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S E A R C H    D V D B e a v e r

 

H D - S E N S E I

A view on Blu-ray by Gary W. Tooze

 

Johnny Mnemonic [Blu-ray]

 

(Robert Longo, 1995)

 

 

 

 

Coming to the UK on Blu-ray from 101 Films in June 2022:

 

Review by Gary Tooze

 

Studio:

Theatrical: Sony Picture Entertainment

Video: Sony Picture Entertainment / Image Entertainment

 

Disc:

Region: FREE! / Region 'A'

Runtime: 1:36:40.294 / 1:36:42.213

Disc Size: 37,694,522,839 bytes / 21,687,568,506 bytes

Feature Size: 27,639,257,088 bytes / 20,989,249,536 bytes

Average Bitrate: 38.12 Mbps / 24.83 Mbps

Chapters: 12 / 16

Case: Standard Blu-ray case

Release date: December 19th, 2008 / June 14th, 2010

 

Video:

Aspect ratio: 1.78:1 / 1.85

Resolution: 1080p

Video codec: MPEG-4 AVC Video

 

Audio:

Dolby TrueHD Audio English 1584 kbps 5.1 / 48 kHz / 1584 kbps / 16-bit (AC3 Core: 5.1 / 48 kHz / 640 kbps)

DTS-HD Master Audio English 2553 kbps 5.1 / 48 kHz / 2553 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)

 

Subtitles:

English, Japanese, none

English, Japanese, none

 

Extras:

JM Japan edition version (1:43:03 SD)
•  Making-of footage
•  Behind-the-scene footage (7:16)
•  Interviews
•  Music video for "Nothing (I Don't Want IT)"
•  Original trailer

 

•  Original trailer (2:19 in 1080P)

 

Bitrate:

 

 

Description: Johnny Mnemonic is a 1995 cyberpunk film, loosely based on the short story of the same name by William Gibson, in which Keanu Reeves plays the title character, a man with a cybernetic brain implant designed to store information. It portrays Gibson's standard dystopian view of the future with the world dominated by large corporations and with strong East Asian influences.

The film was directed by Robert Longo on location in Canada, with Toronto and Montreal filling in for Newark, New Jersey and Beijing. A number of local monuments feature prominently, such as Toronto's Union Station and Montréal's skyline and Jacques Cartier Bridge.

The film is notable for the presence of Takeshi Kitano, whose role in the Japanese version of the film was greatly expanded.

Excerpt from Wikipedia HERE

 

 

The Film:

Keanu Reeves' road to The Matrix was paved with several subpar techno-thrillers, none so dire as this disappointing collaboration between visual artist Robert Longo and cyberpunk auteur William Gibson. Given that Gibson's fiction basically transformed Blade Runner imagery into razor-sharp prose, it seems like the transformation would work in reverse. But Gibson and Longo get it all wrong, littering their film with clumsy exposition and stale action scenes that are miles away from the taut precision of the original short story. Molly, the knife-fingered enigma with the built-in sunglasses who made Johnny Mnemonic and the novel Neuromancer so cool and compelling, is replaced by Jane, an all-too-conventional girlfriend character with a thin veneer of tough-girl bravado. Newcomer Dina Meyer fails to invest the part with much wit or style, but she's no worse than Reeves, who proves incapable of enlivening the stale lost-childhood clichés with which Gibson saddles his character. In fact, the actor's most inspired line reading ("I want room service! I want a club sandwich! I want the cold Mexican beer! I want a 10,000-dollar-a-night hooker!") was reportedly an ad lib, which doesn't say much for the screenplay. Throw in Dolph Lungren and Henry Rollins in a pair of pseudo-intellectual, testosterone-soaked supporting roles and you've got an action film whose supposed smarts and heart make it far more excruciating than any straightforward genre exercise. Then there are the visual effects, which reduce Gibson's vision of Internet-based virtual reality to something that looks like an old MTV promo. Only the presence of ice-cold Beat Takeshi Kitano, the amusingly creepy Udo Kier, and the blustery Ice-T (playing virtually the identical character he essayed in Tank Girl the same year) provide any measure of incidental viewing pleasure. In all other respects, this one's a total dud.

~ Brian J. Dillard, All Movie Guide

 


Image :    NOTE: The below Blu-ray captures were ripped directly from the Blu-ray disc.
 

The Japanese Blu-ray of Johnny Mnemonic actually looks pretty good. It has some visible grain - colors are well-balanced, and detail is tight. This is probably as good as it will get for Johnny with some minor depth on this dual-layered high-definition disc. There is some dirt and speckles here and there but nothing untoward.  A lot of the film is dark and the effects look all the more powerful when they 'light up'. This Blu-ray transfer seems very competent - probably far better than the film deserves.

There are differences in the image quality. The Sony is more technically strong and the US disc seems brighter. I suspect the disparity is unnoticeable for most. The Image Entertainment has a bit more noise but considering value the Sony doesn't seem worthy of its more exorbitant price tag.

 

CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION

 

Sony's Pan and Scan DVD version TOP

Sony Picture Entertainment - Region FREE - Blu-ray MIDDLE
Image Entertainment - Region 'A' -
Blu-ray - BOTTOM

 

 

Sony Picture Entertainment - Region FREE - Blu-ray TOP
Image Entertainment - Region 'A' -
Blu-ray - BOTTOM

 

 

Sony Picture Entertainment - Region FREE - Blu-ray TOP
Image Entertainment - Region 'A' -
Blu-ray - BOTTOM

 

 

Sony Picture Entertainment - Region FREE - Blu-ray TOP
Image Entertainment - Region 'A' -
Blu-ray - BOTTOM

 

 

Sony Picture Entertainment - Region FREE - Blu-ray TOP
Image Entertainment - Region 'A' -
Blu-ray - BOTTOM

 

 

Sony Picture Entertainment - Region FREE - Blu-ray TOP
Image Entertainment - Region 'A' -
Blu-ray - BOTTOM

 

 

Sony Picture Entertainment - Region FREE - Blu-ray TOP
Image Entertainment - Region 'A' -
Blu-ray - BOTTOM

 

 

Sony Picture Entertainment - Region FREE - Blu-ray TOP
Image Entertainment - Region 'A' -
Blu-ray - BOTTOM

 

 

Sony Picture Entertainment - Region FREE - Blu-ray TOP
Image Entertainment - Region 'A' -
Blu-ray - BOTTOM

 

 

Sony Picture Entertainment - Region FREE - Blu-ray TOP
Image Entertainment - Region 'A' -
Blu-ray - BOTTOM

 

 

Audio :

Audio offers a Dolby TrueHD 5.1 at a limiting 1584 kbps. The film has some unbound aggression in the mix but it doesn't separate as deftly as you might hope and isn't as crisp either. This is probably akin to the 5.1 offered on the widescreen DVD edition. There are optional English and Japanese subtitles - and some of Kitano's dialogue (the Japanese) has burned in English subs). This Blu-ray is advertised as region-free and I have no reason to doubt it.

The audio I'll give to the US disc - it's a more robust DTS-HD Master 5.1 at 2553 kbps. It shows some subtle depth for the effects. The separation mix is about on par with the Sony. Nothing to rave about. The Image has the option of English or Spanish subtitles and they are non-removable for the brief Japanese dialogue. This is region 'A'-locked.

 

Extras :

The big thing is - you get 'JM' - the longer Japanese edition with more Kitano - but it is only in SD. It takes up over 7 Gig so it is dual-layered DVD-quality for those who dare venture to more 'Johnny Mnemonic'.  Menus are in Japanese and I didn't surf around too much but there are some Behind the Scenes stuff - narrated in English with non-removable Japanese subtitles.

Nothing but an HD trailer on the single-layered Image Ent. Blu-ray - the Japanese disc obviously wins with the longer version as a supplement.

 

 

Sony Picture Entertainment - Region FREE - Blu-ray LEFT
Image Entertainment - Region 'A' -
Blu-ray - RIGHT

 

 

 

BOTTOM LINE:
While the film is probably not as bad as most critics like to chide - it is certainly still 'bad'. This is a typical case of a great sci-fi idea - cinematically unfulfilled. Somewhere along the way (a little over half-way through) the film just falls a part - as if the script was incomplete or the filmmakers didn't have the foresight to prepare for an ending. In a very weird way I've come to like Reeves - probably after my viewing of the Blu-ray of Constantine. He's big on this genre and doesn't stray too far - he tends to know his boundaries. But he's pretty bad in this often sounding very forced. As for the Blu-ray - what can we say? - it's the best version of a bad movie. Perhaps the Japanese were keen to see the longer edition with more Kitano - but even they are shortchanged as that version is rendered in SD. While the image is quite competent - we can't give a recommendation - it's all just too hokey and plastic while the price is ridiculous.

Simply based on price we can recommend the reasonable US disc (1/4 the price!) to those keen enough to see Johnny Mnemonic in 1080P. It still comes across as pretty goofy - but sometimes I am in the mood for that. Unintended humor can elicit more smiles than intended. The effects are still fairly appealing - if now dated.

Gary Tooze

April 3rd, 2009

June 3rd, 2011

 

 

 

 

Coming to the UK on Blu-ray from 101 Films in June 2022:

 

About the Reviewer: Hello, fellow Beavers! I have been interested in film since I viewed a Chaplin festival on PBS when I was around 9 years old. I credit DVD with expanding my horizons to fill an almost ravenous desire to seek out new film experiences. I currently own approximately 7500 DVDs and have reviewed over 3000 myself. I appreciate my discussion Listserv for furthering my film education and inspiring me to continue running DVDBeaver. Plus a healthy thanks to those who donate and use our Amazon links.

Although I never wanted to become one of those guys who focused 'too much' on image and sound quality - I find HD is swiftly pushing me in that direction. So be it, but film will always be my first love and I list my favorites on the old YMdb site now accessible HERE.  

Gary's Home Theatre:

Samsung HPR4272 42" Plasma HDTV
Toshiba HD-A2 HD-DVD player (firmware upgraded)

Sony BDP-S300 1080p Blu-ray Disc Player (firmware upgraded)
Sony DVP NS5ODH SD-DVD player (region-free and HDMI)

Marantz SA8001 Super Audio CD Player
Marantz SR7002 THX Select2 Surround Receiver
Tannoy DC6-T (fronts) + Energy (centre, rear, subwoofer) speakers (5.1)

Gary W. Tooze

 

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