Review by Leonard Norwitz
Studio:
Theatrical: Picturehouse, Inferno & Double Edge
Entertainment
Blu-ray: Warner Home Video
Disc:
Region: All
Runtime: 114 min
Chapters:
Size: 25 GB
Case: Standard Blu-ray case w/ slipcover
Release date: December 23, 2008
Video:
Aspect ratio: 1.85:1
Resolution: 1080p
Video codec: VC-1
Audio:
English Dolby Digital 5.1
Subtitles:
English
Extras:
• The Women: The Legacy (18:46)
• The Women Behind The Women (18:44)
• Additional Scenes
The Film:
3
It would be so easy to jump on the bandwagon of those who
trash this movie, especially in comparison to the MGM's 1939
film version. But I figure: enough is enough, so I shall
content myself with a garbage pail with just two broad
observations: Somehow, Diane English, Emmy Award winning
writer for Murphy Brown (1989), managed to create a movie
utterly devoid of edge. Even the MGM movie, hot on the heels
of Clare Boothe Luce's popular play (1936), generally
described as social satire, rounded and grounded their movie
with lots of family warmth, especially between the mother &
daughter's Mary. (I still have to close my eyes and ears for
the last thirty seconds.)
But English's "updated" version made sure that women had
other things on their minds besides men - careers, body
image, empowerment, and true girlfriends forever – that the
focus became blunted. And that's being kind. We are to
believe that Mary – the character (Meg Ryan), whom we like –
is so involved with the insult to her pride that her husband
has offered her, so hurt by the loss of the dream of family
as she considers the possibility of divorce, that she
doesn't have a conversation with her daughter about any of
this as it affects her child until 90 minutes into the
movie! Or that her daughter is more concerned with her
weight than the fact that her parents have just separated! I
don't think so – not this mother and this daughter. But this
kind of carelessness about character is rampant in this
movie – until it all comes crashing into my consciousness,
which was half asleep until then, when Mary and Sylvia
(Annette Bening) have a staged confrontation for my benefit
that devolves into a kiss and makeup exchange of lines long
ago rejected by Aaron Sorkin. Who are these women!
As for Ms. English, the director – O.K. it was her first
effort, but, really, Diane! Focus! Focus! If you decide that
you're going to expand a world in which women are occupied
only with men to a world where women are occupied with other
pursuits, then there's no really good reason to exclude men
from the script. It was the very narrow focus of
preoccupation with men that – in the play and the 1939 movie
- made the device of having no visible men clever, funny and
rational. Making bad matters worse, if you deepen your
camera's focus to take in an entire downtown street and a
department store and everywhere else on location to make
sure we see no men, then what you have is a planet with no
men instead of women with a preoccupation about men. But if
there are no men, really, then who are these women talking
about? Who are they hurt by? Who fathers their children (all
girls, but the last – and what is that supposed to mean!)?
I shall say no more.
Image:
5/7
The first number indicates a relative level of excellence
compared to other Blu-ray video discs on a ten-point scale.
The second number places this image along the full range of
DVD and Blu-ray discs.
The image on this Blu-ray is probably just about what was
intended for the theatre: a little saturated with warm
tones. Grainy, but no dirt, except as dished, and precious
little of that. Sharpness varies, dull and a bit soft: blah
and flat – kind of like the movie.
Audio & Music:
6/6
I still can't fathom Warner's unwillingness to use
uncompressed audio at all times. It's not just for effects
movies, you know. I am usually a big fan of Mark Isham as a
film composer, going way back to Never Cry Wolf. But I just
don't see what he's doing here.
Operations:
7
There's little to be concerned with. There are few extra
features, the menu is straightforward and just as
uninteresting.
Extras:
3
As for The Women: The Legacy, I was hoping for more about
the play, but it got little more than an honorable mention
in this 18-minute tribute to Ms. English's tenacity at
realizing a dream she's had on the burner (and that's
probably the right word for it) for over ten years. The
Women Behind the Women is a curious title for what amounts
to a nicely produced video blog by a visiting
young woman to the set.
Bottom line:
3
My advice: Just see the 1939 movie and be done with it. But
if you want a good cry, watch the remake afterward and then
send Ms. Bening a note of condolence for how Ms. English
emasculated her character.
Leonard Norwitz
December 20th, 2008