecting the drab climate of the
docks and early light. In indoor shots and in the ring,
blacks are pumped up in what seems an attempt to close the
barn door after the horse has bolted.
CLICK EACH
BLU-RAY
CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
CAPTURES FROM Rocky reviewed individually
HERE
Audio: 4/9
English DTS HD-Master Audio 5.1, English Mono, French DD
5.1, Spanish Mono.
Subtitles:
English SDH, Spanish, and none
While Warner and other were still relying on standard Dolby
Digital 5.1 surround, Fox was one of the leaders in the use
of uncompressed audio. However, I can’t say that it serves
this movie as well as we might hope. For one thing, the
movie was not recorded in 5.1, but mono, so a remix would
need to have been done with great care. There is the
occasional directional cue, but by and large the mix lacks
dynamic, uh, punch. It is Rocky’s punch, after all, that is
his calling card, and the scene where he punches out
Paulie’s meat doesn’t have the desired weight. Dialogue is
usually clear, but does not always reflect the truth about
the space. Bill Conti’s music sparkles, but screeches a bit
too much. The mono track should also have been uncompressed,
but no one hardly ever thinks to do that, even today. A side
note: Rocky was nominated for an Oscar for Best Sound.
Rocky II : 7
(1979)
Like every Rocky movie that follows, until the last, Rocky
II begins with a reprise of the fight that ended the
previous movie. Rocky did finish the fight still standing,
though made partially blind in one eye, and it is only left
for him to marry the girl and find some plot device that
would make Apollo desire a rematch and for Rocky to face him
handicapped by compromised vision.
Image: 6/8
Rockys II-V heretofore have not seen the light of high
definition video, so it is something of a letdown that Rocky
II is as speckled as it is. That said, the image is an
improvement over the first movie, possibly benefiting from
its being dual layered with a corresponding near-doubling of
the bit rate: Blacks don’t overwhelm the shadows nearly as
much; sharpness is improved and more consistent; contrast,
especially evident in the ring and in close-ups, is more
solid; color is more natural and more vivid (I’m not sure
that natural color is what the first film is really going
for, so let’s not be too quick to judge it for its lack.) I
wasn’t aware of transfer manipulations elsewhere.
Audio: 6/9
English DTS HD-Master Audio 5.1, English Dolby Surround,
French DTS 5.1, Spanish DD 5.1.
Subtitles:
English SDH, Spanish, French, and none
A more consistent rendering of the audio this time: the bass
and treble are not nearly as exaggerated. The music score is
the principle beneficiary of this trend, with the
instruments more believable and more effective in their
roles to get us moving or meditative, as required. The
surrounds, too, are more active in the effects of cheering
audience and subtle factory sounds.
Rocky III : 6
(1982)
Rocky, now the heavyweight champion, is enjoying the good
life – until he is challenged by Clubber Lang (Mr. T), a
brute of a man who enjoys hurting people more than he needs
to be the champ. Rocky has enjoyed five lucrative years as
champ and is even giving the idea of retirement some
thought. As he begins to believe that his opponents over the
years were "hand-picked" so that he would not suffer another
beating as he got from Apollo, his righteous need to regain
self-respect requires he fight Clubber and discover for
himself how he got his name.
Image: 6/8
Though once again no remarkable transfer problems are
evident, the image has a curious habit of dancing between
strong and weak resolution, sharp and soft, clean and noisy.
This may be in the source material, as the reduction in
picture size, together with a high definition picture
renders contrast more vividly than we would see in the
theatre.
Audio: 6/9
English DTS HD-Master Audio 5.1, English Dolby Surround,
French DTS 5.1, Spanish DD 5.1.
Subtitles:
English SDH, Spanish, French, and none
Much the same as for Rocky II with an exciting rendering of
music in a huge soundscape.
Rocky IV : 5
(1985)
It is commonly believed that Ronald Reagan was the man who
brought about the collapse of the Soviet Union and opened
the door to a rapprochement between East and West. Not so.
It was Rocky Balboa. Four years before the fall of the
Berlin Wall, Rocky accepts the challenge of Russia’s
amateur, but very effective, killing machine, Capt Ivan (!)
Drago (Dolph Lundgren), a man whose reach is as long as
Rocky’s leg and whose height dwarfs the champ head and
shoulders. Rocky puts off Drago’s taunts until Apollo comes
out of retirement to face the challenger only to meet with a
tragic end. If it hadn’t been clear all along, it would be
by now that Rocky consistently faces and beats opponents
with more impressive specifications because he doesn’t give
up and his heart is in the right place. At the movie's end
Rocky makes some public statement about how if he could
change, than anyone can, by which he means governments and
populations. It's a reach beyond those he has faced in the
ring and may seem melodramatic and sentimentalized, but
Rocky can make you a believer if anyone can.
Image: 8/9
Things are beginning to shape up in Rocky IV. Everything
looks crisper, more natural, with better than adequate
definition. The monochromatic Russian landscape contrasts
marvelously with the arena where Rocky and Drago meet – with
posters of Drago flying in the background while Rocky and
Drago trade blows in a brilliant mix of red, white and blue.
Contrary to Rocky II & III there is little if any print
damage evident.
Audio: 7/9
English DTS HD-Master Audio 5.1, English Dolby Surround,
French DTS 5.1, Spanish DD 5.1.
Subtitles:
English SDH, Spanish, French, and none
Much the same as for Rocky II & III but with more expansive
dynamic scale for the pop music heard throughout the film.
Dialogue is perhaps a shade clearer through every thick and
thin.
Rocky V : 4
(1990)
Rocky IV had its embarrassing moments and perhaps even the
basic premise was Rocky’s homage to the flag-waving politics
of John Wayne’s Green Berets, but nothing could have
prepared us for the relentless series of clichés that is
Rocky V. I don’t think the movie goes more than two minutes
without resuscitating some tired family dysfunction or
boxing formula. I didn’t know you could make use of so many
formulaic bits and not have the movie completely fall apart.
Instead, a kind of numbing constipation ensues. Rocky’s son
(Sage Stallone) is now just coming into his teens; Rocky
himself is retired, but his head is still back in the ring.
Along comes Tommy “Machine” Gunn (Tommy Morrison), an
undisciplined wannabe whom Rocky coaches, ignoring his once
adored son. Tommy succumbs to a speedy shot at the title,
wins and becomes a jerk, which he always was. The audience
sides with Rocky Jr and Paulie who can't see that Tommy has
any redeeming qualities. Rocky has to put Tommy in his
place. I may go hang myself.
Image: 7/9
The action returns to the street of Philadelphia in an
autumn that makes for an almost depressed monochromatic
mood. The transfer captures this well, with an appropriate
filmic grain, though there are a couple of instances where
noise takes its place.
Audio: 8/9
English DTS HD-Master Audio 5.1, English Dolby Surround,
French DTS 5.1, Spanish DD 5.1.
Subtitles:
English SDH, Spanish, French, and none
The entire audio mix graduates from high school to college
here: everything is more in control, yet spontaneous,
dynamic and clear: dialogue, punches, music. Ambient sounds,
like those ubiquitous trains that pass in the night, immerse
us into the action. The street fight between Rocky and Tommy
is particularly effective.
Rocky Balboa : 7
(2006)
Stallone begins Rocky's swan song not with a reprise of the
last fight from the previous movie but of ghostly images of
the latest fight by the present heavyweight champ, Mason
Dixon (Antonio Tarver) who, like Tommy, is not a very
likeable chap (Where is Apollo when we need him!). And it is
right that the movie like this for we soon learn that Adrian
has died sometime between Rocky V and the present. Her ghost
is very alive as Rocky visits all the important places that
were important to their early days, some of which are ghosts
in themselves. Paulie admonishes Rocky that he is living in
the past. For his part, Rocky doesn’t yet understand how
much his life as a fighter is tied up with Adrian. He would
prefer to see her as the person who made his career
possible, and there is some truth to that. What is also true
is that Adrian never wanted him to fight in the first place
and did what she could to protect him from harm. Grace Kelly
was ready to leave town altogether, but came to Coop’s aid
at the moment the bell sounded. Enter: “Little Marie”
(Geraldine Hughes) who is everything Adrian wasn’t insofar
as her respect for Rocky’s need to be what he is. Their
story is more hinted at than developed, and perhaps it isn’t
necessary to be more than it is because we have five films
of history behind us, yet her sudden appearance in Vegas at
the final fight doesn’t ring true. Still, given the disaster
that was Rocky V, we are grateful that Stallone came back
for one more shot. The actor was coming up on 60 when he
made this movie; his character is only a few years younger.
While not the lean mean fighting machine he once was, he
looks pretty good even when he finally takes his shirt off.
A good way to go out, Sly.
Image: 9/9
This and the first Rocky movie are the only ones in the
series that have had a previous life in high definition
video. This disc is identical to the one brought out by Sony
in 2007 (including its ample Extra Features.) Images are
sharp and coherent, though intentionally high contrast and
gritty. Blacks are particularly well realized. The big fight
at the film’s finale goes for a more popping image in
keeping with Stallone’s intentions. Color is a wonder, from
flesh tones in the ring to Adrian’s roses.
Audio: 9/9
English PCM 5.1 (Uncompressed), English 5.1 Dolby Digital,
French 5.1 Dolby Digital
Subtitles:
English SDH, Spanish, French, and none.
The default audio mix is the DD 5.1 and I hadn’t realized
that at first, wondering why the audio seemed so flat. A
quick check with my remote, a switch to uncompressed PCM,
and: Voila! The difference isn’t subtle, let me tell you.
Clarity, dynamics, scale, ambient effects, immersive
surrounds, music, even the dramatic intentions of any mix,
are just that much more immediate. We don’t have to work at
the movie, we just let it unfold and take us into it. This
works just as well in quiet scenes as when Marie encourages
Rocky to be what he is as in the ring and the punches become
increasingly powerful. Time of your life – Knock yourself
out.
Supplements:
Operations:
5
What is remarkable about a set titled "Undisputed" is that
there is no accompanying booklet – not even an insert
(though the back of the slipcover offers some details of
what's included in really small font.) The seven discs come
in one of those dreaded cheap plastic cases with flippages
where the disc is both difficult to remove and could fall
out on its own without provocation. Someone really needs to
do some long overdue redesign of the default multidisc
Blu-ray case.
The first five Rocky movies come without any extra features
and so their menus are simplicity itself. The main bonus
feature disc, in keeping with current trends, does not allow
us to see all the features at one go. I have a personal
dislike of such organization.
Extras:
7
In addition to the extra features that appeared on earlier
DVD & Blu-ray editions of Rocky Balboa, this set includes
some two hours of bonus features previously available on the
2-disc Special Edition of the original Rocky movie.
Most of the contents here are ported over from the 2-disc
special edition Rocky DVD. Unfortunately, the original Rocky
disc hasn't been repressed to include the commentary tracks
available on that release.
• Three Rounds with Legendary Trainer Lou Duva
World class boxing manager Lou Duva responds to questions.
• Interview with a Legend – Author and Historian Bert Sugar:
Sports writer Bert Sugar talks about the Rocky story.
• The Opponents: Rocky as Underdog is the theme here as
Producer Robert Chartoff looks at each of Rocky’s opponents,
with interviews with three of the actors who played them.
• In the Ring: Making-Of Documentary: Interviews with
Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers,
Director John Avildsen, and Producer Robert Chartoff, from
Stallone's oroginal ideas for the story, Rocky's whirlwind
shooting schedule (28 days!), and a more detailed look at
some of the supporting characters, the music and the staging
of the fights.
• Steadicam: Then and Now with Garrett Brown, the inventor
of the Steadicam. Rocky was one of its first applications,
along with Bound for Glory, Marathon Man and The Buddy Holly
Story.
• Make Up! The Art and Form with Michael Westmore.
• Staccato: A Composer’s Notebook with Bill Conti
• The Ring of Truth with Art Director James Spencer.
• Behind the Scenes with John Avildsen: The director
presents his own 8mm footage that he used as a kind of
working storyboard model.
• Tribute to Burgess Meredith: More about Meredith's work on
Rock than a retrospective of his career (which goes back to
the 1939 Of Mice and Men.)
• Tribute to Cinematographer James Crabe.
• Video Commentary with Sylvester Stallone: Contrary to
common practice, Stallone addresses the camera directly as
he recalls his original thinking about the project and the
reception it and he received.
• Sylvester Stallone on Dinah! 1976. One of my favorite
clips – Stallone makes an appearance on the Dinah Shore talk
show, along with Joey Bishop. A trip down memory lane.
• Rocky Anthology Trailers: All in HD except for the
original film.
• Rocky TV Spots
• Feeling Strong Now! : A game to your knowledge about
Rocky, his friends and career.
Bottom line:6
And now for the hard part: What to advise? The best is sore
need of a better transfer and will likely get one, and, I
expect, separately, along with its missing extra features. I
don't the other movies as getting special treatment anytime
soon. The price for the set is reasonable. Many people think
that the best movies are the first and last, and you may
already have those and would think twice to getting this
set, which duplicates what you already have just for the
sake of completing the saga. So there it is: If you want the
whole thing youll have to eat copies you likely already
have. Maybe they would make nice gifts.
Leonard Norwitz
November 17th, 2009