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S E A R C H    D V D B e a v e r

(aka "Bab el-Hadid" or "Cairo Station" or "The Iron Gate")

 

Directed by Youssef Chahine
Egypt 1958

 

Youssef Chahine established his international reputation with this masterpiece, which, though initially a commercial failure in Egypt, would become one of the most influential and celebrated works in all of Arab cinema. The director himself stars as Kenawi, a disabled newspaper hawker whose obsession with a sultry drink seller (Hind Rostom, known as the “Marilyn Monroe of Arabia”) leads to tragedy of operatic proportions on the streets of Cairo. Blending elements of neorealism with provocative noir-melodrama, Cairo Station is a work of raw populist poetry that explores the individual’s search for a place in Egypt’s new post revolutionary political order.

***

Cairo Station, also known as Bab el Hadid, is a groundbreaking 1958 Egyptian crime-drama film directed by Youssef Chahine, who also stars as the protagonist Qinawi, a disabled newspaper vendor at Cairo's bustling central train station whose unrequited obsession with the beautiful beverage seller Hannuma (played by Hind Rostom) spirals into madness and violence amid union activities led by her fiancé Abu Siri (Farid Shawqi) and a backdrop of unsolved murders.

Blending Italian neorealism with film noir elements, the movie offers a vivid slice-of-life portrayal of 1950s Egyptian society, tackling themes of sexual repression, class struggles, gender-based violence, and psychological turmoil in the post-revolutionary era, pushing the boundaries of Egyptian cinema before its nationalization.

Initially met with outrage from Egyptian audiences expecting lighter fare, it was rediscovered internationally in the 1970s as a masterpiece, earning acclaim for its bold social commentary and innovative style.

Posters

Theatrical Release: January 20th, 1958

 

Review: Criterion - Region 'A' - Blu-ray

Box Cover

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BONUS CAPTURES:

Distribution Criterion Spine #1273 - Region 'A' - Blu-ray
Runtime 1:17:03.785    
Video

1.37:1 1080P Dual-layered Blu-ray

Disc Size: 47,447,091,908 bytes

Feature: 22,583,586,816 bytes

Video Bitrate: 34.99 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate Blu-ray:

Audio

LPCM Audio Arabic 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit

Subtitles English, None
Features Release Information:
Studio:
Criterion

 

1.37:1 1080P Dual-layered Blu-ray

Disc Size: 47,447,091,908 bytes

Feature: 22,583,586,816 bytes

Video Bitrate: 34.99 Mbps

Codec: MPEG-4 AVC Video

 

Edition Details:

Cairo as Seen by Chahine (23:55)

• An introduction by film scholar Joseph Fahim for Cairo as Seen by Chahine (5:55)
• New interview with Fahim (27:31)
• Chahine . . . Why? (2009), a documentary on the director and Cairo Station (25:01)
• Excerpt from Chahine’s appearance at the 1998 Midnight Sun Film Festival (11:03)
PLUS: An essay by Fahim


Blu-ray Release Date:
August 12th, 2025
Transparent Blu-ray Case

Chapters 10

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Criterion Blu-ray (August 2025): Criterion have transferred Youssef Chahine's Cairo Station to Blu-ray. It is cited as "New 4K digital restoration, and a new 2K digital restoration of Cairo as Seen by Chahine (1991), a short documentary by Youssef Chahine". The 1080P pristinely supports the visually rich palette that fuses long shots echoing Italian neorealism with the shadowy, high-contrast aesthetics of film noir to capture the bustling energy and underlying darkness of the setting. Cinematographer Alevise Orfanelli's work emphasizes epic, spooky atmospheres through triangular smoke patterns, metal beasts of trains, and chiaroscuro lighting that heightens dread. The high-definition transfer captures the epic scope of locomotive montages and intimate psychological moments with remarkable fidelity, making the urban chaos and emotional turmoil pop off the screen in a way that honors Chahine's visionary direction and Orfanelli's cinematography, resulting in a visual experience that feels both timeless and freshly revitalized for modern viewers.

NOTE: We have added 64 more large resolution Blu-ray captures (in lossless PNG format) for DVDBeaver Patrons HERE

On their Blu-ray, Criterion use a linear PCM mono track (24-bit) in the original Arabic language. Fouad El Zahiri's biblical-sounding music amplifies the station's mythical shrine-like quality, blending with stylized set pieces like a rock 'n' roll dance sequence where Hannuma winks at the camera, injecting levity amid tension. The score is spectacularly tense, blending robust yet sinister melodies that heighten suspense - particularly in sequences of stalking and confrontation. Music integrates diegetically as well, such as in a rock 'n' roll dance scene where upbeat tunes inject levity and cultural commentary, contrasting with the score's darker undertones to reflect the film's genre hybridity. Sound design further enhances realism and subversion, using grimy, tragic acoustics in a rebellious manner to immerse viewers in the station's oppressive atmosphere, where echoes of labor unrest and personal turmoil blend seamlessly. Dialogue comes through crisp and intelligible via the uncompressed, even amid the cacophonous ambient sounds of the train station - clanging metal, crowd murmurs, and train whistles - that immerse the listener in the bustling environment without overwhelming the narrative. Criterion offer optional English subtitles on their Region 'A' Blu-ray.

Criterion packs this Blu-ray release with a thoughtful array of supplements that deepen appreciation for Chahine's masterpiece, starting with a new 2K digital restoration of Cairo as Seen by Chahine (1991), a 24 minute short documentary by the director himself, introduced by film scholar Joseph Fahim in a 6 minute segment that provides contextual insights into its creation. A new 1/2 hour interview with Fahim offers scholarly analysis of the film's themes and legacy, while the 25 minute documentary Chahine... Why? (2009) explores the director's motivations and the production of Cairo Station. Additional highlights include a dozen minutes of excerpts from Chahine’s 1998 Midnight Sun Film Festival appearance, where he discusses his work candidly. Rounding out the package is a liner notes booklet with an essay by Fahim.

Youssef Chahine's Cairo Station stands as a landmark in Egyptian and Arab cinema, marking a pivotal shift in Chahine's career from commercial melodramas to auteur-driven works that blend social realism with psychological depth. As Chahine's eleventh feature film, it represents his first major artistic breakthrough, establishing him as a leading figure in international cinema. At its core, Cairo Station dissects sexual repression in a conservative, post-revolutionary society, portraying Qinawi's obsession as a manifestation of suppressed desires exacerbated by urban alienation and disability stigma. The film critiques urban modernity versus rural tradition, with the station as a chaotic intersection of classes, genders, and cultures, highlighting themes of ableism, feminism, chauvinism, and cultural shifts in a transforming Egypt. Chahine employs rich symbolism to deepen the film's layers. The train station itself symbolizes Egypt's heart - a pulsating hub of motion, emotion, and conflict, representing the nation's post-colonial flux and the clash between tradition and modernity. Trains evoke phallic power and inevitable progress, often juxtaposed with sexual tension, as in a scene where railway bars sink under a train's weight during a spied-upon intimate moment, foreshadowing violence. While the film's bold exploration of repression and society remains as relevant as ever, this Blu-ray package elevates the viewing experience through meticulous technical care and enriching bonus features, justifying its place in any serious world cinema collection and affirming Criterion's commitment to global film preservation - highly recommended! 

Gary Tooze

 


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Box Cover

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Distribution Criterion Spine #1273 - Region 'A' - Blu-ray


 


 

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