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Directed by Peter Glenville
UK 1955

 

Banned from the Cannes and Venice Films Festivals for being anti-Communist and excoriated elsewhere as pro-Soviet propaganda, Peter Glenville's The Prisoner stoked controversy at the time of its original release and remains a complex, challenging and multifaceted exploration of faith and power.

In an unnamed Eastern European capital, an iron-willed Cardinal (Academy Award®-winner Alec Guinness, The Ladykillers) is arrested by state police on charges of treason. Tasked with securing a confession from him by any means necessary is a former comrade-in-arms from the anti-Nazi resistance (Jack Hawkins, The Bridge on the River Kwai). Knowing the Cardinal will never fold under physical torture, the Interrogator instead sets out to destroy him mentally, breaking his spirit rather than his body.

Adapted by acclaimed playwright Bridget Boland (Gaslight) from her own stage-play and showcasing powerhouse performances by two actors at the height of their game, The Prisoner is a tense, thought-provoking and disturbing drama about the endurance of the human spirit.

***

British theatrical director Peter Glenville made his film directorial debut with 1955's The Prisoner (Glenville had previous helmed the London stage production of this Bridget Boland play). The film is based on the real-life travails of Hungarian Cardinal Mindszenty, who after suffering under Nazi persecution was imprisoned by the new Communist regime for remaining loyal to his religious convictions. Alec Guinness, his head shaved, plays an unnamed Cardinal in an unspecified Eastern European country who is clapped into jail. Here he is ordered by the politicos to issue a phony statement to his flock, one that will effectively end Catholicism in his country. Jack Hawkins plays the diabolically clever "Interrogator," who is almost successful in convincing Guinness that his false statement will have a beneficial effect. The Prisoner fared better in its American release than it did in Europe, where it was branded both "pro-Communist" and "anti-Communist" by various single-issue pressure groups.

Excerpt from B+N located HERE

Posters

Theatrical Release: April 15th, 1955

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Review: Arrow - Region FREE - Blu-ray

Box Cover

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Distribution Arrow - Region FREE - Blu-ray
Runtime 1:33:46.662        
Video

1.85:1 1080P Dual-layered Blu-ray

Disc Size: 39,724,790,577 bytes

Feature: 28,075,709,952 bytes

Video Bitrate: 35.79 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate Blu-ray:

Audio

LPCM Audio English 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit

Subtitles English (SDH), None
Features Release Information:
Studio:
Arrow

 

1.85:1 1080P Dual-layered Blu-ray

Disc Size: 39,724,790,577 bytes

Feature: 28,075,709,952 bytes

Video Bitrate: 35.79 Mbps

Codec: MPEG-4 AVC Video

 

Edition Details:

Interrogating Guinness, a new video appreciation of the film by author and academic Neil Sinyard (23:49)
Select scene commentary by author and critic Philip Kemp (15:02)
Reversible sleeve featuring original and newly commissioned artwork by Peter Strain
FIRST PRESSING ONLY: Illustrated collector s booklet featuring new writing on the film by Mark Cunliffe


Blu-ray Release Date:
March 11th, 2019
Transparent Blu-ray Case

Chapters 13

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

Arrow present Peter Glenville's 1955 "The Prisoner" on a dual-layered Blu-ray with a maxed out bitrate. The film (starring Alec Guinness and Jack Hawkins) looks a little waxy and ill-defined in the opening (and closing) shots, but is mostly much clearer, showing better detail. There are moments of damage, with usually white blips or tiny scratches, which do not make much of an impression on the viewing experience, save for a few moments where it is distracting. The film's grain is somewhat thick throughout, giving the image a rather heavy film-like texture. The picture does seem a little on the light side of the spectrum when it comes to contrast, though there is a fair amount of variation within the grays and blacks. Not reference quality here, but nothing to be upset over.

Arrow have transferred the audio in the film's original mono via an uncompressed 24-bit linear PCM track. The music is thanks to Benjamin Frankel
(notable for composing the music for the British version of Night and the City, plus some Noirish titles like Libel and Mine Own Executioner, The Man Who Watched Trains Go By, Footprints in the Fog as well as The Iron Petticoat and The Importance of Being Earnest) and underlines the various dialogue, which is clear and audible, since this is an adaptation of a stage-play, this is key. There are optional English SDH subtitles on this Region Free Blu-ray.


Arrow have included 2 brief yet thorough special features that are available via the disc's menu. The first is a typically incisive piece from author and academic, Neil Sinyard, entitled "Interrogating Guinness". The author spends 24-minutes discussing the film and its star. Following this is 15-minutes of select scene commentary with author and critic Philip Kemp. Kemp selected these scenes as he found them the most intriguing to discuss, his astute observations make one wish that he could give a feature-length commentary. There is a reversible sleeve featuring original and newly commissioned artwork by Peter Strain and the first pressing contains an illustrated collector's booklet featuring new writing on the film by Mark Cunliffe.

The Prisoner is a suspenseful adaptation of Bridget Boland's stage-play. The film was faced tons of controversy and was even banned from the Cannes and Venice Films Festivals for being anti-Communist. Though much tamer by today's standards, the film still packs a hell of a punch and features one of Guinness' best performances. As Philip Kemp notes in his brief commentary, the film is often derided as being "too stagy" or "too theatrical", which is funny since this is an adaptation of a stage-play. The performance by Guinness in particular stands out for all the things he is capable of with his expressions, beyond words, something that would be sorely missing from the stage. Thankfully Arrow have released this picture on
Blu-ray, and I would recommend this to any fans of Sir Alec Guinness.

Colin Zavitz

 


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