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S E A R C H    D V D B e a v e r

(aka "O Drakos" or "The Ogre" or "The Ogre of Athens" or "The Vampire")

 

Directed by Nikos Koundouros
Greece 1956

 

Shy and modest bank clerk Thomas is mistaken for 'The Ogre', a notorious criminal mastermind who rules the streets of Athens.


Despite his best efforts, shy and modest bank clerk Thomas (Dinos Iliopoulos) struggles to fit in with the pace of modern life. On New Year's Eve, a comedy of errors ensues and Thomas is mistaken for 'The Ogre', a notorious criminal mastermind who rules the streets of Athens. Suddenly, men respect him and a woman is interested in him - it's all he's ever wanted. However, everything comes with a price and Thomas is soon out of his depth when his unwitting white lie unravels.

Rich with physical comedy and sharp social commentary, this satirical crime drama from director Nikos Koundouros (Young Aphrodites) was a commercial disaster on release and is now considered to be a true classic of modern Greek cinema.

***

Nikos Koundouros's "The Ogre of Athens" (original title: O Drakos), released in 1956, is a seminal Greek film that blends existential drama, satire, and crime noir elements, following the story of Thomas, a timid bank clerk who is mistakenly identified as a notorious criminal known as "The Dragon" due to his uncanny resemblance, leading him to reluctantly assume control of the underworld amid chaotic New Year's Eve festivities.

Rich with physical comedy, sharp social commentary on identity and delusion, and influences from American film noir, the movie was initially a commercial flop but has since been hailed as a masterpiece of early black-and-white Greek cinema, even voted the greatest Greek film of all time by the Pan-Hellenic Association of Film Critics in 2006.

Koundouros's direction, paired with Iakovos Kambanellis's screenplay, crafts a potent critique of post-war Greek society, exploring themes of mistaken identity, power, and self-deception through its protagonist's brief foray into criminality.

Posters

Theatrical Release: March 5th, 1956

 

Review: Radiance - Region FREE - Blu-ray

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Distribution Radiance - Region FREE - Blu-ray
Runtime 1:43:31.830        
Video

1.37:1 1080P Dual-layered Blu-ray

Disc Size: 38,539,671,298 bytes

Feature: 30,265,752,960 bytes

Video Bitrate: 34.90 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate Blu-ray:

Audio

LPCM Audio Greek 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit

Subtitles English, None
Features Release Information:
Studio:
Radiance

 

1.37:1 1080P Dual-layered Blu-ray

Disc Size: 38,539,671,298 bytes

Feature: 30,265,752,960 bytes

Video Bitrate: 34.90 Mbps

Codec: MPEG-4 AVC Video

 

Edition Details:

• New introduction from Jonathan Franzen (2025 - 7:17)
• New interview with critic Christina Newland (2025 - 11:05)
• New interview with Greek film expert Dimitris Papanikolaou (2025 - 25:46)
Reversible sleeve featuring designs based on original posters
Limited edition booklet featuring new writing by Andréas Giannopoulos and extract from Jonathan Franzen’s Freedom


Blu-ray Release Date: November 17th, 2025

Transparent Blu-ray Case

Chapters 12

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Radiance Blu-ray (November 2025): Radiance have transferred Nikos Koundouros's The Ogre Of Athens to Blu-ray. It boasts a high-definition 1080P transfer sourced from a 4K restoration of the original negative, preserved by the Greek Cinemateque, presenting the film in the 1.37:1 aspect ratio that delivers a ravishing visual experience, highlighting cinematographer Kostas Theodoridis's masterful high-contrast chiaroscuro lighting and neorealist depictions of postwar Athens' gritty streets, alleys, and cabarets. While the transfer showcases superb fine detail in close-ups, costumes, and atmospheric shadows, it retains some recurrent minor damage like vertical scratches and blemishes, particularly noticeable against the epic blacks, yet the grain resolves naturally without compression issues, resulting in a luminous and authentic presentation that far surpasses previous versions despite light wear in spots. This visual style draws heavily from Italian neorealism, as seen in Koundouros's debut Magic City (1954), but adapts it to a Greek context by documenting the ruins and class struggles of a society recovering from World War II and the Civil War, using non-professional actors in neorealist casting to heighten the film's raw, documentary-like feel. The HD presentation appears authentic to the source producing a very positive, worry-free, viewing experience.

NOTE: We have added 54 more large resolution Blu-ray captures (in lossless PNG format) for DVDBeaver Patrons HERE

On their Blu-ray, Radiance use a linear PCM mono track (24-bit) in the original Greek language. The soundscape of The Ogre of Athens is aurally arresting, creating an aura of fear, unease, and surrealism that complements the visual tension. The film's music, composed by Manos Hadjidakis (Topkapi) in collaboration with rebetiko legend Vassilis Tsitsanis (the Greek songwriter and bouzouki player who's music was featured in Woody Allen's Mighty Aphrodite - he wrote more than 500 songs) is a phantasmagorical score that blends urban folk traditions with orchestral elements, adding profound emotional depth and tension to the carefully shot scenes. Hadjidakis, known for his efforts to rehabilitate rebetiko music - exalting composers like Tsitsanis for their economy of expression, traditional roots, and genuine emotion - infuses the soundtrack with rebetiko influences, such as bouzouki-driven rhythms and melancholic melodies that reflect the raw, marginalized spirit of postwar Greece. Specific styles include ritualistic dances like the zeibekiko, underscored by somber traditional Greek music that highlights performative masculinity and collective disillusionment, while the score's surreal, tension-building qualities amplify the narrative's satirical edge and existential undertones, evoking a town gripped by nebulous criminal fear similar to films like Le Corbeau. Though some slight variances in high-end frequencies and amplitude are evident, along with a light underlying hiss - preferable to over-processed alternatives in vintage restorations, the track remains clear and immersive. Radiance offer optional English subtitles on their Region FREE Blu-ray.

This limited edition Radiance Blu-ray offers new thoughtful supplements, including a 7 minute introduction by novelist Jonathan Franzen, where he discusses discovering the film at a young age and its significant influence on his novel Freedom; a dozen minute critical analysis by writer and historian Christina Newland  (She Found it at the Movies: Women Writers on Sex, Desire and Cinema,) delving into the film's themes, production, and legacy; and an in-depth 26 minute interview with Greek film expert Dimitris Papanikolaou (Greek Weird Wave: A Cinema of Biopolitics,) contextualizing the movie within the 'Golden Age' of Greek cinema, its unusual role, and lasting impact on subsequent works. Additional features include a reversible sleeve with designs based on original posters, and a limited edition booklet containing new writing by Andréas Giannopoulos alongside an extract from Franzen's Freedom.

Nikos Koundouros's The Ogre Of Athens stands as a landmark in Greek cinema, blending elements of film noir, neorealism, and satire to dissect post-war societal malaise. Initially a commercial flop, it has since been reevaluated as a masterpiece, voted the greatest Greek film of all time by the Pan-Hellenic Association of Film Critics in 2006 and recognized for reshaping Greek cinematic aesthetics. At its core, The Ogre of Athens grapples with the alienation of the modern individual in a hostile post-war society, where fear imposed by centralized government and foreign influences erodes personal and national identity. The theme of mistaken identity serves as a metaphor for self-delusion and the seductive allure of power, as Thomas's transformation from a timid everyman to a criminal overlord highlights how ordinary people can be swept into moral grey zones by circumstance and desperation. Socio-political commentary permeates the film, critiquing Greece's subservience to the West - symbolized by the gang's plan to commodify ancient heritage for American profit - and the normalization of violence under authoritarianism, where the state turns a blind eye to crime that sustains oppression. Love, betrayal, and innocence lost are explored through Thomas and Roula's relationship, portraying them as kindred lonely souls trapped in a world of exploitation, while broader motifs of cultural pillaging and existential homelessness reflect the psychological scars of the Greek Civil War. The film's moral ambiguity rejects clear heroes or villains, instead presenting characters as products of a disillusioned society dazzled by illusions of freedom and machismo. Upon release, it faced backlash as "anti-Greek" from both political sides, leading to poor box office performance and calls for bans, yet it won best film (1955–1959) at the inaugural Thessaloniki Film Festival and screened at Venice. Its enduring legacy lies in exposing post-war traumas through a lens of cruel realism, influencing subsequent Greek films by prioritizing ambiguity over resolution. Radiance Films' Blu-ray release of The Ogre of Athens is a triumphant rediscovery effort for this Greek cinema masterpiece, offering highly pleasing video restoration, solid audio fidelity, and insightful extras that illuminate its cultural and artistic significance, making it an essential pickup for world cinema enthusiasts and collectors despite minor source-inherent flaws. This edition not only revives Koundouros's satirical gem with technical excellence but also underscores its timeless themes of identity and societal critique, earning a strong recommendation as a visually arresting and thought-provoking package that outshines its initial commercial fate.

Gary Tooze

 


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Distribution Radiance - Region FREE - Blu-ray


 


 

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