Review by Leonard Norwitz
Studio:
Theatrical: ABC Studios
Blu-ray: Buena Vista Home Entertainment
Disc:
Region: All
Runtime: approx.
Chapters: 24
Size: 50 GB
Case: Expanded Blu-ray case w/double-sided flippages &
slipcover
Release date: June 16, 2009
Video:
Aspect ratio: 1.78:1
Resolution: 1080p
Video codec: AVC @ 30 Mbps
Audio:
English 5.1 Uncompressed (48kHz/16-bit)
Subtitles:
English & French Dolby Digital 5.1; Spanish 2.0 Dolby
Digital
Extras:
• Audio Commentaries by the series producers and cast.
• Lost Flashbacks – in SD (4:35)
• Welcome to Oahu – in SD (33:20)
• The Genesis of Lost – in SD (8:40)
• Lost on Location – in SD (44:10)
• Designing a Disaster – in SD (8:00)
• Before They Were Lost – in SD (22:55)
• Audition Tapes – in SD (22:34)
• The Art of Matthew Fox – in SD (6:07)
• Deleted Scenes – in SD (14:41)
• Bloopers – SD (4:16)
• Backstage with Drive Shaft – in SD (6:40)
• Live from the Museum of Television & Radio – in SD (10:56)
• On Set with Jimmy Kimmel – in SD (7:15)
• Flashbacks & Mythology – in SD (7:28)
The Film:
Lost: Season 1 ~ Comment
The short review is: Lost Season One in Blu-ray is like the
DVD, only more so –much more so for the audio, not so much
for the image. The extra features are pretty much the same,
and they're still in standard definition. So if you were
waiting for the ultimate HD experience, this is not it. On
the other hand, whether you've seen this series only on TV
broadcast, or TIVO or on DVD, nothing compares to the
Blu-ray experience in terms of picture or sound.
We can understand, if not forgive Disney's decision to
kick-off their Lost series on high-def in the middle of
things with Season 3, timed for release as the writers'
strike was delaying the airing of season four. That season
followed on Blu-ray a year later. And now that Disney has
made available the missing first two seasons (plus an
announcement of season five on Blu-ray by the end of this
year), there is really no excuse not to scoop up all four on
HD.
Lost: Season One ~ The Score Card
The Season : 10
For those three or four of you who have been lost in
television's wasteland for the past five years rather than
lost on the island, here's the deal: Oceanic Airlines flight
815 has just come apart in the sky above a remote and, as we
come to find out, uncharted island in the South Pacific. A
few dozen survivors try to pick up the pieces of their
shattered lives as they hold out hope for a rescue. A few
days into their stay (which, by the way, is weeks, not
years, by the end of the fourth season), they learn two very
important things: they are not alone on this island, and the
island itself has strange, even miraculous properties that
affect both their health and their perception of time.
It is this last feature that becomes the structure for the
series, as each episode fleshes out one or more of the
survivors in flashback while, at the same time, advancing
their adventures on the island. It isn't letting any cats
out of bags to divulge that beginning with season four,
there are both flash-forwards and backs as the idea is made
clear (especially through Desmond) that time is of the
essence.
The remarkable thing about Lost is how it takes its time to
reveal itself and its characters. (The "Others," who share
the island with the Survivors, don't even reveal themselves
until the end of the second season.) On the one hand, we get
to know our adventurers only in fragments that, save a
familiar music cue, appear without warning throughout every
episode. These fragments might take us and them back to the
day before the crash, or years. We see what shaped their
character and, in many cases, how they rubbed up against
each other, often unremarkably, before the flight. The
adventure on the island, on the other hand, is told in
frantic arcs of only a day or so per episode. The pacing,
like its time shifting, is all part of what makes the series
work the way it does.
Then there are the characters themselves, and the actors who
inhabit them. As with any good disaster movie, every
character is a reflection of a part of ourselves, and we
identify with this one or that, regardless of gender, often
changing our feeling about them as we see how their history
leads them to face the island's challenges. If the writers
are doing their job, we are given the opportunity to ask
relevant ethical questions about ourselves through our
surrogates on the island. The situation may be fantastical,
but the emotional and behavioral interplay is not. There are
no Kim Bauers here, and no couple of seasons treading water
while the writers and producers try to find out what this
series is about.
Image:
7/8
The first number indicates a relative level of excellence
compared to other Blu-ray video discs on a ten-point scale.
The second number places this image along the full range of
DVD and Blu-ray discs.
I don't know why there is such a dramatic improvement of
image from season two on, but whatever the reason, blacks
are a little crushed and contrast is more out of control in
season one, especially for the pilot episode. There's an
unfilmlike medium grain and a fuzziness that pervades. We
might not take notice much because the action is so intense,
but compared to the second season, the difference isn't very
subtle.
The DVD was pretty good to start with - not much in the way
of distracting artifacts, fuzzy and a little dark, but,
alas, the Blu-ray is not astonishingly better. The fuzziness
and grain is still there. The blacks are still crushed and
mid-tones seem a little leeched. I might go so far as to say
that there is a greater difference between the high def
presentation of seasons one and two than between the DVD and
Blu-ray of season one. A crushing disappointment! But, wait.
Once in motion, we see something not apparent in our caps:
the high def picture has an extraordinary density that makes
even the sand on the beach come to life. Every surface and
texture has a tangibility to it that is surprising,
especially considering the basic faults of the image. It's
not only all those rugged close-ups of the guys and the
smooth skin of the gals, but the leaves on the trees, a golf
ball, a cable, the water in a pond – these all have a life
that is only suggested on the DVD.
Audio & Music:
9/9
The image may have its problems, but not the audio. It is
the uncompressed audio mix – at last, the default track –
that is truly mind-boggling in comparison to the DVD. It's
hard to believe these both started life from the same
genome. Now we have an audio mix that fully complements
Lost's vivid photography. Dialogue is crisper and has focus,
size and shape that move the action forward as well. Ambient
jungle noises, background surf, rain, the whispers of the
Others it's all there now. The "Monster" has a presence that
is as scary as its name. Now we can hear and feel why the
survivors resist a casual exploration of the island,
something I used to wonder about. Michael Giacchino's Emmy
award-winning percussive score is perfectly threaded into
the effects with the dramatic impact it has long deserved.
The only thing we could have hoped for is that the crash
scene that Jack comes on in the very beginning has more
dynamic power. It's much better than it was, but perhaps too
much reality at this point would have frightened the
neighbors and prevented you from ever getting on a plane
again.
Operations:
8
The menus may look much the same as the DVD and the Blu-rays
for seasons 3 and 4, and they are, with one interesting
addition. SeasonPlay is with us again, which allows
bookmarking of where we exited the disc and return to the
same place, but now SeasonPlay adds several viewer
capability. It seems cumbersome at first if you're not a
gamester or if you don't need to sign in, but hit Return
when prompted. No pain. There is also Play All capability
for groups of bonus features. Nice.
Extras:
7
The Blu-ray offers no new bonus features beyond what we
already know from the 2005 DVD, nor are the features
presented in HD. They do look noticeably better, however – I
observed higher bit rates, around 7 Mbps instead of 2.
"Backstage with Drive Shaft" is a particular beneficiary.
The features have all been reviewed elsewhere, so just a few
brief comments for now:
You'll want to begin at the beginning with "The Genesis of
Lost" where ABC exec's discuss how the series took shape
from a pre-pitch idea for a series about castaways. Then
"Designing a Disaster" offers perspective to how much effort
went into the production: much more interesting than your
usual EPK treatment. And wait til you see how they sorted
out the pieces of the crashed plane. "Before They Were Lost"
looks at cast members before they were cast. The
commentaries for the two-part pilot features J.J. Abrams,
the initial creative force behind the series and the
director of the pilot. Each commentary is a roundtable
discussion, though there is the occasional contributor
threaded in remotely. These are all worth your time.
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Bottom line:
8
A compromised image, yes. But short of a restoration, this
is probably the best we can expect from Season One. (In
terms of image, Season Two is much better.) The audio is
excellent, however. Highly recommended despite the lack of
new or HD features. Lost may be the best of its kind out
there, and rich enough in plot and character to enjoy
repeated viewings.
Leonard Norwitz
June 6, 2009