Comment
The Movie: 7
“Chaotic” is a word that crops up in reviews of this film
and, while apt in some ways, a little pandemonium is not
entirely a bad thing. I found its sense of anarchy not only
consistent with the basic premise of the story - who’s in
charge here? (a better title, in any case) – and the madness
of it star character: Inspector Maureen Szeto Mo Lin, played
by the effervescent and sassy Sammi Cheng (Chung
Mo Yim, Needing You
and My Left Eye Sees Ghosts – all directed by Johnnie
To and Wai Ka-Fai). Maureen has been living with a sculptor
who, for some years, has promised he will marry her once he
finishes his long-suffering present project – which happens
to take up a good portion of their apartment. The artist’s
life does leave a certain amount of time to indulge in
love-making and Maureen finds herself pregnant at about the
same moment that she begins to suspect that her boyfriend
may have other romantic interests.
Elsewhere, and very much in the foreground, is the case that
Inspector Maureen is now in charge of: The kidnapping of the
young son of crime boss, John Fok. Naturally, Fok would
prefer to take care of the matter himself, but the police
insist they have a good track record in such cases,
providing they get the cooperation of the relatives. The
problem of course is that Fok must take care not to reveal
anything about his business that could be used against him
later. As it happens there is an ongoing investigation of a
case that resulted in the manslaughter deaths of an innocent
mother and child. The driver of the truck that killed these
people is clearly connected with Fok’s organization. Added
to all this, there are moves within his group to see these
events as an opportunity to alter the chain of command.
Boss Fok is played by Eason Chan in an agreeable, if broad
manner. We like him, even though he is in the business he
is. Maureen finds Fok’s cordial manner disorienting. It’s
not that he’s trying to charm her – that would be too
obvious - but, especially as she has just learned of her
pregnancy and is pulled in different directions in her
personal relationship, she doesn’t know whom to trust. She
opts for a kind of abrasive hysteria. I found it all very
refreshing.
Image:
9/9
NOTE: The below Blu-ray captures were ripped directly from the
Blu-ray disc.
The first number indicates a relative level of excellence
compared to other Blu-ray video discs on a ten-point scale.
The second number places this image along the full range of
DVD and Blu-ray discs.
Slick and polished. A superb transfer. This has all the
credentials of classic Blu-ray: dimensionality, sharpness,
resolution, shadow and highlight detail, absence of
artifacts, noise, EE, DNR and blemishes.
CLICK EACH
BLU-RAY
CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Audio & Music : 8/8
The uncompressed Cantonese Dolby TrueHD 5.1 mix is clear,
dynamic, immersive as required, with plenty of realistic,
but not big action movie, touches as in the opening car
chase and truck crash. In this respect it is more like
Infernal Affairs than Exiled.
Operations : 6
The English subtitles have very few spelling or grammatical
mistakes. The menu is straightforward. Alas, once again
Tai Seng tries to make more of the Making of featurette by
dividing it pointlessly into three brief segments without a
Play All.
Extras : 3
Very little here: a trailer in SD and a Making of featurette
that is all of 12 minutes and lacks subtitles. I suspect it
doesn't say much. Image quality is fair to good, and much
can be inferred from the picture alone. Too bad, though,
since this appears to have actual content.
Recommendation : 7
Lady Cop & Papa Crook
is nothing if not a fun ride. It blends romance, suspense,
action and comedy. I think it works, though only a second
viewing, to which I am looking forward someday, will tell
for sure. By the way,
hidden away in small supportive roles are well known actors
like Chapman To, Zhang Guoli and Patrick Tam. This
is one instance where the Director's Cut is clearly to be
preferred, since chaos is certainly to be preferred to
confusion.
Leonard Norwitz
July 1st, 2009