X-Men
Origins: Wolverine [Blu-ray]
(Gavin
Hood, 2009)
Review by Leonard Norwitz
Production :
Theatrical: Twentieth Century-Fox Film Corporation
Video:
20th Century
Fox
Disc:
Region: ALL
(as verified by the
Momitsu region FREE Blu-ray player)
Runtime: 1:47:21.393
Disc Size: 44,272,324,026 bytes
Feature Size: 29,926,477,824 bytes
Average Bitrate: 22.06 Mbps
Chapters: 28
Case: Standard Blu-ray case
Release date: September 15th, 2009
Video:
Aspect ratio: 2.4:1
Resolution: 1080p / 23.976 fps
Video codec: MPEG-4 AVC Video
Bitrate:
Audio:
DTS-HD Master Audio English 3892 kbps 5.1 / 48 kHz / 3892
kbps / 24-bit (DTS Core:
5.1 / 48 kHz / 1509 kbps / 24-bit)
DTS Audio French 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit
Dolby Digital Audio English 448 kbps 5.1 / 48 kHz / 448 kbps
Dolby Digital Audio Portuguese 448 kbps 5.1 / 48 kHz / 448
kbps
Dolby Digital Audio Spanish 448 kbps 5.1 / 48 kHz / 448 kbps
Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps
Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps
DTS Express English 96 kbps 1.0 / 48 kHz / 96 kbps / 24-bit
DTS Express English 96 kbps 1.0 / 48 kHz / 96 kbps / 24-bit
DTS Express English 96 kbps 1.0 / 48 kHz / 96 kbps / 24-bit
Subtitles:
English (SDH), English, Chinese, French, Portuguese, Spanish, none
Extras
• Audio Commentary by Director Gavin Hood
• Audio Commentary by Producers Lauren Shuler Donner & Ralph
Winter
• A Conversation with Stan Lee & Len Wein – in HD (16:18)
• Wolverine Unleashed: The Complete Origins Featurette – in
HD (12:05)
• Weapon X Mutant Files – in HD (53:57)
• The Thrill of the Chase – in HD (5:53)
• Deleted & Alternate Scenes with Optional Director's
Commentary
• Bonus View: X-Connect
• Bonus View: Director's Chair
• Bonus View: Pre-Visualizing Wolverine
• Bonus View: X-Facts
• Digital Copy
• BD-Live
Comment: 5
On September 15, Fox will have unleashed the first in what
promises – or threatens, depending on how you feel this
installment augers for the future – to be a series of
backstories about the mutants characters. Magneto has been
announced for 2011. For now, it's the tightlipped and very
sour Wolverine, whom we first meet as a sickly boy in 1841.
His older brother, Victor, has a similar problem with his
fingernails, but both are miserable kids with good reason to
be in a constant state of rage.
Their very differentness from everyone else sets them apart,
and it is not a difference that makes them feel any better
about themselves. Even their remarkable ability to
regenerate tissue, making them more or less immortal, offers
them no solace, no respite fro their pain. On the contrary,
while they slice and dice their way through every war the
U.S has engaged in from our own Civil War to Iraq, they have
problems with authority disproportionate to their ability to
withstand punishment, even in front of a firing squad.
Victor (Lief Schreiber) feels it most. His rage is
boundless, his eagerness to kill is little more than an
excuse to murder, even in war.
Enter Colonel Stryker (Danny Huston) who recognizes the
brothers' special talents and who offers them a place in his
team of mutant weapons, each with his unique talent. Before
long, Victor's murderous inclinations, and Stryker's
apparent willingness to overlook them, are too much for
Logan (Hugh Jackman) and he quits the force and retires to a
remote rock in the Canadian Rockies. He acquires a certain
patina of respectability as a logger and a sympathetic
Native American girlfriend, Kayla Silverfox (Lynn Colins),
who tells him the story of Kuekuatsu (Wolverine). The
reappearance of both Stryker and Victor have expected
consequences for all concerned.
I grant that the idea of Origins stories for the X-Men is
ripe with possibilities. We can only hope that future
scripts (this one by David Benioff and Skip Woods) will
speak with more subtlety than "Well, well, well. Look what
the cat dragged in." With few moments excepted everything
about this movie lacks subtlety, even the fight sequences,
which are staged with remarkable consistency – I guess, to
reinforce the lack of same in the title character. This was
a mistake, though, mercifully, it is not one that goes on
for hours but less than two.
Image: 8/8
NOTE: The below Blu-ray captures were ripped directly from the
Blu-ray disc.
The first number indicates a relative level of excellence
compared to other Blu-ray video discs on a ten-point scale.
The second number places this image along the full range of
DVD and Blu-ray discs.
This is one of those movies on video about which, in the
relative absence of artifacts, noise, DNR, enhancements and
blemishes, that we take the pumped up contrast, saturation,
grain, and crushing blacks to be intentional. It's not
always pretty picture, but surely it doesn't intend to be
otherwise.
CLICK EACH
BLU-RAY
CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Audio & Music : 9/7
Considering how pumped up the image, I was pleasantly
surprised by the amount of subtle ambience cues, such as the
sounds of action going on well outside the prison cell where
Logan and Victor are first interviewed by Stryker, and the
differently realized acoustic for the actors depending on
their location. This is something that many audio mixes
either get wrong or pay little attention to. The carnival
was nicely rendered, too. The timbre of the calliope, a mere
passing image, was nailed perfectly. All the big action bits
are almost too noisesome to comment on intelligently;
suffice to say that they offer plenty of heft and clang but
do not deafen.
Operations: 6
The disc is fairly fast-loading, previews can be bypassed
with one click of the remote. The menu hides the extra
feature contents, but not as singularly as some. As for
Bonus View, the following advisory: Do not adjust your set,
these programs can be awhile into the feature before they
get under way. Unlike Universal's U-Control, there are no
"Instructions' on board the disc as to how to what makes
these special or how to use them, nor does there appear to
be any way to move from one to the other without re-booting
the movie via the main menu. It's not like having to re-load
the disc, but it can be a nuisance.
Extras: 9
Whatever we night think of the movie, the X-tra features
should please the fans. There are two feature length
commentaries, one with the director, Gavin Hood (who seems a
well intentioned chap – actor turned director, to wit:
Tsotsi and Rendition); the other by the two producers,
Lauren Shuler Donner (wife of Superman director, and X-Men
co-exec-producer, Richard) & Ralph Winter (who have been
with us since the first X-Men movie in 2000).
The featurettes include: Wolverine Unleashed, which gets
into the backstory of how the Origins movie came to be; The
Thrill of the Chase, which offers a closer look at the
helicopter chase; A Conversation with Stan Lee (the comic
book originator of X-Men) where Stan talks about the Origins
idea; and several deleted and alternate scenes wit optional
director's commentary. My favorite for content and
production is Weapon X Mutant Files where several of the
mutants used as weapons by Stryker are showcased. Each one,
plus Stryker, introduces him or herself in a slickly
produced quasi-advertisement. All of these featurettes are in
easy on the eyes HD. Kudos, Fox.
The Bonus View features (see more in Operations) are all
PIP. First up is X-Connect where the connections of the
characters and plot to the later X-Men movies are
elucidated. The Director's Chair, as expected, is hosted by
Gavin Hood, who gets into the nuts and bolts of production,
casting, character and story. Pre-Visualizing Wolverine
storyboards the occasional scene for extended periods of
time (pretty good, this one – it helps that the drawings are
clearly presented). X-Facts pop up from time to time to
offer – hmmm, let's see – X-facts. Works for me.
Recommendation :
6
X-Men Origins: Wolverine is not a bad movie,
it's just not especially creative or engaging. The image is
probably as intended, though as dark as Logan's chops; the
audio is very good, and the extra features cover the
material in depth and in HD.
Leonard Norwitz
September 17th, 2009
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