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S E A R C H    D V D B e a v e r

(aka 'Wandafuru raifu' or 'After Life' or 'Afterlife' or 'Wonderful Life')

directed by Hirokazu Koreeda
Japan 1998

The international breakthrough by Hirokazu Kore-eda that asks, If you could choose only one memory to hold on to for eternity, what would it be?

If you could choose only one memory to hold on to for eternity, what would it be? That’s the question at the heart of Hirokazu Kore-eda’s revelatory international breakthrough, a bittersweet fantasia in which the recently deceased find themselves in a limbo realm where they must select a single cherished moment from their life to be recreated on film for them to take into the next world.

After Life’s high-concept premise is grounded in Kore-eda’s documentary-like approach to the material, which he shaped through interviews with hundreds of Japanese citizens.

What emerges is a panoramic vision of the human experience—its ephemeral joys and lingering regrets—and a quietly profound meditation on memory, our interconnectedness, and the amberlike power of cinema to freeze time.

***

The second feature from the maker of the exquisite Maborosi returns to the theme of the relationship between life and death, but reverses the perspective. It is set in a limbo that looks like a slightly shabby school, where counsellors help new arrivals choose their most precious memory which is then recreated on a film to accompany them to eternity. The movie is about how we look back and make sense of our lives. With a strong documentary feel (many of the cast are non-professionals evidently drawing on personal experience), the film succeeds partly as an amusing and richly affecting portrait of what constitutes happiness for a wide range of modern Japanese; it is also, in passing, a little tribute to the way cinema connects with our dreams. Most poignantly, however, as it charts a revelatory encounter between a counsellor and one of his charges, it offers a subtle tribute to the healing power of love.

Excerpt from TimeOut Film Guide located HERE

Posters

Theatrical Release: September 11th, 1998 - Toronto Film Festival

Reviews                              More Reviews                           DVD Reviews

Comparison:

New Yorker - Region 1 - NTSC vs. Bandai - Region 2 - NTSC vs. Criterion - Region 'A' - Blu-ray

Big thanks to Trond Trondsen of Masters of Cinema.org for the Bandai DVD Screen Caps!

Box Covers

 

BFI came out with a Blu-ray in the UK in 2020:

BONUS CAPTURES:

Distribution

New Yorker

Region 1  - NTSC

Bandai (Japan)
Region 2 - NTSC
Criterion Spine #1089 - Region 'A' - Blu-ray
Runtime 1:58:28 1:58:40 1:59:17.066
Video

1.53:1 Cropped
Average Bitrate:4.68 mb/s
NTSC 704x480 29.97 f/s

1.66:1 Original Aspect Ratio

16X9 enhanced
Average Bitrate: 6.63
PAL 720x576 25.00 f/s

1.66:1 1080P Dual-layered Blu-ray

Disc Size: 47,703,394,628 bytes

Feature: 36,232,445,952 bytes

Video Bitrate: 36.11 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate:

New Yorker

 

Bitrate:

Bandai

 

Bitrate: Criterion

Blu-ray

Audio Japanese (Dolby Digital 2.0)

Japanese (Dolby Digital 2.0)

LPCM Audio Japanese 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit
Commentary:

Dolby Digital Audio English 192 kbps 1.0 / 48 kHz / 192 kbps / DN -31dB

Subtitles Yellow - English (non-removable) English, Japanese and none English, none
Features Release Information:
Studio: New Yorker Films

Aspect Ratio:
Widescreen letterbox 1.53:1

Edition Details:
• Color
• Production notes
• Theatrical trailer (Japanese and American)
• Widescreen letterbox format

 

DVD Release Date: August 29, 2000
Keep Case

Chapters 8

Release Information:
Studio: Bandai (Japan)

Aspect Ratio:
Widescreen anamorphic - 1.66:1



Edition Details:
• Theatrical Trailer
• Deleted Scenes
• Photo Gallery

DVD Release Date: March 28th, 2003
Keep Case

Chapters 8

Release Information:
Studio:
Criterion

 

1.66:1 1080P Dual-layered Blu-ray

Disc Size: 47,703,394,628 bytes

Feature: 36,232,445,952 bytes

Video Bitrate: 36.11 Mbps

Codec: MPEG-4 AVC Video

 

Edition Details:

• New audio commentary featuring film scholar Linda C. Ehrlich
• New interview with Kore-eda (19:18)
• New interview with stills photographer–cinematographer Masayoshi Sukita (15:38)
• New interview with cinematographer Yutaka Yamazaki (19:41)
• Deleted scenes (16:52)
• Trailer (2:19)


Blu-ray Release Date:
August 10th, 2021
Transparent Blu-ray Case

Chapters 23

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Criterion Blu-ray (July 2021): Criterion have transferred Hirokazu Kore-eda's After Life to Blu-ray. It is cited as being from a "New 2K restoration, approved by writer-director Hirokazu Kore-eda". It was shot on '16mm' (*). The pragmatic production roots are visible in a grainy, less crisp, but pleasing, film-like, textured 1080P image. Colors carry a richness advancing handily upon the DVDs. The Blu-ray produces a consistent image that reflects the 1.66:1 original theatrical appearance extremely well. You can see by our comparison captures below how the Blu-ray improves with a darker image, richer colors and deeper black levels as well as consistently exporting the grain.  

NOTE: (*) The final sequence of the film, when the memories are projected, are presented in 35 mm see HERE, in contrast to the intentional "cinema verite" feel of the 16 mm used for the bulk of the film.

NOTE: We have added 42 more large resolution Blu-ray captures (in lossless PNG format) for DVDBeaver Patrons HERE

On their Blu-ray, Criterion use a linear PCM mono track (24-bit) in the original Japanese language. After Life has non-diagetic music (sound in a film that doesn’t originate from the world of the film.) There is no aggression, almost exclusively dialogue-driven and the audio transfer is authentically flat, and consistent, with a score credited to Yasuhiro Kasamatsu (who also has an acting credit in the film) but there is music played live and, the sounds of a bell on a girl's backpack, and through the end credits among other usage. Dialogue is clean, consistent and expressed subtly. Criterion offer optional English subtitles on their Region 'A' Blu-ray.

The Criterion Blu-ray offers the a new audio commentary by Linda C. Ehrlich, PhD, author of The Films of Kore-eda Hirokazu: An Elemental Cinema. She talks about all facets of the film including the non-professional actors used, the set, shots of hands, empty spaces and comparisons to Yasujiro Ozo. She discusses memory (forming our identity), how some of the participants chose melancholy memories to share. She pauses while we watch scenes together and she discusses many of the director's other works, references to trains (common in the Hirokazu Kore-eda's work,) identifying actors and making valid comparisons. There are also about an hour's worth of interviews; with photographer and cinematographer Masayoshi Sukita, and separately, director of photography Yutaka Yamazaki recorded by the Criterion Collection in Tokyo in 2021. There is also a new interview with writer-director Hirokazu Kore-eda recorded by the Criterion in Seoul, South Korea. There are also a 1/4 hour's worth of deleted scenes entitled 'Treasure of Memory' and there is a trailer. The Blu-ray package contains a liner notes booklet with an essay by novelist Viet Thanh Nguyen.  

Hirokazu Kore-eda's "After Life" prosaically explores the relationship between memory and persona through his meditative use of gentle cinema. What is remarkable is how impressively fluid the film is expressing the perceptions of the past with personal values. It's brilliant cinema - often, appropriately, considered a masterpiece. The premise itself is enough to cause one to reflect for hours. The Criterion Blu-ray, its relevant interviews and commentary are a must-own for cinephiles everywhere. Our strongest recommendation!

***

ON THE DVDs (2004): The New Yorker disc is quite cropped on the left edge and is not as sharp as the Bandai release. I also see some contrast boosting in the Region 1 and quite a lot of film grain the anamorphic Region 2. The New Yorker disc has burned in yellow subtitles. DVDBeaver recommends the Region 2 Bandai release which is an easy winner over the New Yorker.  

 - Gary W. Tooze

The film was shot on 16 mm(*), and it shows (and it should show). In an attempt to clean up the associated graininess, New Yorker has apparently run the film through a digital low-pass (smoothing) filter, causing a general blurring of the image and a lower required bitrate. To  compensate for this decrease in sharpness, New Yorker then applied edge enhancement, which only serves to cause further ugliness (see for example the "halo" around the back of the chair in the first screenshot below).

- Trond Trondsen


 

Recommended Reading for Asian Film Fans (CLICK COVERS or TITLES for more information)

The Japan Journals : 1947-2004,

by  Donald Richie

The Midnight Eye Guide to New Japanese Film
by Tom Mes and Jasper Sharp

Kon Ichikawa (Cinematheque Ontario Monographs)

by James Quandt, Cinematheque Ontario

Shohei Imamura (Cinematheque Ontario Monographs, No. 1)
by James Quandt
Eros Plus Massacre: An Introduction to the Japanese New Wave Cinema (Midland Book, Mb 469)
by David Desser
The Films of Akira Kurosawa by Donald Ritchie

Tokyo Story

by Yasujiro Ozu, Kogo Noda, Donald Richie, Eric Klestadt

Ozu by Donald Ritchie

A Hundred Years of Japanese Film by Donald Richie

Check out more in "The Library"

 

DVD Menus

(New Yorker - Region 1 - NTSC - LEFT vs. Bandai - Region 2 - NTSC - RIGHT)


 

Criterion Spine #1089 - Region 'A' - Blu-ray

 


CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION

 

1) New Yorker - Region 1 - NTSC - TOP

2) Criterion Spine #1089 - Region 'A' - Blu-ray BOTTOM

 

 


1) New Yorker - Region 1 - NTSC - TOP

2) Bandai - Region 2 - NTSC - MIDDLE

3) Criterion Spine #1089 - Region 'A' - Blu-ray BOTTOM



1) New Yorker - Region 1 - NTSC - TOP

2) Bandai - Region 2 - NTSC - MIDDLE

3) Criterion Spine #1089 - Region 'A' - Blu-ray BOTTOM

 

1) New Yorker - Region 1 - NTSC - TOP

2) Bandai - Region 2 - NTSC - MIDDLE

3) Criterion Spine #1089 - Region 'A' - Blu-ray BOTTOM

 


More full resolution (1920 X 1080) Blu-ray Captures for DVDBeaver Patreon Supporters HERE

 


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Report Card:

 

Image:

 Blu-ray

Sound:

 Blu-ray

Extras:  Blu-ray

 

Box Covers

 

BFI came out with a Blu-ray in the UK in 2020:

BONUS CAPTURES:

Distribution

New Yorker

Region 1  - NTSC

Bandai (Japan)
Region 2 - NTSC
Criterion Spine #1089 - Region 'A' - Blu-ray



 

 

 

 

 

 

 

 

 

 

 

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