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S E A R C H D V D B e a v e r |
(aka "The Nun")
Directed by Jacques Rivette
France 1966
Jacques Rivette’s THE NUN (1965), initially banned in France, can now be seen in all its revolutionary glory. Adapted from Denis Diderot’s novel, it follows a rebellious nun (played by an incandescent Anna Karina) who is forced into taking her vows. Initially shunted into a restrictive, torturous convent, she eventually moves on to a more liberated one, where she becomes an object of Mother Superior’s (Liselotte Pulver) obsession. Banned for over a year by the French Minister of Information, and not released in the United States until 1971, it slowly became a landmark of the French New Wave, and with this stunning restoration, should also become an object of worship. *** This critically acclaimed moral drama is taken from a book written in 1760 by Denis Diderot. Suzanne (Anna Karina) is an intelligent, freedom-loving woman who is forced into a convent against her will. The fact that she was sired by a man who is not her mother's husband -- and that a suitable dowry cannot be paid for her -- bring her to the church. Suzanne endures continual harassment from one Mother Superior (Micheline Presle). Transferred to a different convent, she becomes subject to lesbian leanings from another Mother Superior (Liselotte Pulver), who flees with a priest (Francisco Rabal) who says he too was forced into a life of religion. The controversial subject matter caused the feature to be banned for two years, despite assurances to director Jacques Rivette by censors. The subsequent ban helped the film (shown at the Cannes Film Festival in 1966) gain more recognition. Rivette's cynical references to Catholicism as the ultimate theater enraged the Catholic Film Office, the agency that spearheaded the opposition to the film. Excerpt from B+N located HERE |
Posters
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Theatrical Release: May 6th, 1966 (Cannes Film Festival)
Reviews More Reviews DVD Reviews
Review: Kino - Region 'A' - Blu-ray
Box Cover |
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CLICK to order from: |
Distribution | Kino - Region 'A' - Blu-ray | |
Runtime | 2:20:50.275 | |
Video |
1.85 :1 1080P Dual-layered Blu-rayDisc Size: 47,531,421,698 bytesFeature: 42,930,536,448 bytes Video Bitrate: 34.99 MbpsCodec: MPEG-4 AVC Video |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate Blu-ray: |
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Audio |
DTS-HD Master
Audio French 1795 kbps 2.0 / 48 kHz / 1795 kbps / 24-bit (DTS Core: 2.0 / 48
kHz / 1509 kbps / 24-bit) DTS-HD Master Audio English 1558 kbps 2.0 / 48 kHz / 1558 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit) |
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Subtitles | English, None | |
Features |
Release Information: Studio: Kino
1.85 :1 1080P Dual-layered Blu-rayDisc Size: 47,531,421,698 bytesFeature: 42,930,536,448 bytes Video Bitrate: 34.99 MbpsCodec: MPEG-4 AVC Video
Edition Details: • Audio commentary by film critic Nick Pinkerton• Booklet essay by Dennis Lim, director of programming at the Film Society of Lincoln Center • "Suzanne Simonin, La Scandaleuse", a new making-of documentary (29:16 minutes) • Trailer (01:32) • La Prisonniere trailer (04:02)
Standard Blu-ray Case i Chapters 10 |
Comments: |
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
Ritrovat'ed!
Jacques Rivette’s 1966 film "The Nun" (aka "La
religieuse") arrives on
Blu-ray
thanks to Kino Lorber, under their Kino Classics sub-label. This is a 4K
restoration from the original lm negative. The
Blu-ray
is dual-layered, and the 1.85:1 1080p image has a maxed out bitrate. The
booklet contains these notes on the restoration:
This Ritrovata restoration is very reminiscent of their recent offerings
(The
Tree Of Wooden Clogs,
The Color of Pomegranates,
Death in Venice) in that the film has quite a heavy green cast to most of the dimly-lit
scenes (with the white parts of the habits looking greenish-blue). After
some time passed, this palette seemed less intrusive but is still prominent
- see the screen captures below. The teal-leaning hue does briefly disappear during a scene outside in the sunshine. To be fair, I have no idea
if this palette is faithful to the original theatrical presentation, and I
should restate the endorsement of Ms. Veronique Manniez-Rivette. The back of the
Blu-ray
package has photos of scenes from the film that have none of this
greenish-blue-gray look at all. Strange. The film has a soft look to the
image, with appropriate amounts of grain. |
Menus / Extras
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION