Review by Leonard Norwitz 
					
					
					 
					
					
					
					Studio:
					
					
					Theatrical: Rogue Pictures & Misher Films
					
					Blu-ray: Universal Studios Home Entertainment
					
					 
					
					
					
					
					Disc:
					
					
					Region: ALL
					
					(as verified by the 
					
					Momitsu region FREE Blu-ray player)
					
					Runtime: 1:47:19 or 1:44:56  -  Rated (PG-13) & 
					Unrated Versions
					
					Disc Size: 48,853,155,218 bytes
					
					Feature Size: 23,444,029,440 bytes or 23,098,546,176 bytes -  
					Rated (PG-13) & Unrated Versions
					
					Average Bitrate: 22.25 Mbps
					
					Chapters: 20
					
					
					
					
					Case: Standard Blu-ray Case w/ slipcover
					
					Release date: August 25th, 2009
					
					 
					
					
					
					Video:
					
					
					Aspect ratio: 1.85:1
					
					Resolution: 1080p
					
					Video codec: VC-1
					
	
					
					 
					
					
					Bitrate: 
					
					 
					
	
					 
					
					
					
					Audio:
					
					
					DTS-HD Master Audio English 3573 kbps 5.1 / 48 kHz / 3573 
					kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1536 kbps / 24-bit)
					DTS Audio French 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit
					DTS Audio Spanish 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit 
					
					
					 
					
					
					
					Subtitles:
					
					
					English SDH, Spanish, French, none
					
					
					 
					
					
					
					Extras:
					
					
					• Rated (PG-13) & Unrated Versions of the Film
					
					
					• 5 Deleted Scenes – in HD (8:03)
					
					
					• D-Box Motion Enabled
					
					
					• BD-Live 2.0
					
					
					• Digital Copy Disc 
					 
					
					
					
					 
					
					
					
					The Film:
					
					
					My promo sheet contains a two word quote from A.O. Scott's 
					review of the film: "A Winner!" OK, said I, I'll keep an 
					open mind. I have always like Terrence Howard and those warm 
					expressive eyes of his, and I saw Channing Tatum in Step Up 
					and thought he had potential. Of the director, Dito Montiel, 
					I knew nothing. Cutting right to the chase, I liked this 
					movie – a lot. I liked his sense of character – both human 
					and the neighborhood. I liked that I saw a glimmer of James 
					Dean behind Tatum's hesitations and knowing/not-knowing 
					glances. I liked that we just sort of drift into the fight 
					scenes without orchestra swells or cheering audiences. 
					Because I liked it, I felt kind of let down by the final 
					fight, which wasn't staged as tightly as the earlier ones, 
					and there are a couple moments where too much cutting within 
					a dramatic talking scene loses track of the emotional pulse.
					
					
					
					Fighting is not a great movie, and has nothing new to say, 
					but it tells a familiar tale in fresh ways. I noticed later 
					that Amazon users rated this movie a mere 5.1 out of over 
					2000 votes. I wonder what they expected. Since A.O. Scott 
					noted the Joe Buck/Ratso Rizzo connection as I did (it 
					wasn't much of a reach, but I felt it was the heart of the 
					film), and since he writes much better than I, here's a few 
					lines from his review and a link to the rest:
					
					"From an impromptu street brawl near Rockefeller Center 
					(where he is trying to sell phony iPods and pirated Harry 
					Potter books), Shawn [Channing Tatum] works his way through 
					the underground fight clubs in different neighborhoods, 
					where well-heeled patrons of various ethnicities (Russian in 
					Brooklyn, Hispanic in the Bronx) pay money to watch guys 
					punch one another. . . A lot of [the film's] hustle consists 
					of killing time, waiting for something to happen. And it is 
					in its slackest moments that the real poetry of “Fighting” 
					breaks through. Mr. Montiel has an odd, stuttery sense of 
					pacing, an eccentric, almost haphazard approach to framing 
					and a fondness for loosely structured scenes driven by 
					improvised dialogue. Either he has no idea what he’s doing 
					or he’s in possession of a vividly idiosyncratic directing 
					style. Having been unexpectedly delighted by “[A Guide to 
					Recognizing Your] Saints” and “Fighting” — which both swim 
					through seas of cliché and emerge sparkling and fresh — I’m 
					inclined to choose the second possibility." - A.O. Scott
 
					
					
					
					Excerpt of A.O. Scott's review from NY Times located HERE
					
					
					
					 
					
 
					
					
					Image: 
					
					9/9 
		NOTE: The below Blu-ray captures were ripped directly from the 
		Blu-ray disc.
					The first number indicates a relative level of excellence 
					compared to other Blu-ray video discs on a ten-point scale. 
					The second number places this image along the full range of 
					DVD and Blu-ray discs.
					
					Light and color changes from scene to scene like a boxer 
					dancing in the ring, while the Blu-ray follows its artistic 
					intentions without dropping a beat, keeping the bit rates in 
					about the upper 20s and low 30s. I found no distracting 
					artifacts, enhancements or noise reduction. On the contrary, 
					a tight grain lends a little grit to the image, and a boost 
					in contrast suggests a faux-documentary look that makes 
					everything feel that much more spontaneous.
 
					
					CLICK EACH 
				BLU-RAY 
				CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
					
					 
					
					 
					
	
					 
					
	
					 
					
					 
					
					 
					
					 
					
					 
					
					 
					
					 
					
	
					 
					
	
					
					 
					
					
					
					Audio & Music: 
					
					8/8
					I remember the first time I heard gunfire in a feature film 
					that sounded like what I thought the real thing ought to 
					sound like: The movie was Under Fire (with Nick Nolte, Ed 
					Harris, Gene Hackman and Joanna Cassidy.) The sound of spent 
					casings falling on the pavement was astonishingly realistic; 
					the total effect very persuasive. Movies where guys slug it 
					out – either in the ring or in the streets – rarely seem to 
					get it right. (Fight Club is a standout exception.) But, 
					then, getting it right is clearly not the usual intention, 
					for, unlike real gunfire, which has dramatic impact without 
					pumping it up, blows to the body don't. In Fighting snap is 
					added to each blow by increasing the upper mid-range. I'm 
					not all that crazy about the result, but it's not likely the 
					fault of the transfer. 
					
					In all other respects, I think this is a dynamite, if 
					appropriately unrefined soundtrack, with street corner and 
					club ambiance making for an immersive experience. Its music 
					has enormous energy, whether part of the score as we hear at 
					the film's opening, or pounding away in the various club 
					venues - where the bass is pumped up to gut-thumping levels. 
					Dialogue in such situations is perfectly layered into the 
					mix, permitting just enough space and crispness to hear 
					what's being said over the din.
					
					Speaking of dialogue, one thing that rarely gets addressed 
					in reviews of this sort is how well the sound engineer 
					captures the melody of the actor's character. I mention this 
					now because Terrence Howard's delivery is so tenderly, so 
					vulnerably delivered. Harvey carries the scars of a whole 
					lot of hurt, and we can hear and feel this in Howard's 
					exquisite, almost monotonous delivery, nicely articulated in 
					uncompressed DTS-HD MA.
					
					 
					
					 
					
					 
					
					
					
					Operations: 
					
					7
					The menu is laid out like other Universal Blu-rays. Arrows 
					tell you which way to direct your remote, and the bonus 
					feature instructions are detailed and intuitive. No 
					U-Control on this one. 
 
					
					
					
					Extras: 
					
					3
					There are five deleted scenes worth our trouble – all in HD, 
					D-Box enabling, which might be a kick, and some stuff on 
					BD-Live.
 
					
					
					 
					
					
					
					
					 
					
					
					
					Bottom line: 
					
					8
					Fighting is a surprising film – more a series of offhand 
					dramas that we seem to be eavesdropping on than an action 
					film. Howard and Tatum are well suited to each other – the 
					odd couple of the year. Too bad we are shortchanged on the 
					Extra Features. But where it counts: the image and audio are 
					terrific on Blu-ray. Knock yourself out.
					
					Leonard Norwitz
					August 16th, 2009