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S E A R C H D V D B e a v e r |
(aka "The Smuggler" or "The Naples Connections")
directed
by Lucio Fulci
Italy 1980
Fulci's Contraband is reviewed on Blu-ray HERE
The flick opens
with a botched smuggling operation which leads to a boat chase
between Luka's smuggling cronies and a somewhat disinterested police
force. Using the old "Exploding Boat Filled with Rubber Dummies"
gag, Luka escapes to smuggle another day. But all is not well in the smuggling underworld. Sure, cigarettes are great, but why not smuggle something with a little more street value? Why risk it all for some packs of smokes? That seems to be the message from The Margliese (Marcel Bozzuffi), a shadowy underworld figure applying pressure to the heads of the various crime families. When "pressure" fails, The Margliese starts offing the various crime family heads (and some family members) in graphic fashion, which is where Fulci shines - and the flick perks up. For violence buffs there's an uncomfortable sequence where a chick gets her head set on fire for trying to pass bad drugs, which is right up there with the GATES OF HELL drill-to-the-skull scene on the Itchy-Skitchy Meter. It's up to the principled smugglers to strike back once the villainous drug pushers kidnap Luka's wife. The body count rises, double crosses ensue, surprise revelations are, um, revealed and Fulci paints the screen red and juicy in the gory finale. Occasionally confusing and fairly entertaining, CONTRABAND is a decent thriller with enough action and gore from the master to keep viewers interested. |
Poster
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Theatrical Release: 8 August 1980 - Italy
Reviews More Reviews DVD Reviews
Recommended Books on Italian Cinema (CLICK COVERS or TITLES for more information)
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Italian Cinema: From Neorealism to the Present by Peter E. Bondanella |
Fellini on Fellini by Federico Fellini, Isabel Quigley |
Italian Film (National Film Traditions) by Marcia Landy, David Desser |
Italian Movie Goddesses: Over 80 of the Greatest
Women in Italian Cinema by Stefano Masi, Enrico Lancia |
Italian Cinema by Maggie Gunsberg |
I, Fellini by Charlotte Chandler, Billy Wilder |
Vittorio De Sica: Director, Actor, Screenwriter by Bert Cardullo |
DVD Comparison:
Blue Underground - Region 0 - NTSC vs. Italian Shock - Region 0 - PAL
Big thanks to Ole Kofoed for all the Screen Caps!
(Blue Underground - Region 0 - NTSC - LEFT vs. Italian Shock - Region 0 - PAL - RIGHT)
DVD Box Covers |
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Distribution |
Blue Underground Region 0 - NTSC |
Italian
Shock Region 0 - PAL |
Runtime | 1:36:42 | 1:31:48 (4% PAL speedup) |
Video |
1.83:1 Original Aspect Ratio
16X9 enhanced |
1.85:
1Original
Aspect Ratio |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes |
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Bitrate:
Blue Underground . |
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Bitrate:
Italian Shock
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Audio | English Dolby Digital 2.0 Mono |
English Dolby Digital 2.0 Mono |
Subtitles | None. | Dutch or None. |
Features | Release
Information: Studio: Blue Underground Aspect Ratio: Edition
Details: Chapters 23 |
Release
Information: Studio: Italian Shock Aspect Ratio: Edition
Details: DVD
Release Date: 2001 Chapters 12 |
Comments: |
Fulci's Contraband is reviewed on Blu-ray HERE I have never seen this movie theatrical or on other media than these 2 DVD's so my comments is only based on my impression watching these. The Italian Shock has the Italian opening credits which is in a horrible quality with lot of print damage, but when the credits is over the amounts of white speckles is reduced, still some but "acceptable". The Blue Underground has English opening credits and only few speckles trough the movie. While the Blue Underground has a higher resolution and is anamorphic it's more soft and poorly detailed than the old Italian Shock release, and it also seems that the brightness is turned up a bit so nighttime scenes is turned to daytime, on the other hand the Italian Shock looks a bit to dark. The green tint on the Blue Underground captures isn't quite as noticeable viewing on a TV.
A lot of DVD reviews has mentioned that the Italian Shock is cut, I have
simultaneously viewed the first hour of both releases and found 138 missing
frames (5-6 seconds) in 7 scenes compared to the Blue Underground, why this
I have no idea because the gore effect is the same, it's only extented
clips, for example 2 seconds where we see Murolo's face when he find his
wife dead. A "funny" thing is that the scene where Mickey has his
brain blown out is longer on the Blue Underground DVD but is missing 1 frame
compared to the Italian Shock (see last capture(s.) |
DVD Menus
(Blue Underground - Region 0 - NTSC - LEFT
vs. Italian Shock - Region 0 - PAL - RIGHT)
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Screen Captures
(Blue Underground - Region 0 - NTSC - TOP vs. Italian Shock - Region 0 - PAL - BOTTOM)
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(Blue Underground - Region 0 - NTSC - TOP vs. Italian Shock - Region 0 - PAL - BOTTOM)
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(Blue Underground - Region 0 - NTSC - TOP vs. Italian Shock - Region 0 - PAL - BOTTOM)
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(Blue Underground - Region 0 - NTSC - TOP vs. Italian Shock - Region 0 - PAL - BOTTOM)
NATIVE RESOLUTION
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(Blue Underground - Region 0 - NTSC - TOP vs. Italian Shock - Region 0 - PAL - BOTTOM)
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(Blue Underground - Region 0 - NTSC - TOP vs. Italian Shock - Region 0 - PAL - BOTTOM)
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(Blue Underground - Region 0 - NTSC - TOP vs. Italian Shock - Region 0 - PAL - BOTTOM)
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(Blue Underground - Region 0 - NTSC - TOP vs. Italian Shock - Region 0 - PAL - BOTTOM)
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(Blue Underground - Region 0 - NTSC - TOP vs. Italian Shock - Region 0 - PAL - BOTTOM)
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Report Card:
Image: |
Italian Shock |
Sound: |
Tie |
Extras: | Blue Underground |
Menu: | Blue Underground |
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Gary Tooze
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