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S E A R C H D V D B e a v e r |
directed
by Frank Tuttle
U.S.A. 1942
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Outstanding film noir, based on Graham Greene's novel A Gun For Sale, which presents one of the most disturbed (and disturbing) killers ever to cross the screen. Ladd is scary because he doesn't care; he is simply a killing machine hired out by whoever will pay. Only when Lake takes the time to break through the emotional fortress that he has built around himself does Ladd show any signs of humanity.
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Posters
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Theatrical Release: 13 May 1942
Reviews More Reviews DVD Reviews
DVD Comparison:
Universal Studios - Region 1 - NTSC vs. Universal Pictures (UK) - Region 2, 4 - PAL
Big thanks to Gregory Meshman for the NTSC screen captures!
(Universal Studios - Region 1 - NTSC LEFT vs. Universal Pictures (UK) - Region 2, 4 - PAL RIGHT)
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| Distribution |
Universal Studios Region 1 - NTSC |
Universal Picture (UK) Region 2, 4 - PAL |
| Runtime | 1:21:12 | 1:17:57 (4% PAL speedup) |
| Video |
1.33:1
Original Aspect Ratio |
1.33:1
Aspect Ratio Average Bitrate: 6.3 mb/s PAL 720x576 25.00 f/s |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate: NTSC
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Bitrate: PAL
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| Audio | English Dolby Digital 2.0 Mono | English Dolby Digital 2.0 Mono |
| Subtitles | English, Spanish, French, none | English, none |
| Features |
Release Information: Studio: Universal Studios Aspect Ratio:
Edition Details: Chapters 18 |
Release Information: Studio: Universal Studios Aspect Ratio:
Edition Details: Transparent Keep case Chapters 16 |
| Comments |
The picture quality is
almost exactly the same. I see no appreciable differences. Both are
single-layered and progressive. Actually it looks quite strong and is possibly the best
of the transfers of
the Noir Films crop from Universal
back in 2004.
Contrast looks good and there is film grain peeking through.
One bugaboo is the UK case states a 2:1 anamorphic transfer (wrong!) The PAL is region 2 + 4 and both offer English subtitles. There are no extras which seems quite unjust. This is not only a staple of Noir but it may have the best opening characterization scene in all of the 'black style'. The electricity between Ladd and Lake is so thick you hardly even notice Preston (2nd billing) is in the film. Let's see this in an SE with Muller commentary! - Gary W. Tooze |
Recommended Reading in Film Noir (CLICK COVERS or TITLES for more information)
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Film Noir: An Encyclopedia Reference to the American
Style by Alain Silver, Elizabeth Ward |
Somewhere in the Night: Film Noir and the American City by Nicholas Christopher |
Film Noir Reader 4 : The Crucial Films and Themes
(Film Noir Reader) by Alain Silver |
The Art of Noir: The Posters and Graphics from the
Classic Era of Film Noir by Eddie Muller |
The Little Black and White Book of Film Noir:
Quotations from Films of the 40's and 50's by Peg Thompson, Saeko Usukawa |
Film Noir by Alain Silver |
Detours and Lost Highways: A Map of Neo-Noir by Foster Hirsch |
More Than Night: Film Noir in Its Contexts by James Naremore |
(Universal Studios - Region 1 - NTSC LEFT vs. Universal Pictures (UK) - Region 2, 4 - PAL RIGHT)
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Screen Captures
(Universal Studios - Region 1 - NTSC TOP vs. Universal Pictures (UK) - Region 2, 4 - PAL BOTTOM)
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(Universal Studios - Region 1 - NTSC TOP vs. Universal Pictures (UK) - Region 2, 4 - PAL BOTTOM)
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(Universal Studios - Region 1 - NTSC TOP vs. Universal Pictures (UK) - Region 2, 4 - PAL BOTTOM)
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| DVD Box Cover |
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| Distribution |
Universal Studios Region 1 - NTSC |
Universal Picture (UK) Region 2, 4 - PAL |
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Gary Tooze |
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