Review by Leonard Norwitz
Studio:
Theatrical: Davis Entertainment & Lion Rock
Blu-ray: Paramount Home Entertainment
Disc:
Region: FREE!
(as verified by the
Momitsu region FREE Blu-ray player)
Runtime: 1:58:46.119
Disc Size: 41,207,911,968 bytes
Feature Size: 36,473,991,168 bytes
Average Bitrate: 40.95 Mbps
Chapters: 22
Case: Standard Blu-ray case
Release date: May 19th, 2009
Video:
Aspect ratio: 2.35:1
Resolution: 1080p
Video codec: MPEG-4 AVC Video
Audio:
Dolby TrueHD Audio English 3578 kbps 5.1 / 48 kHz / 3578
kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 640 kbps)
Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps
Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps
/ Dolby Surround
Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps
/ Dolby Surround
Subtitles:
English, English (SDH), French, Portuguese, Spanish, none
Extras:
• Audio Commentary by Director John Woo
• Audio Commentary by Screenwriter Dean Georgaris
• Paycheck: Designing the Future - in SD (18:15)
• Tempting Fate: The Stunts of Paycheck – in SD (16:48)
• Extended/Deleted Scenes – in SD (12:27)
Bitrate:
Description: Michael Jennings (Ben Affleck) is a
brilliant computer engineer hired for top-secret
projects. After each job, Jennings' short-term memory is
erased so he cannot recount any project information.
Emerging from his latest assignment, a three-year
contract with an eight-figure paycheck given to him by
his longtime friend (Aaron Eckhart), Jennings is jolted
when he is told that during the end of his assignment,
he agreed to forfeit all payment.
Jennings has no recourse-until he receives a mysterious
envelope containing clues to his forgotten past. With
the help of a beautiful scientist (Uma Thurman) he once
loved but now cannot remember, Jennings races to solve
the puzzle of his past...while a terrifying discovery
waits in his future.
The Film:
6
The idea of putting Philip K. Dick and John Woo together
with enough money behind the production to realize any fancy
must have seemed like a producer's dream. Indeed, there are
familiar elements from Total Recall, in that the protagonist
has had his memory wiped, but in advance of that he plants
clues for himself later so that he can backtrack. In a way
that's what the TV series Lost is all about.
The usually vapid Ben Affleck plays Jennings, a computer
genius who hires himself to various companies to figure out
ways to get the jump on the competition. At the end of each
assignment he gets a fat paycheck and a memory wipe – just
the weeks involved in the R&D – hell, that might want to use
this guy again some day. One day, zillionaire Rethrick
(Aaron Eckhart) offers Jennings a chance for a job so huge
he can permanently retire – well, not too permanently, he
hopes. It is expected to take three years of his life inside
a high tech compound, but who cares when you have no soul to
begin with! When Jennings "wakes up" three years later he
finds that the cool $92,000,000 he just earned disappears
almost before his eyes. Worse yet, there are guys out there
that want to kill him and the feds are on his trail. What 's
up with that?
But there are clues – clues that take Jennings a while to
figure out that actually are clues to help him sort out
what's what, who's who, and why's why – that is, if he
doesn't get himself erased in the process.
Affleck is pretty good here, and while we might not take him
for the genius he's supposed to be, he is convincing as a
decent, uncomplicated guy who finds himself trying to make
sense out of the nonsense he left himself in a manila
envelope: a coin, a ring, a watch, a pair of sunglasses, an
aerosol can, a paper clip – not a lot to go on. Uma Thurman
plays Rachel, a woman who works at Rethrick's company and
who may have had a three-year relationship with Jennings
that he seems to have forgotten. Paul Giammati is an old
friend that tries to help sort things out for Jennings. His
character's nervousness may be a sign he is in over his
head. But I wouldn't trust him. Would you?
Image:
9/9
NOTE:
The below
Blu-ray
captures were ripped directly from the
Blu-ray
disc.
The first number indicates a relative level of excellence
compared to other Blu-ray video discs on a ten-point scale.
The second number places this image along the full range of
DVD and Blu-ray discs.
Paramount offers a strong image for its transfer to Blu-ray:
sharp, highly resolved, often cool, light blue filtered
color palette, solid blacks and generally natural skin
tones. Contrast has a dynamic range that is well supported
in Blu-ray. Grain is minimal without problematic DNR or
distracting artifacts or edge enhancement.
CLICK EACH
BLU-RAY
CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Audio & Music:
8/7
An audio mix in uncompressed TrueHD 5.1 to match the
excellent visuals. The music matches the exploding, fast
driving effects in its immersive impact. Dialogue is always
clear.
Operations:
6
There's very little to the uninteresting, unanimated menu
page, but it's a cinch to navigate.
Extras:
5
There are two audio commentaries, between them they comprise
the best of the extras, the others being your basic EPK
material. The deleted and extended scenes are interesting
but would not have made for a better film.
Bottom line:
7
Paycheck looks and sounds better than it plays as a plot,
and Woo has done much better work both here and in Hong
Kong. I mentioned Lost as a life-threatening adventure where
characters attempt to sort themselves out with clues to
their past, present and future – clues that operate for them
and for the audience. Of course, the TV series has beaucoup
hours to make it all come together (or just play with our
minds), still any number of episodes make the case more
effectively. That said, Paycheck offers a fun ride that
doesn't insult us at every turn. The Blu-ray edition is the
way to go on this one.
Leonard Norwitz
May 26th, 2009