Review by Leonard Norwitz
Studio:
Theatrical: Universal Pictures & Imagine Entertainment
Blu-ray: Universal Studios Home Entertainment
Disc:
Region: All
Runtime: 105 min
Chapters: 20
Size: 25 GB
Case: Standard Blu-ray Case
Release date: October 13, 2009
Video:
Aspect ratio: 1.85:1
Resolution: 1080p
Video codec: VC-1
Audio:
English DTS HD-Master Audio 5.1; Dub: Spanish & French DTS
5.1
Subtitles:
English SDH, Spanish & French
Extras:
• Audio Commentary with Director Ron Howard
• Spotlight on Location
• Deleted Scenes
• Outtakes
• Who School
• Makeup & Design
• Seussian Set Decoration
• Faith Hill Music Video:
• D-BOX Motion Enabled
• Disc 2: DVD of the feature film
• BD-Live 2.0
The Movie: 4
In 1957 Random House published "How the Grinch Stole
Christmas" penned and illustrated by the beloved Theodore
Seuss Geisel (aka: Dr. Seuss). In 1966 Geisel gave his
blessing to Chuck Jones' 26-minute animated version of the
story, which has since become a television Christmas
classic. In 2000, the year before al Qaeda trumped the
Grinch by actually stealing Christmas and a good deal
besides, Ron Howard & Brian Grazer introduced what they
hoped would become another instant classic: a feature length
live-action version of Dr. Seuss' story of a heart found.
Their movie stars the multi-talented Jim Carrey in heavy
prosthetic makeup as The Grinch. Carrey is perhaps today's
most physically facile screen actor – to the point that even
in greepy green Grinch makeup there is no doubt as to the
identity of the man behind the mask. The identities of the
other actors, such as Jeff Tambor, Christine Baranski and
Molly Shannon, are more accessible behind their Who noses;
while seven-year old Taylor Momsen, who plays Cindy Lou, the
girl who challenges the Grinch to find his heart, still has
a completely humanoid face, having not yet grown into her
Who nose.
The story, with text expanded in faux-Seuss language by
Jeffrey Price & Peter Seaman, is narrated by Anthony
Hopkins. (Boris Karloff did the honors in 1966, and he had
the advantage of working from a pure Seussian script.) The
original tale is expanded to fill out the time to offer a
backstory that explains how Grinch got that way
(emotionally, if not physically) as a child taunted by his
schoolmates. They also create a potential love interest for
him in Martha May. She grows up to become Ms. Baranski – and
a sexier Who there never was. The Mayor (Mr. Tambor) has his
own designs on Martha May and fully expects that someday
soon she shall be his.
In the Howard/Grazer/Price & Seaman version, Whoville is
situated on a snowflake where, for reasons that, in my
opinion, get their movie into serious trouble, the dominant
color is not white, but red. Even the snow is pink. The
color cast is so strong that it sucks all the snap out of
the image. More problematic are the Who themselves. They
have so commercialized Christmas that we tend to side with
the Grinch to teach these Who a lesson (though it is
revenge, and not instruction, that is his motive.) When the
Who moan that the Grinch has made off with all their
presents on Christmas eve, Cindy Lou – bless her – helps
them see that Christmas rests in the spirit and not the
material. But that too easily won lesson is up-ended when
the Grinch returns their presents and everyone breathes a
sigh of relief. Do we think for one Who moment that cash
registers will not be ringing their joyful noise next
Christmas!
Carey's shenanigans, physical and verbal, Miss Momsen's
open-hearted expressions and the inventive set design (what
we can see of it) should have warranted a higher score if it
weren't for one brief moment that pretty much flushes the
whole thing down the toilet. I speak of the scene where the
Grinch commands his faithful dog, Max, to sit on the Mayor's
face while he's asleep – dreaming, no doubt, of Martha May's
bountiful charms. The Mayor's satisfied smile combined with
Max's shameful exit is distasteful at so many levels, I
still can't see how this got past the censors – or maybe
that's why it's PG and not G.
Image:
4/7
NOTE:
The below
Blu-ray
captures were ripped directly from the
Blu-ray
disc.
The first number indicates a relative level of excellence
compared to other Blu-ray video discs on a ten-point scale.
The second number places this image along the full range of
DVD and Blu-ray discs.
For a holiday movie, the color design gets it all wrong – on
this Blu-ray, at any rate. The picture is so dreary it's
like being in a blizzard without snow falling. Greens,
purples and deep reds manage to survive, but every other Who
hue is pulverized into various shades of red. White does
manage to sneak in here on there on costumes and the like,
but blacks are not in good standing. I rather had the
impression that the black level was not judged at all, so
instead we get smudge. The best that can be said is that the
image is suggestive of a reflection in a Christmas tree
ornament – Clever, if intended, but hard to take for an hour
and three quarters. I doubt that offering the movie at a
higher bit rate woud have done much for it. Universal must
have known something was up when it assigned the film and
its extras to a mere single layer.
To be honest, I was so busy trying to find my way in this
color compressed world that I failed to notice any other
infringements in the transfer. I regret I did not have
previous video editions to compare to the Blu-ray, or even a
memory of a theatrical presentation, so it is entirely
possible that we see here is reflective of the filmmakers'
intentions. If so, it seems to me a pretty dismal affair.
CLICK EACH
BLU-RAY
CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Audio & Music:
6/7
My first impression on hearing the audio on this disc was
that it made perfect sense for a made-for-TV children's
movie from 15 or 20 years ago. But, of course, this movie is
none of those. So it comes as some surprise that the mix is
so decidedly front heavy - except for the music, which
really opens up the soundstage – so much so it's to the
detriment of the rest of the movie. At least everything is
clear, if underwhelming.
Operations:
7
The menu is laid out like other Universal Blu-rays. Arrows
tell you which way to direct your remote, and the bonus
feature instructions are detailed and intuitive. No
U-Control on this one.
Extras:
4
The extra features here are presented in standard
definition, but some look better than the feature film in
terms of brightness, color and contrast. Ron Howard didn't
seem to have his heart in his audio commentary – he finds
little to say regarding how he came to decide on the tone of
the movie, so, what with all the silent gaps, there's little
to commend it. I found two segments worth the effort:
"Spotlight on Location," which not only looks pretty good,
but features some brief interviews with cast & crew. The
other is "Seussian Set Decoration" that, however briefly,
shows us how Seuss' illustrations came to life in three
dimensions. None of the extras are longer than 11 minutes.
Bottom line:
4
In writing a review, I often find more to like or respect
than I thought or felt on watching it. Not so here. The more
I consider the movie, the less I find worthy of our time. If
only the picture quality knocked our socks off the fireplace
– but not even that. Read the book or watch Chuck Jones'
animated version.
Leonard Norwitz
October 8, 2009