There is a UK release of this film available HERE but I understand that the image quality is quite mediocre and it has no extra features. This is advertised by Criterion as a 'new, restored high-definition digital transfer, approved by director Alex Cox' and it supports that claim very well. You can still see the frugal production values but the image quality in outdoor scenes is as good as any modern film. Indoor sequences occasionally show some digital noise. Expectantly it is dual-layered, progressive and anamorphic in the original aspect ratio of 1.85:1. The print used is also surprisingly clean. The audio is also clean and clear without annoying pops or background hiss and is supported by mandatory subtitles when non-English is used (even sign-language) - there are also optional English subtitles for the English dialogue. Overall a wonderful and competent transfer by Criterion.

Alex Cox is quite a good commentarist and seems right at home with screenwriter Rudy Wurlitze as they enthusiastically relate production and historical details. It is fairly fast paced and Cox's accent can be difficult to interpret at times. I found it very interesting as was the film itself from a biographical standpoint. On Moviemaking and the Revolution is an audio only reflection back by an extra. It has a lot of the 'F' word and seems quite frank discussing his, Hollywood-based expectations, perceptions, how history, after the fact, tends to repeat itself and the adventure of being, even a small, part of the production. It runs about 12 minutes and is unique. Dispatches from Nicaragua, is a 50 minute documentary about the filming of Walker that was culled from 30 hours of film that was residing in a garage for the past 20 years. The Immortals is a group of behind-the-scenes and Polaroid photos set up in a gallery click thru slideshow . Finally there is a 46-page liner notes booklet featuring writings by film critic Graham Fuller, Wurlitzer, and Linda Sandoval. 

Gary W. Tooze