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S E A R C H    D V D B e a v e r

Directed by Rainer Werner Fassbinder
West Germany 1981

 

Germany in the autumn of 1957: Lola (Barbara Sukowa), a seductive cabaret singer–prostitute, exults in her power as a tempter of men, but she wants more—money, property, and love. Pitting a corrupt building contractor (Mario Adorf) against the new straight-arrow building commissioner (Armin Mueller-Stahl), Lola launches an outrageous plan to elevate herself in a world where everything—and everyone—is for sale. Shot in childlike candy colors, Rainer Werner Fassbinder’s Lola, an homage to Josef von Sternberg’s classic The Blue Angel, is a wonderfully satirical tribute to capitalism.

***

A wonderfully upfront narrative rendered in garish primary colours, this discursive update of The Blue Angel poses Lola (Sukowa) and the blue-eyed trembling-pillar-of-rectitude building commissioner who helplessly falls for her (Mueller- Stahl) as barometers of the moral bankruptcy at the heart of Germany's post-war 'economic miracle'. Lola (owned, like most of the city, by Mario Adorf's bluffly sleazy building profiteer) threads sinuously through the civic corruption of reconstruction, accruing sufficient manipulative credit to buy a slice of the status quo, seductively scuttling several shades of idealism with the oldest of come-on currencies. Business as usual. The prostitution metaphors come undiluted from early Godard, the poster-art visuals from the magnificent melodramas of Sirk and Minnelli; the provocations are all Fassbinder's own.

Excerpt from Timeout located HERE

Posters

Theatrical Release: August 20th, 1981

Reviews                                                                                                       More Reviews                                                                                       DVD Reviews

 

Review: Criterion - Region 'A' - Blu-ray

Box Cover

CLICK to order from:

Only sold presently as part of the BRD Trilogy Blu-ray by Criterion:

  

Distribution Criterion - Region 'A' - Blu-ray
Runtime 1:55:12.530         
Video

1.66:1 1080P Dual-layered Blu-ray

Disc Size: 49,323,582,141 bytes

Feature: 32,758,517,760 bytes

Video Bitrate: 33.60 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate Blu-ray:

Audio

LPCM Audio German 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit
Commentary:

Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps

Subtitles English, None
Features Release Information:
Studio:
Criterion

 

1.66:1 1080P Dual-layered Blu-ray

Disc Size: 49,323,582,141 bytes

Feature: 32,758,517,760 bytes

Video Bitrate: 33.60 Mbps

Codec: MPEG-4 AVC Video

 

Edition Details:

• Audio commentary from 2003 featuring film scholar Christian Braad Thomsen
• Barbara Sukowa (19:45)
• Peter Märthesheimer (33:09)
• Juliane Lorenz with Laurence Kardish (32:40)
Xaver Schwarzenberger (26:55)
• Trailer (03:18)
• PLUS: An essay by film critic Kent Jones and production histories by author Michael Töteberg (Rainer Werner Fassbinder)


Blu-ray Release Date:
July 9th, 2019
Custom Blu-ray Case

Chapters 21

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Criterion Blu-ray (July 2019): Criterion's new Blu-ray package of Rainer Werner Fassbinder's BRD Trilogy ("The Marriage of Maria Braun" "Veronika Voss" and "Lola") states that both "The Marriage of Maria Braun" and "Lola" feature new 4K digital restorations. As the included booklet states, ["Lola"'s] 4K digital restoration was undertaken by StudioCanal from the 35mm original camera negative at Alpha-Omega Digita GmbH in Munich." This restoration really lets the heavily stylized look of the film take center stage. The glowing reds and pinks are matched only by the appearances of blues and greens, all showing a wide range of depth thanks to a pretty solid contrast. Though we do not possess the original 2003 Criterion DVD package to compare (at the time of this writing) it would be hard to assume that this new restoration would lose-out in any way. The crisp clarity to the image is undeniable, showing a great depth of focus, even within darker shots. Any concerns that may have popped up regarding the "The Marriage of Maria Braun" and "Veronika Voss" presentations do not apply here. Just gorgeous.

Once again, Criterion have wisely chosen to include the film's original 1.0 mono in 24-bit uncompressed linear PCM. As the included booklet states; "the original monaural soundtrack was remastered from the 35mm magnetic track." The film sounds quite crisp and any clean-up work is seamless. Hard to complain about this presentation. The music from Freddy Quinn Peer Raben sounds appropriately lounge-like, and there is a real 3-dimensional aspect to the sound, even in 1.0 mono. There are optional subtitles on this Region 'A' Blu-ray from Criterion.

The commentary from Criterion's 2003 DVD set reappears here, featuring Fassbinder documentarian, biographer, and friend Christian Braad Thomsen. "Barbara Sukowa" is a 20-minute piece with the actor, who began her career in the German theater. This interview was conducted in 2003 and she discusses her foray into film thanks to Fassbinder. "Peter Märthesheimer" is a fascinating 33-minute interview with the producer. Peter was a producer at the regional public television broadcaster Westdeutscher Rundfunk when he met Fassbinder in 1972, optioned several scripts of his, and gave him more exposure. He continued to work with the director as a producer for Bavaria Studios in Munich. This is a great interview, especially since Märthesheimer (along with psychologist Pea Frohlich) wrote all three films in this BRD trilogy. This is another 2003 interview, this time at the writer/producer's home in Pullach, near Munich. "Juliane Lorenz with Laurence Kardish" is a 33-minute discussion between author and curator Kardish, and Lorenz (with whom he collaborated on the the 1997 book 'Rainer Werner Fassbinder'. This interview is carried over from the previous DVD set from Criterion. The 27-minute 2003 interview with the cinematographer, "Xaver Schwarzenberger" is also carried over here on the
Blu-ray. The film's trailer rounds out the disc's extras. This set also features a 52-page booklet featuring the essay "Heartbreak House" by film critic Kent Jones and production histories by author Michael Töteberg.

Though far from Fassbinder's most acclaimed films, "Lola" is a beautifully stylized picture, just steeped in gorgeous lighting and colors, ala "Querelle". This new 4K restoration lets those brilliant reds/blues/greens really shine. The extras that are carried over here are well worth your time, and help to fully contextualize the film and its setting in the canon of Fassbinder. Though this is probably the weakest film of the 3 presented here, it looks the absolute best on
Blu-ray.  

Colin Zavitz

 


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Box Cover

CLICK to order from:

Only sold presently as part of the BRD Trilogy Blu-ray by Criterion:

  

Distribution Criterion - Region 'A' - Blu-ray


 


 

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