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Shadows, Lies, and Private Eyes - The Film Noir Collection, Vol. 1
directed by John Huston, Joseph H. Lewis, Edward Dmytryk, Jacques Tourneur and Robert Wise
USA 1944 -
1950
The Asphalt
Jungle Gun Crazy
Murder My Sweet Out of the
Past The Set-Up
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DVD Review: Warner Home Video Boxset - Region 1 - NTSC
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| Distribution | Warner - Region 1 - NTSC |
| Audio | English (Dolby Digital 2.0 Mono) |
| Subtitles | English, Spanish, French, None |
| Features |
Release Information: Studio: Warner Home Video
Aspect
Ratio: Edition Details: |
| Comments: |
Each individual release here is strong with good transfers, original
mono audio and all have commentaries. The jewel in the crown might be
considered to be
The Asphalt Jungle, both in
terms of film and image quality which runs only a small notch behind a
Criterion release (ex. "The
Killers"). Although all films in the boxset have something
worthy to offer. Super contrast, sharp, tight and solid black levels.
Next for quality, I would say
Out of the Past
is another strong example of a well-done transfer, particularly the
shadow detail. Gun Crazy (another excellent
film) and The Set-up are a less sharp, but
quite acceptable. They can tend to look inferior by direct comparison.
Murder My Sweet is another fine transfer
with film grain showing through and solid contrast. The menus are all
wonderful, capturing the graphic portrayal of many of the film posters
of the era. The menus are unanimated if that is of importance to you.
Audio is original and I heard no crackles or fluctuations. It seemed
quite consistent and clear. I listened only briefly to some of the
commentaries but intend on immersing myself contently in the near
future. Being picky, I suppose we could have requested further extras
although lets remember that often being labeled as "B" pictures (not
all) the appeal is extremely genre-specific (atmosphere) and hence there
is often nothing more available from that period. The Huston
introduction ( for The Asphalt Jungle
) is an
exception proving the rule. Warner has come through very well here
and as this is Volume 1, we are left with baited breath for Volume 2
etc. I expect they will keep the same standard. Great job Warner !
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Recommended Reading in Film Noir (CLICK COVERS or TITLES for more information)
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Film Noir: An Encyclopedia Reference to the American
Style by Alain Silver, Elizabeth Ward |
The Dark Side of the Screen: Film Noir by Foster Hirsch |
Somewhere in the Night: Film Noir and the American City by Nicholas Christopher |
Film Noir Reader 4 : The Crucial Films and Themes
(Film Noir Reader) by Alain Silver |
The Art of Noir: The Posters and Graphics from the
Classic Era of Film Noir by Eddie Muller |
The Little Black and White Book of Film Noir:
Quotations from Films of the 40's and 50's by Peg Thompson, Saeko Usukawa |
Detours and Lost Highways: A Map of Neo-Noir by Foster Hirsch |
More Than Night: Film Noir in Its Contexts by James Naremore |
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directed by John Huston
USA 1950
Theatrical Release: May 23rd, 1950 - USA
'Doc' Riedenschneider (Sam Jaffe) is a legendary crime 'mastermind'. He has just been released from prison. He has a new scheme for a million-dollar burglary. He enlists safecracker Louis (Anthony Caruso), reinforcer Dix Handley (Sterling Hayden), experienced driver Gus (recognize James Whitmore) and financial backing by Emmerich (Louis Calhern). Staffing is a problem for legitimate business as well as the nefarious types and a smooth heist becomes fraught with an accumulation of errors that spiral out of control. What the viewer sees is a masterpiece of the "noir" genre with subtle reference to a disaffected urban underground community.
Posters
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Cover and Individual purchase link |
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| Runtime | 1:52:04 |
| Video |
1.33:1
Aspect Ratio Chapters : 32 |
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Bitrate:
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Screen Captures
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directed by Joseph H. Lewis
USA 1949
(aka "Deadly is the Female")
Theatrical Release: December 1st, 1949 - USA
Even as a child, Bart Tare (John Dall) always loved firearms. After a brief stint in the military, his friends take him to a carnival, where he spies his perfect girl, Annie (Peggy Cummins). She is a sharp-shooter (of course) who similarly loves guns. It seems a coupling made in heaven until Annie becomes disenchanted with the lack of money. Like Bonnie and Clyde they begin traveling across the country supporting themselves with armed robberies. Annie shows her true colors and Bart is trapped; divided by his love and his morals. Often described as "Lovers-on-the-lam story formulated into a poetic American tragedy". This is a another prime example of classic 'noir' and has themes running much deeper than most in the genre. Some might recognize Russ Tamblyn (West Side Story) as the young Bart.
Posters
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Cover and Individual purchase link |
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| Runtime | 1:27:00 |
| Video |
1.33:1
Aspect Ratio Chapters : 25 |
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Bitrate:
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Screen Captures
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directed by Edward Dmytryk
USA 1944
(aka "Farewell My Lovely" )
Theatrical Release: 18 December 1944 (Minneapolis, Minnesota)
Adapted from the Raymond Chandler novel 'Farewell, My Lovely', was renamed for the American market (assuming filmgoers might mistake it for the musical also starring singer Dick Powell). Private eye Philip Marlowe (Powell) is hired by Moose Malloy (Mike Mizurki). Moose has just been 'up the river' and is now seeking his former girlfriend, Velma, who has not been seen since his 7 year stint in prison. What Marlowe finds is that each lead he follows up confuses the case further and lies compound lies with an eventual discovery of larcenous activity including bribery, perjury and theft. Director Dymtryk with a low budget did a remarkable job in transferring the book to the screen. Powell would seem an odd-ball choice but it all seems to work in the end.
Posters
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Cover and Individual purchase link |
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| Runtime | 1:35:18 |
| Video |
1.33:1
Aspect Ratio Chapters : 25 |
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Bitrate:
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Screen Captures
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USA 1947
Theatrical Release: November 13th, 1947
Jeff Bailey (Robert Mitchum), seems to be an
average non-consequential, small-town type with a Joe-job, but his
mysterious past is soon revealed prior to a meeting with nefarious gambler
Whit Sterling (young Kirk Douglas). En route he details to his girlfriend the
story, seen to us as an intriguing flashback.
In a previous existence, Jeff was a private detective hired by Sterling to find his mistress
Kathie (Jane Greer). She had shot Whit stealing his $40,000 in the process. He traced
her to Acapulco and falls for her big-time. Whit's rendezvous is an obvious
trap. Mitchum is subtle and touching as lover ala tough guy. Director Tourneur
is the master of turning something from nothing. Pure 'noir' at its best.
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Posters
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Cover and Individual purchase link |
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CLICK logo to order
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| Runtime | 1:36:36 |
| Video |
1.33:1
Aspect Ratio Chapters : 27 |
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Bitrate:
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Screen Captures
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directed by Robert Wise
USA 1949
Theatrical Release: 29 March 1949 (New York City, New York)
Past-his-prime boxer, Bill 'Stoker' Thompson (Robert Ryan), is sure he can still win, although his beautiful wife Julie (Audrey Totter - hubba hubba) begs with him to hang up the gloves. His pragmatic manager Tiny (George Tobias) is sure he will lose his last match so he takes money for a "dive" from a tough gambler, Little Boy (Alan Baxter), but doesn't feel its necessary to tell Stoker. Suspense builds when Stoker is coming on in the fight hoping to beat Tiger Nelson (Hal Baylor). But what will happen to him and Tiny should he win? Director Robert Wise shows himself as one of Hollywood's most versatile and talented directors (West Side Story to Star Trek). Much comes alive with this film including the delusion of youthful dreams which can shatter in an instant.
Posters
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| Cover and Individual purchase link |
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CLICK logo to order
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| Runtime | 1:12:24 |
| Video |
1.33:1
Aspect Ratio Chapters : 20 |
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Bitrate:
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Screen Captures
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| Distribution | Warner - Region 1 - NTSC |
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Gary Tooze
Mississauga, Ontario, CANADA |
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Many Thanks...