NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Cleopatra Entertainment Blu-ray (March 2026): Cleopatra Entertainment have transferred Mike Stasko's Vampire Zombies... From Space! to Blu-ray. It offers a solid but somewhat modest technical presentation for this black-and-white indie homage. It's on a single-layered disc with a lowish bitrate, which keeps compression visible in spots but generally adequate for the film's low-key style. Presented in 1080P at a 1.78:1 aspect ratio, the transfer delivers pleasing detail in costumes, period props, practical effects, and dramatic chiaroscuro lighting, with deep blacks, good grayscale nuance, and sharp close-ups that make flashlight beams, cornfield shadows, and grotesque makeup excites effectively. The modern digital capture on Arri Alexa results in an almost overly clean image that can undercut the gritty 1950s B-movie vibe some fans crave and it avoids major artifacts, banding, or noise, ensuring the campy elements (visible bat strings, rubbery gore) remain vivid retaining shock-value.

NOTE: We have added 70 more large resolution Blu-ray captures (in lossless PNG format) for DVDBeaver Patrons HERE

On their Blu-ray, Cleopatra Entertainment use a linear Audio options include two main tracks aside from the commentary: a lossy Dolby Digital 5.1 surround and a linear PCM stereo track. Both deliver clear, punchy sound suited to the film's comedic-horror tone - dialogue remains intelligible and distinct, essential for the pun-heavy, deadpan lines and rapid-fire gags. The score is credited to award-winning Canadian composer Ian McGregor Smith, a versatile musician with decades of experience in film, television, theater, animation, and concert music. Smith crafts an orchestral soundtrack that plays everything completely straight - delivering sweeping, sincere John Williams-inspired cues full of heroic brass swells, tense strings, dramatic builds, and epic flourishes that treat the alien Dracula invasion and vampire-zombie chaos as a genuine high-stakes threat. This earnest approach heightens the film's campy absurdity (bats on visible strings, over-the-top gore) through deliberate contrast, much like how Mel Brooks used serious scoring in Young Frankenstein to amplify the laughs. The full instrumental soundtrack album, released in 2024 with 43 tracks totaling over an hour, is available on platforms like Spotify and Apple Music, featuring cues like "Opening Sequence," "Dracula in Space," "Zombie Appearance 1," and "Battle Montage" that underscore the retro B-movie homage with bombastic, referential flair. Smith's work earned nominations for Best Soundtrack at festivals like Buried Alive Film Festival and South African Horrorfest, reflecting its effective blend of homage and originality. Complementing the orchestral score are period-appropriate diegetic songs that nail the 1950s drive-in vibe. "Twist Then Shake", written by Nathanial Murchison, Isaac MacDonald, Paul Hayes, and Dawson Burnett, and performed by Nate and the Busy Boys, brings upbeat rock 'n' roll energy with its dance-floor-ready lyrics ("I said twist then shake / Them booty bones") and jangly guitars - perfect for injecting fun, nostalgic sock-hop flavor into small-town scenes amid the horror chaos. The track, released as a single in 2024, fits seamlessly into the film's self-aware retro aesthetic, evoking the era's teen rebellion and dance crazes while underscoring the ironic normalcy before the vampire-zombie outbreak escalates. Another key licensed piece is "Smoke! Smoke! Smoke! (That Cigarette)", the classic 1947 Western swing novelty hit written by Merle Travis and Tex Williams, originally performed by Tex Williams and His Western Caravan. This talking-blues-style anthem humorously rants against cigarette addiction (with lines about poker games and dates interrupted by smokes), topping country charts for weeks in the late 1940s and becoming a cultural staple of mid-century Americana. Together, these elements make the film's music a loving patchwork of original epic scoring and authentic period tunes that elevate the B-movie parody into something genuinely infectious and fun. The 5.1 mix offers expanded immersion for effects like humming flying saucers, explosions, ripping flesh, stake thuds, gunfire, crowd panic, and sirens, with noticeable rear-channel activity during the broader invasion sequences; the lossless 2.0 stereo provides a cleaner, more focused front-stage presentation with excellent clarity and dynamics, often preferred by purists for its uncompressed fidelity in a modest home setup. Cleopatra Entertainment offer optional English (SDH) and Spanish subtitles on their Region FREE Blu-ray.

Cleopatra Entertainment packs this Blu-ray release with generous and fan-focused extras that celebrates the film's DIY spirit and horror heritage. Standouts include a lively Director Commentary with Mike Stasko and cast/crew sharing production stories; the Vzfs Cast And Crew Interview Doc (running over 1/4 hour), where Stasko highlights inspirations like Mel Brooks' Young Frankenstein; separate Cult Icons Of Vzfs short interviews with Judith O'Dea (iconic as Barbara from the original Night of the Living Dead) and Lloyd Kaufman (Troma founder); Deleted Scenes (totaling about 5 minutes in total: "Wallace Confronts Greasers", "Clarke And Wallace In Cemetery", "Mary Returns Home", "Mrs. Alfonzo", "Cleaning Up Bodies"; Vzfs Windsor International Film Festival highlights; a Slideshow; and the Vzfs trailer. Cleopatra rounds it out with trailers for their schlocky catalog: Mirror Life: Modern Zombies, Fear Cabin, Cocaine Werewolf, Afraid, The Beast Hand, Silent Bite, and Lion Girl. Overall, this Cleopatra Blu-ray is a respectable, value-packed release for a niche cult comedy-horror that prioritizes charm over blockbuster polish - the modest file size and bitrate keep it efficient on a single-layer disc, while the clean 1.78:1 transfer, strong audio, and loaded extras make it a worthwhile pickup for B-movie lovers who enjoy earnest tributes to Ed Wood, Troma, and drive-in schlock. It doesn't push the envelope on technical dazzle, but it faithfully beams up the film's heartfelt absurdity without major flaws, earning solid marks as a fun, no-apologies gem for genre-craving collectors.

Mike Stasko's Vampire Zombies... From Space! stands as a bold, self-aware Canadian indie horror-comedy that masterfully channels the spirit of 1950s drive-in B-movies while injecting modern irreverence and gore. At its core, the film is an affectionate homage to Ed Wood's low-budget masterpieces like Plan 9 from Outer Space, deliberately embracing visible strings on flying bats, flimsy sets, melodramatic dialogue, and earnest-yet-clumsy special effects to recreate that era's charming technical limitations - yet it never feels like mere mimicry. Instead, Stasko (with co-writers Jakob Skrzypa and Alex Forman) mashes up classic sci-fi invasion tropes, Universal-style Dracula mythology, George Romero's zombie apocalypse framework, and splatter-era gore from the 1970s, creating a hybrid monster that's literally an alien vampire who turns victims into vampire zombies. Vampire Zombies... From Space! is a respectable, value-packed Blu-ray release for a niche cult comedy-horror that prioritizes charm over blockbuster polish - the modest file size and bitrate keep it efficient on a single-layer disc, while the clean 1.78:1 transfer, strong audio, and loaded extras make it a worthwhile pickup for B-movie lovers who enjoy earnest tributes to Ed Wood, Troma, and drive-in schlock. It doesn't push the envelope on technical dazzle, but it faithfully beams up the film's heartfelt nostalgia/homage tones without major flaws, earning solid marks as a fun, no-apologies gem for those who can never get enough of the genre tropes (humming saucers, bared fangs, ripping flesh, stake thuds, crowd panic, and more.) 

Gary Tooze