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Late Ozu
Early Spring (1956) Tokyo Twilight (1957) Equinox Flower (1958)
Late Autumn (1960)
The End of Summer (1961)
Master filmmaker Yasujiro Ozu directed fifty-three feature films over the course
of his long career. Yet it was in the final decade of his life, his “old master”
phase, that he entered his artistic prime. Centered more than ever on the modern
sensibilities of the younger generation, these delicate family dramas are marked
by an exquisite formal elegance and emotional sensitivity about birth and death,
love and marriage, and all the accompanying joys and loneliness. Along with such
better-known films as
Floating Weeds and
An Autumn Afternoon, these five works illustrate the worldly wisdom of
one of cinema’s great artists at the height of his powers.
Titles
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Early Spring (1956) - In
his first film after the commercial and critical success of
Tokyo Story, Ozu
examines life in postwar Japan through the eyes of a young salaryman,
dissatisfied with career and marriage, who begins an affair with a flirtatious
co-worker. |
Theatrical Releases: 1956 - 1961
DVD Review: Eclipse Series Three from the Criterion Collection (5-disc) - Region 1 - NTSC
DVD Box Cover |
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CLICK to order from:
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Distribution | Eclipse / Criterion Collection - Region 1 - NTSC | |
Time: | Respectively - 2:24:50, 2:20:35, 1:57:48, 2:08:48 and 1:42:52 | |
Bitrate: Early Spring |
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Bitrate: Tokyo Twilight |
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Bitrate: Equinox Flower |
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Bitrate: Late Autumn |
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Bitrate:
The End of Summer |
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Audio | Japanese (original mono) | |
Subtitles | English, None | |
Features |
Release Information: Edition Details:
• one page (for each film) of liner notes in the
transparent case
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Comments: |
NOTE: The 5 main features of this boxset are housed in individual slim transparent keep cases (see image above) they are not sold separately at this time. These particular editions can only be obtained in Criterion's Eclipse Series Three - Late Ozu package at present. All five DVDs are dual-layered and, very encouraging, are NOT pictureboxed transferred (see our full description of 'pictureboxing' in our Kind Hearts and Coronets review). Each are coded for Region 1 in the NTSC standard. The transfers are progressive (except for Tokyo Twilight) and in the original 1.33 aspect ratio. The audio for all is original mono Japanese (HooRAY!) and there are optional English subtitles. The Shochiku logo starts each film so we can assume that is the transfer source. We have compared to existing editions (Panorama's NTSC versions and the PAL Artificial Eye in the case of The End of Summer). Specifically:
Early
Spring (1956) - The contrast flickering, interlaced combing, edge
enhancement, poor contrast and prevalent artifacts of the single-layered
Hong Kong release are no match for the advanced Eclipse edition. Of
course, one of the greatest improvements - in all editions over the
Panorama's - are the subtitle translations. The Eclipse's are
(presumably) more accurate, less précised, last longer on the screen and
have a clearer font.
Tokyo Twilight
(1957) - This is the least improved over its Panorama counterpart. In fact the
transfer looks just about the same - both have speckles - perhaps the Eclipse is
slightly darker - plus it is also interlaced! This kind of thing will crop up
from time to time on Eclipse releases, I'm afraid. The normal Criterion
Collection standard would have caused them to reject this master on technical
grounds, delaying the release, possibly indefinitely. Eclipse favors making
films available in spite of technical imperfections. In this case the best
available master was the one digitally restored in Japan. At some point during
the restoration process inconsistencies were introduced in the 3:2 pulldown
sequence, which meant that they could not flag the encode for progressive
playback. Whenever possible, of course, they use masters fully up to Criterion
spec, but between releasing a non-progressive master in Eclipse and leaving it
on the shelf, it's part of the Eclipse mission to make sure these films are
available. And we should be appreciative if nothing else.
Equinox Flower (1958)
- I recall many of us being quite happy with the Panorama edition when it
first came out - it appeared to be a strong improvement over previous Ozu DVD
releases from them. The green haze (seen on many Asian transfers) looks quite
prominent next to the Eclipse, which is superior in other areas (less artifacts,
better subs, marginally cleaner etc.). Whether the Eclipse is more accurate (to
theatrical) I'll never know but to me it looks better with brighter colors and
acceptable detail although it does exhibit some artifacts of its own. On a side
note I really loved this film - quite possibly in my Top 5 Ozu.
The End of Summer (1961)
- The Eclipse colors are closer in appearance to the un-subtitled Toho edition
and far more detailed than the slightly heavier UK Artificial Eye release.
Bottom line is that the Eclipse, like all in this boxset, is the best English
subtitled DVD edition available. It is wonderful to have this available in such
a strong NTSC release
as this was a very rare Ozu film,
unreleased on VHS in the UK or USA (until the AE DVD), and it was *very* hard to
see.
Bitrates are very strong ranging from from 6.85 MPS (Tokyo
Twilight) to
8.30 MPS (The End of Summer).
Aside from one page liner notes for each film (visible
on the inner case sleeve through the transparent case cover) there are
no supplements.
The sound is, much appreciated, original mono
and dialogue is clear and quite audible
- I noted a couple of instances of softened pops and drop-outs, but overall it is
very good. To get dual-layered DVD transfers of
these masterwork films so competently rendered at a purchase price of
about $12 each is indeed a ridiculous bargain. I consider no DVD library
complete without this collection of films by, arguably, the great
director in cinema history. Even with the interlacing flaw of Tokyo
Twilight (a very rare error by Criterion)
this boxset goes well beyond buzz phrases like 'must-own' or 'essential'
- I am actually considering it as a present to many groups of friends - Eclipse
are making some of the most important films ever made affordable and
accessible to vast audiences that have never been exposed to them
before. We continue to encourage them in this project. |
DVD Menus
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Slim Transparent Keep Case Cover
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Screen Captures
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(Eclipse #3 (Late Ozu) - Region 1 - NTSC TOP vs. Panorama - Region 0 - NTSC BOTTOM reviewed HERE)
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Slim Transparent Keep Case Cover
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Screen Captures
Tokyo Twilight (1957) aka 'Tokyo boshoku '
Directed by Yasujiro Ozu
Starring Kamatari Fujiwara, Setsuko Hara, Nobuo Nakamura and Chishu Ryu
Subtitle Sample
(Eclipse #3 (Late Ozu) - Region 1 - NTSC TOP vs. Panorama - Region 0 - NTSC BOTTOM reviewed HERE)
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(Eclipse #3 (Late Ozu) - Region 1 - NTSC TOP vs. Panorama - Region 0 - NTSC BOTTOM reviewed HERE)
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Slim Transparent Keep Case Cover
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Screen Captures
Equinox Flower (1958) aka 'Higanbana'
Directed by Yasujiro Ozu
Starring Shin Saburi, Kinuyo Tanaka, Ineko Arima, Yoshiko Kuga, Keiji Sada and
Chishu Ryu
Subtitle Sample (Eclipse
#3 (Late Ozu) - Region 1 - NTSC TOP vs. Panorama - Region 3 - NTSC
BOTTOM - reviewed
HERE)
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Late Autumn (1960) aka 'Akibiyori '
Directed by Yasujiro Ozu
Starring Setsuko Hara, Yôko Tsukasa, Mariko Okada, Keiji Sada, Miyuki Kuwano
and Chishu Ryu
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(Eclipse #3 (Late Ozu) - Region 1 - NTSC TOP vs. Panorama - Region 3 - NTSC BOTTOM reviewed HERE)
NOTE: Panorama artifacts in door panel and left side of Setsuko's face.
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Slim Transparent Keep Case Cover
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Screen Captures
The End of Summer (1961) aka 'Kohayagawa-ke no aki' or "Autumn for the Kohayagawa Family" or "Early Autumn" or "The Last of Summer"
Directed by Yasujiro Ozu
Starring Ganjiro Nakamura, Setsuko Hara, Yôko Tsukasa, Michiyo Aratama, Keiju
Kobayashi and Masahiko Shimazu
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(Eclipse #3 (Late Ozu) - Region 1 - NTSC TOP vs. Artificial Eye - Region 2 - PAL - MIDDLE vs. Toho (no Eng. subs) - Region 2 - NTSC - BOTTOM)
NOTE: AE and Toho are compared in detail
HERE
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(Eclipse #3 (Late Ozu) - Region 1 - NTSC TOP vs. Artificial Eye - Region 2 - PAL - BOTTOM)
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