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(aka "Forår for Hitler" or "Springtime for Hitler (working title)")
directed by Mel Brooks
USA 1968
Winner of the 1969 Academy Award and WGA for best
screenplay, Mel Brook’s “The Producers” is one of the most insanely funny
films ever made. Anarchic, rebellious and hysterically in any way possible,
it tells the story of perhaps the most greedy and self-centred producer
ever, Max Bialystock, who has no morals and who will sell out on everything,
and his grey sidekick, Leo Bloom, and how one of the most stupid schemes for
making a quick buck turned into the biggest failure (read: success) in
history.
Inspired by a real life producer Brooks knew, Bialystock, is a has-been, who
now makes a living making naïve old women give him checks for plays who
flop. By accident the accountant Bloom realises a scheme, by which one can
make, potentially, a million by producing a flop. Thus Bialystock makes the
plan of producing the worst play ever and then to go to Rio.
First they find the worst play ever written, which happens to be “Springtime
for Hitler”, a musical written by a paranoid Nazi, then in order to raise a
million dollars, he first of all sells 40,000% of the play, after which they
hire the worst director ever (“his plays usually close on the first day of
rehearsal”) to direct and finally hires a washed-out hippie with no talent
what-so-ever to play Hitler.
It is a masterpiece in so many aspects, that one can go on and on. First
there is the story, which has no equal, then there is the dialogue, where
basically each line spoken in the film now is a classic, the most classic,
in my opinion, the most exuberant declaration of greed and desire ever: “I
WANT EVERYTHING I’VE EVER SEEN IN THE MOVIES.”
Then there are the in-jokes, then there is the powerhouse performance by
Zero Mostel, then there is the characters, who perhaps are the most
outrageous characters ever to hit the screen: The dumb oversexed Swedish
blond secretary, the paranoid Nazi playwright, the horny old ladies, the
transvestite director, his ohh-so-gay assistant and of course L.S.D. As I
said, one can go on and on.
Leonard Maltin notes, that this is one of the few movies, that becomes
funnier the more times you watch it. So true. As one of the few films I’ve
seen more than fifty times, this is a film that just never ceases to make
one break out in laughter. A triumph of comedy. A masterpiece.
Posters
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Theatrical Release: March 18, 1968 (New York)
Reviews More Reviews DVD Reviews
DVD Comparison:
MGM (Special Edition (16x9)) - Region 1 - NTSC vs. Momentum Pictures (Special Edition) - Region 2 - PAL vs. MGM (Special Edition (Fullscreen)) - Region 1 - NTSC
Big thanks to Henrik Sylow and Mathias Nielsen for the Screen Caps!
(MGM (Special Edition (16x9)) - Region 1 - NTSC - LEFT vs. Momentum Pictures (Special Edition) - Region 2 - PAL - MIDDLE vs. MGM (Special Edition (Fullscreen)) - Region 1 - NTSC - RIGHT)
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| Distribution |
MGM Region 1 - NTSC |
Momentum Pictures Region 2 - PAL |
MGM Region 1 - NTSC |
| Runtime | 1:29:32 | 1:25:45 (4% PAL speedup) | 1:29:40 |
| Video |
1.85:1 Original Aspect Ratio
16X9 enhanced |
1:85:1 Original Aspect Ratio
16X9 enhanced |
1.33:1 Aspect Ratio |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate:
MGM (Special Edition (16x9)) |
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Bitrate:
Momentum Pictures (Special Edition) |
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Bitrate:
MGM (Special Edition (Fullscreen) |
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| Audio | 2.0 Dolby Digital Mono English, 5.1 Dolby Digital English |
5.1 Dolby Digital English |
2.0 Dolby Digital Mono English, 5.1 Dolby Digital English |
| Subtitles | English, French, Spanish, None | English for the hearing impaired | English, French, Spanish, None |
| Features |
Release Information: Studio: MGM Aspect Ratio:
Edition Details: Chapters 28 |
Release Information: Studio: Momentum Pictures Aspect Ratio:
Edition Details:
DVD
Release Date: October 25, 2004 Chapters 28 |
Release Information: Studio: MGM Aspect Ratio:
Edition Details:
DVD
Release Date: August 8, 2003 Chapters 28 |
| Comments | It
doesn't look like the sources are the same. The R2 image is in some
scenes slightly cropped vs. the R1 image (approx 2,5% top and 2% right),
and in other scenes display more image right and bottom. I can only
assume, that its two different sources and two different widescreen
scans. The R2 image also has received a more than healthy dose of light, colour and contrast, very visible in captures #3 and 6. In addition to the OAR of 1.85:1, the R1 has a open matte version. Where the R2 is a 2-disc, the R1 is something as a DVD-18, a flipper, with the two versions of the film (open matte and theatrical widescreen) on side A and additional material on side B. |

DVD Menus
(MGM (Special Edition (16x9)) - Region 1
- NTSC - LEFT vs. Momentum Pictures (Special Edition) - Region 2 -
PAL - MIDDLE vs. MGM (Special Edition (Fullscreen)) - Region 1 - NTSC
- RIGHT)
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Screen Captures
(MGM
(Special Edition (16x9)) - Region 1 - NTSC - TOP vs. Momentum
Pictures (Special Edition) - Region 2 - PAL - MIDDLE vs. MGM (Special
Edition (Fullscreen)) - Region 1 - NTSC - BOTTOM)
Subtitle sample (English
subtitles only) - Native resolution 720px
16x9 resized from 960px
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(MGM (Special Edition (16x9)) - Region 1 - NTSC - TOP vs. Momentum Pictures (Special Edition) - Region 2 - PAL - MIDDLE vs. MGM (Special Edition (Fullscreen)) - Region 1 - NTSC - BOTTOM)
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(MGM (Special Edition (16x9)) - Region 1 - NTSC - TOP vs. Momentum Pictures (Special Edition) - Region 2 - PAL - MIDDLE vs. MGM (Special Edition (Fullscreen)) - Region 1 - NTSC - BOTTOM)
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(MGM (Special Edition (16x9)) - Region 1 - NTSC - TOP vs. Momentum Pictures (Special Edition) - Region 2 - PAL - MIDDLE vs. MGM (Special Edition (Fullscreen)) - Region 1 - NTSC - BOTTOM)
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(MGM (Special Edition (16x9)) - Region 1 - NTSC - TOP vs. Momentum Pictures (Special Edition) - Region 2 - PAL - MIDDLE vs. MGM (Special Edition (Fullscreen)) - Region 1 - NTSC - BOTTOM)
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(MGM (Special Edition (16x9)) - Region 1 - NTSC - TOP vs. Momentum Pictures (Special Edition) - Region 2 - PAL - MIDDLE vs. MGM (Special Edition (Fullscreen)) - Region 1 - NTSC - BOTTOM)
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(MGM (Special Edition (16x9)) - Region 1 - NTSC - TOP vs. Momentum Pictures (Special Edition) - Region 2 - PAL - MIDDLE vs. MGM (Special Edition (Fullscreen)) - Region 1 - NTSC - BOTTOM)
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Gary Tooze
Mississauga, Ontario, CANADA |
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