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Two Films by Kira Muratova [2 X Blu-ray]
 

Brief Encounters (1967)         The Long Farewell (1971)

 

 

Nobody made films like Kira Muratova. Uncompromising and uncategorizable, the Ukrainian iconoclast withstood decades of censorship to realize her singular vision in hypnotically beautiful, expressionistically heightened films that remain unique in their ability to evoke complex interior worlds. Her first two solo features, Brief Encounters and The Long Farewell, are fascinatingly fragmented portraits of women navigating work, romance, and family life with a mix of deep yearning and playful pragmatism. Long suppressed by Soviet authorities, these films became legendary—along with their maker—and they now make for a revelatory introduction to this most fearlessly original of artists.

***

Brief Encounters
Kira Muratova’s first solo feature already displays her sui generis approach to cinema, in an impressionistic portrait of women at work and in love. Through an intricate play of flashbacks and shifting perspectives, Brief Encounters reveals the tangled romantic triangle that connects a hard-nosed city planner (played by Muratova herself), her free-spirited geologist husband (legendary Soviet protest singer Vladimir Vysotskiy), and the young woman from the countryside (Nina Ruslanova) whom she hires as her housekeeper. Blending observational realism with striking New Wave–style experimentation, Muratova crafts a wryly perceptive study of two very different women bound by chance and each navigating her own career, dreams, and disappointments.

The Long Farewell
With its daring formalist freedom, Kira Muratova’s pointillist family portrait so perplexed and unnerved Soviet censors that it effectively halted her career for years afterward. A kind of psychological breakup movie, The Long Farewell traces the growing rift that develops between an emotionally impulsive single mother (stage legend Zinaida Sharko, transcendent in one of her first film roles) and her increasingly resentful teenage son (Oleg Vladimirsky), who upends her world when he announces that he wishes to live with his faraway father. The seemingly simple premise is rendered anything but by Muratova’s dreamy, drifting style, with off-kilter framing, editing, and dialogue continually pushing cinema’s aesthetic and expressive boundaries outward.

Posters

Theatrical Release: December 13th, 1967 - August 1st, 1971

Reviews                        More Reviews                     DVD Reviews

 

Review: Criterion - Region 'A' - Blu-ray

Box Cover

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Bonus Captures:

Distribution Criterion Spine #1229 - Region 'A' - Blu-ray
Runtime

Brief Encounters (1967): 1:36:21.901

The Long Farewell (1971): 1:34:35.544    

Video

Brief Encounters (1967):

1.37:1 1080P Dual-layered Blu-ray

Disc Size: 42,467,057,885 bytes

Feature: 29,134,313,472 bytes

Video Bitrate: 36.17 Mbps

Codec: MPEG-4 AVC Video

The Long Farewell (1971):

1.37:1 1080P Dual-layered Blu-ray

Disc Size: 41,097,158,045 bytes

Feature: 28,562,319,360 bytes

Video Bitrate: 36.12 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate Brief Encounters (1967) Blu-ray:

Bitrate The Long Farewell (1971) Blu-ray:

Audio

LPCM Audio Russian 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit

Subtitles English, None
Features Release Information:
Studio:
Criterion

 

Edition Details:

Interviews with scholars Elena Gorfinkel (25:29) and Isabel Jacobs (14:50 / 15:45)
Archival interview with director Kira Muratova (5:11)
PLUS: An essay by film critic Jessica Kiang


Blu-ray Release Date:
August 13th, 2024
Transparent Blu-ray Case

Chapters 14 / 15

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Criterion Blu-ray (August 2024): Criterion have transferred 'Two Films by Kira Muratova; Brief Encounters (1967) and The Long Farewell (1971) to Blu-ray. They are cited as being from "New 4K digital restorations". Both films are in the 1.37:1 aspect ratio and transferred to individual dual-layered Blu-rays with max'ed out bitrates. Both look very similar with excellent contrast, very clean (no speckles) and looked impressive in the HD presnetations.  

NOTE: We have added 74 more large resolution Blu-ray captures (in lossless PNG format) for DVDBeaver Patrons HERE

On their Blu-ray, Criterion use linear PCM mono tracks (24-bit) in the original Russian language. Both films are fairly passive in terms of violent content only reaching a head with heated arguments. Both also have music by Soviet and Russian composer Oleg Karavaychuk (Soldaty, The Dark Night.) Karavaychuk collaborated with Sergei Parajanov (Shadows of Forgotten Ancestors / The Color of Pomegranates,) and other in the with the avant-garde, like Sergey Kuryokhin. The scores are a representation of their roots and era and compliment the films effectively. . Criterion offer optional English subtitles on their Region 'A' Blu-ray.

The Criterion Blu-rays include a 26-minute interview with scholar Elena Gorfinkel (author of Lewd Looks: American Sexploitation Cinema in the 1960s.) She talks about Kira Muratova and how her life was effected by World War II and much more. There are two separate interviews, about each film, with Isabel Jacobs who specializes in Russian, German and French philosophy. They run over 1/2 hour in total and discuss Muratova's background (Kingdom of born in Romania, now Moldova to a Jewish Mother, Russian Father) and she provides an excellent background for the films. Included is an archival, 5-minute, interview with director Kira Muratova who passed in 2018. The package has liner notes with an essay by Berlin-based freelance film critic and programmer Jessica Kiang.

Kira Muratova's debut feature film, Brief Encounters, was banned by Soviet censors for 20 years before getting an official premiere during the increased government transparency in the USSR (glasnost) and her The Long Farewell, completed in 1971, was shelved for 16 years later till perestroika (political reform movement within the Communist Party of the Soviet Union.) Muratova's films came under constant criticism of the Soviet officials due to her idiosyncratic film language that lacked complying with the norms of socialist realism - the official cultural doctrine of the Soviet Union. Aside from Aleksandr Sokurov (Russian Ark, Mother and Son), Muratova was considered the most idiosyncratic contemporary Russian-language film director. The Criterion 'Two Films by Kira Muratova' Blu-ray package has two Russian dramas with romance, humor, happenstance, jealousy, alienation, etc. from a fascinating and unconventional director. I'm so pleased to have seen these films and hope more of her more unusual stylistic work will be coming to Blu-ray soon. Certainly recommended.

Gary Tooze

 


Menus / Extras

 


CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION

 

Brief Encounters (1967)

 

 


 

 


 

 


 

 


 

 


The Long Farewell (1971)

 

 


 

 


 

 


 

 

More full resolution (1920 X 1080) Blu-ray Captures for DVDBeaver Patreon Supporters HERE

 

Brief Encounters (1967)

 

The Long Farewell (1971)

 

 
Box Cover

CLICK to order from:

  

Bonus Captures:

Distribution Criterion Spine #1229 - Region 'A' - Blu-ray


 


 

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