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Directed by George Cukor
USA 1938

 

Two years before stars Katharine Hepburn and Cary Grant and director George Cukor would collaborate on The Philadelphia Story, they brought their timeless talents to this delectable slice of 1930s romantic-comedy perfection, the second film adaptation of a hit 1928 play by Philip Barry. Grant is at his charismatic best as the acrobatically inclined free spirit who, following a whirlwind engagement, literally tumbles into the lives of his fiancée’s aristocratic family—setting up a clash of values with her staid father while firing the rebellious imagination of her brash, black-sheep sister (Hepburn). With a sparkling surface and an undercurrent of melancholy, Holiday is an enchanting ode to nonconformists and pie-in-the-sky dreamers everywhere, as well as a thoughtful reflection on what it truly means to live well.

***

Barry's high-style comedy suited Hepburn wonderfully, and this satire on the egotism and selfishness of the upper classes (the wealthy) in the States gave her a vehicle so finely tuned that it paved the way for her even greater success two years later with an option on his The Philadelphia Story. Here she plays the older sister in a family which boasts an alcoholic brother and a younger sister engaged to a struggling lawyer (Grant) who brings a welcome note of dissension into the household. Naturally, he ends up with the sparky Ms Hepburn. Cukor's elegant grasp of the original drama ensures a silkily smooth transition from stage to screen.

***

Both film versions of Phillip Barry's stage comedy Holiday have their merits, but the 1938 version has the added advantage of supercharged star power. Katharine Hepburn and Doris Nolan play Linda and Julia Seton, two daughters of a very well-to-do family. Linda feels a bit lost in the shuffle as sister Julia prepares to marry self-made financier Cary Grant. Hepburn has always rebelled against her privileged trappings, and finds a kindred spirit in the unorthodox, iconoclastic Grant. On the verge of compromising his down-to-earth values with his marriage to the wealth-obsessed Nolan, Grant chooses instead to plight his troth with soul-mate Hepburn, celebrating his "liberation" by doing several cartwheels. Donald Ogden Stewart is careful to bring the pre-Depression frivolities of the Barry play up-to-date, first by changing the character of Grant's best friend (played in both films by Edward Everett Horton) from a lazy socialite to a dedicated professor, and by including several lines indicating how out of touch the privileged classes are--and choose to remain--with 1930s realities. The only element in which the remake does not improve on the original is in the casting of Hepburn's alcoholic younger brother; charming though Lew Ayres is in the 1938 film, he is still outclassed by Monroe Owsley in Holiday (1930). Katharine Hepburn managed to temporarily defray her "box office poison" onus when Holiday proved to be a success; alas, her next film, Bringing Up Baby (which reteamed her with Grant), was a financial bust, compelling her to return to Broadway--where she made a spectacular comeback in another Philip Barry play, The Philadelphia Story.

Excerpt from B+N located HERE

Posters

Theatrical Release: May 24th, 1938

Reviews                                                                                                       More Reviews                                                                                       DVD Reviews

 

Comparison:

Sony Pictures (The Cary Grant Boxset) - Region 1,2,3,4 - NTSC vs. Sony (individual release) - Region 1,2,3,4 - NTSC vs. Criterion - Region 'A' / 'B' - Blu-ray

Box Covers

  

  

Released on Blu-ray in the UK by Criterion on January 13th, 2010

Bonus Captures:

Distribution Sony Pictures - Region 1,2,3,4 - NTSC Sony Pictures - Region 1,2,3,4 - NTSC Criterion - Region 'A' / 'B' - Blu-ray
Runtime 1:35:45         1:35:45  1:35:35.146  
Video 1.33:1 Original Aspect Ratio
Average Bitrate: 4.57 mb/s
NTSC 720x480 29.97 f/ss
1.33:1 Original Aspect Ratio
Average Bitrate: 4.57 mb/s
NTSC 720x480 29.97 f/s

1.37:1 1080P Dual-layered Blu-ray

Disc Size: 47,720,882,579 bytes

Feature: 28,677,955,584 bytes

Video Bitrate: 35.823 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate:

Bitrate:

Bitrate Blu-ray:

Audio English (Dolby Digital 2.0) English (Dolby Digital 2.0) LPCM Audio English 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit
Subtitles English, French, Korean, Spanish, Portuguese, None English, French, Korean, Spanish, Portuguese, None English (SDH), None
Features Release Information:
Studio: Sony Pictures

Aspect Ratio:
Original Aspect Ratio 1.33:1

Edition Details:

• Cary at Columbia
• Deleted Scenes Photographs

DVD Release Date: February 7th, 2006

Digipak (see capture HERE)
Chapters: 28

 

Release Information:
Studio: Sony Pictures

Aspect Ratio:
Original Aspect Ratio 1.33:1

Edition Details:

• Cary at Columbia
• Deleted Scenes Photographs

DVD Release Date: Dec 5th, 2006

Keep Case
Chapters: 28

Release Information:
Studio:
Criterion

 

1.37:1 1080P Dual-layered Blu-ray

Disc Size: 47,720,882,579 bytes

Feature: 28,677,955,584 bytes

Video Bitrate: 35.823 Mbps

Codec: MPEG-4 AVC Video

 

Edition Details:

• Holiday (1930), a previous adaptation of Philip Barry’s play, directed by Edward H. Griffith (1:31:00)
• New conversation between filmmaker and distributor Michael Schlesinger and film critic Michael Sragow (34:35)
• Audio excerpts from an American Film Institute oral history with director George Cukor, recorded in 1970 and ’71 (21:13)
• Costume gallery
• PLUS: An essay by critic Dana Stevens


Blu-ray Release Date:
January 7th, 2019
Transparent Blu-ray Case

Chapters 12

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Criterion Blu-ray (December 2019): Criterion have transferred George Cukor's Holiday to Blu-ray via a "new 4K digital restoration". In a word, it's all about 'grain'. The well-layered contrast also helps the image with more pure black levels and the 1.37:1 framing shows more information (mostly on the side edges). It look so rich and film like - devoid of speckles or marks. A beautifully 1080 appearance. At times the image seems horizontally stretched beside the DVDs - we will look into which may be more correct.

NOTE: We have added 18 more large resolution Blu-ray captures for DVDBeaver Patrons HERE.

On their Blu-ray, Criterion use a linear PCM mono track (24-bit) in the original English language. It likewise advances on the lossy SD notable in the film's more consistent dialogue and score by Sidney Cutner (Those Redheads from Seattle, and part of the music department for Gun Crazy and Rear Window) sounding deeper if appropriately flat. Criterion offer optional English subtitles on their Region 'A' / 'B' (dependant on the Continent you purchase) Blu-ray.

Criterion graciously include the 1930 Holiday in 1080P - a previous adaptation of Philip Barry’s play, directed by Edward H. Griffith. It runs 1/5 hours and has no subtitle options and the audio is lossy. It's Pre-Code for those that may be enticed by that. There is a new 35-minute conversation between filmmaker and distributor Michael Schlesinger and film critic Michael Sragow who revel in Holiday. We also get audio excerpts from an American Film Institute oral history with director George Cukor, recorded in 1970 and ’71 running juts over 20-minutes. There is also a costume gallery. Robert Mero Kalloch III (1893-1947), often known simply as Kalloch, was one of the most influential costume designers of Hollywood's golden age. He served as chief fashion and costume designer for Columbia Pictures from 1933-41, except for a brief hiatus in 1935. His costumes for Holiday display the long, slim lines he favored in his work. Presented in this supplement are a collection of his design sketches for the movie, along with film stills showing the finished wardrobe, accompanied by Columbia publicity's descriptions of the costumes. Lastly, is a liner notes booklet with an essay by critic Dana Stevens.

One of the best and most memorable of the romantic comedies of the era. Hepburn and Grant carry the film with hilarious truths with grassroots nobility of romance, self, dreams and love. It's a brilliant film that I so pleased to have on Criterion Blu-ray with the inclusion of 1930 version and Schlesinger / Sragow conversation etc. Our highest recommendation! 

***

ON THE DVDs: This is a repackaging of the exact same disc from The Cary Grant Boxset that was released in February of this year - reviewed HERE. Different package and different disc label but everything else is a duplication.

Lots of grain that looks more like digital noise and there are some damage scratches and marks. Overall it still looks quite acceptable although I'd love to see the same treatment that Hawk's Only Angels Have Wings (from the Cary Grant Boxset) received. My vote is to get the Boxset which has some strong pluses.

Gary Tooze

 


Sony Pictures - Region 1,2,3,4 - NTSC

 

Criterion - Region 'A' / 'B' - Blu-ray


CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION

 

 

1) Sony Pictures (Cary Grant Boxset) - Region 1,2,3,4 - NTSC  TOP

2) Sony Pictures (Individual) - Region 1,2,3,4 - NTSC  MIDDLE

3 Criterion - Region 'A' / 'B' - Blu-ray BOTTOM

 

 


1) Sony Pictures (Cary Grant Boxset) - Region 1,2,3,4 - NTSC  TOP

2) Sony Pictures (Individual) - Region 1,2,3,4 - NTSC  MIDDLE

3 Criterion - Region 'A' / 'B' - Blu-ray BOTTOM

 

 


1) Sony Pictures (Cary Grant Boxset) - Region 1,2,3,4 - NTSC  TOP

2) Sony Pictures (Individual) - Region 1,2,3,4 - NTSC  MIDDLE

3 Criterion - Region 'A' / 'B' - Blu-ray BOTTOM

 


More full resolution (1920 X 1080) Blu-ray Captures for DVDBeaver Patreon Supporters HERE

 

 
Box Covers

  

  

Released on Blu-ray in the UK by Criterion on January 13th, 2010

Bonus Captures:

Distribution Sony Pictures - Region 1,2,3,4 - NTSC Sony Pictures - Region 1,2,3,4 - NTSC Criterion - Region 'A' / 'B' - Blu-ray


 


 

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