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(aka "The Heritage of Adventure" )
directed by Harold M. Wyckoff
Canada 1920
In order to commemorate the two-hundredth-and-fiftieth anniversary of the Hudson's Bay Company - incorporated by English royal charter in 1670 as The Governor and Company of Adventurers of England trading into Hudson's Bay- the company commissioned the New York-based Education Films Corporation in 1919 to create a film documenting the annual trip of the transport ship Nascopie up north from Montreal to to Fort Chipewyan starting the journey on July 19, 1919. A year before Robert Flaherty's NANOOK OF THE NORTH, filmmaker Harold Wyckoff - with colleague Bill Derr along to document The Trials and Tribulations of a Cameraman (as seen in the titular short) - Wyckoff scripted "Reminiscences: The Life of an Eskimo", the film-within-a-film shot on Baffin Island as told by local to the Nascopie's Captain Mack. The dual-language intertitles would be the first time Inuit syllabics would be seen in film. Getting off the Nascopie at Moose Factory, Wyckoff and Derr headed south down the Abitibi River by canoe with eight Cree guides to Cochrane where they boarded a train. Derr would depart the trip at Winnipeg while Wyckoff traveled on to the logging town of Vancouver. The most controversial leg of Wyckoff's journey would turn out to be Alert Bay where he captured images of First Nation peoples in potlatch regalia despite laws forbidding the practice. Traveling from Alberta to Fort Chipewyan, Wyckoff and crew would cross the frozen Athabasca River on foot, reaching in December of the year their final destination (where the Chief of the Chipewyans has a special message for the King that did not make the British version of the film). Edited in New York with input from HBC consultants from Canada and London, the film would be screened in full (a two hour cut trimmed down from its initial four hours) during the anniversary ceremonies in Canada and in an hour-and-a-half cut in England. The length of the film worked against it for screenings outside the festivities and in America, but extracts from the film along with rushes and outtakes would be repurposed into a number of short featurettes suitable for the programmes of film exhibitors of the period. All of this footage would disappear from view when it was transferred to the HBC Archives in London. Lacking the means to preserve the materials, the archives donated it to the British Film Institute in 1956 where it was accessible to those who knew of its existence and contents (among them historian Dr. Peter Gellar who became aware of the BFI holdings in the 1990s). The archives were transferred to Winnipeg in the seventies along with all written documentation about the films which remained in the UK. The repatriation of the films to the HBC Archives in 2010 came about amidst renewed interest in footage sparked by a Winnipeg Cinematheque film event and panel by filmmaker Kevin Nikkel exploring the HBC's impact on the Canadian North. The restoration recently released on DVD is regarded as a work in progress owing to the ambiguities surrounding the original editing decisions as well as new historical and cultural contexts of the footage. |
DVD Review: Five Door Films - Region 0 - NTSC
Big thanks to Eric Cotenas for the Review!
DVD Box Cover |
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Distribution |
Five Door Films Region 0 - NTSC |
Runtime | 1:59:32 |
Video |
1.32:1 Original Aspect Ratio
16X9 enhanced
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate |
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Audio | Music LPCM 2.0 stereo |
Subtitles | English (intertitles) |
Features |
Release
Information: Studio: Five Door Films
Aspect Ratio:
Edition
Details: Chapters 24 |
Comments |
Five Door
Films' dual-layer, pillarboxed anamorphic
presentation of this work-in-progress
restoration is not as immaculately restored
as some silent films from the era but one
has to take into consideration that the
nitrate elements were restored under less
than optimal conditions for over thirty
years in the Hudson's Bay Company London
office before the materials were donated for
preservation to the British Film Institute
(and subsequently donated back to the
Hudson's Bay Company Archives in Winnipeg in
2011). All of the materials were scanned in
2K in London by Prime Focus while the
editing (including the insertion of frames
to present the 18fps feature and shorts at
24fps), digital clean-up, tinting, and
grading were done in Canada. The dual-layer
encode is presented in pillarboxed 16:9
while the contemporary score by Nathan
Reimer is encoded in LCPM 2.0 stereo. |
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DVD Box Cover |
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Distribution |
Five Door Films Region 0 - NTSC |
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